Below are images from Season Three of "ARROW", the CW adaptation of the D.C. Comics hero, the Green Arrow. Created by Greg Berlanti, Marc Guggenheim, and Andrew Kreisberg; the series stars Stephen Amell as Oliver Queen aka the Arrow:
"ARROW" SEASON THREE (2014-2015) Photo Gallery
"FLASHMAN AT THE CHARGE" (1973) Book Review
Serving as the fourth entry in George MacDonald Fraser’s The Flashman Papers, this 1973 novel continued the story of Harry Flashman, a character previously from the 1857 novel, "Tom Brown’s Schooldays" and now a British Army officer in Fraser’s novels. This particular novel, "FLASHMAN AT THE CHARGE", recalled Flashman’s experiences during the Crimean War (1854-1856) and Imperial Russia’s expansion into Central Asia.
One could say that "FLASHMAN AT THE CHARGE" could almost serve as a prequel to Fraser’s 1975 novel about the Sepoy Rebellion, "FLASHMAN IN THE GREAT GAME". Almost. But it seemed quite obvious to me that the latter is a sequel to the 1973 novel. At least two supporting characters from this novel reappeared in "FLASHMAN IN THE GREAT GAME". And the theme of Imperial Russia’s attempts to wrestle control of India from Great Britain in the 1975 novel, began in this novel.
The 1973 novel began with Harry Flashman enjoying the London social scene with his beautiful wife, Elspeth. With Great Britain on the brink of war against Russia on Turkey’s behalf, the cowardly Flashman believed that the only way to avoid combat was to have his Uncle Bindley secure him a post with the Board of Ordinance – the British Army’s armory. However, Flashman’s luck failed to hold (not surprisingly) and his meeting with the young German prince, William of Celle (a relation of Queen Victoria and Prince Albert) led him to become a staff galloper for Lord Raglan, the British Army’s Commander-in-Chief. The new position drew Harry against his will into the chaos of the Crimean War and in becoming a participant of one of history’s most infamous cavalry engagements – the Charge of the Light Brigade. This famous military action also led him to becoming a prisoner-of-war at the estate of a Cossack nobleman named Count Pencherjevsky
At Count Pencherjevsky’s estate, Starkosk, Flashman has a reunion with a former Rugby schoolmate, Harry "Scud" East. After the two English prisoners learned of Russia’s plans to invade India and kick the British out, they decided to make their escape following a serf uprising at Starkosk. Unfortunately for Flashman, a sleigh accident led to his recapture by the Russians and a political officer named Count Nicholas Ignitieff. Flashy’s incarceration at Fort Raim led him to an acquaintance with two famous Muslim freedom fighters from the state of Kokodad, Yakub Beg and Issat Kutebar. Luck finally caught up with Flashman, when he and his two new acquaintances are rescued by Yakub Beg’s mistress, Ko Dali’s daughter, and a band of Kokodans. Following the rescue, Harry participated in one last action against the Russians against his will . . . so to speak.
I must admit that "FLASHMAN AT THE CHARGE" turned out to be a well-structured and well-written novel. Unless I am mistaken, the novel was written into three parts – the London prelude, Flashman’s Crimean War experiences that included his time as a prisoner-of-war at the Starkosk estate, and finally his incarceration at Fort Raim and experiences with the Kokadans. Fraser began the novel on a strong note and finished it in a similar manner. My only sole complaint centered on Flashman’s journey to Starkosk and his time at the estate. In short, it seemed to me that the sequence threatened to bog down the pace. I suspect that Fraser’s in-depth look into Imperial Russian serfdom during this sequence is responsible. As much as I found it interesting, I also wondered if Fraser got caught up in his subject, which would seem ironic considering his failure to explore American slavery in the 1971 novel, "FLASH FOR FREEDOM!". As much as I had enjoyed Flashman’s time spent with Count Pencherjevsky and his family on the Starkosk estate, no one felt more relieved than me when he and "Scud" East finally escaped, thanks to a serf uprising. I had become rather weary of Flashman’s period as a prisoner-of-war.
Despite some of my problems with the novel, I cannot deny that "FLASHMAN AT THE CHARGE" is a well-written novel. Fraser did an excellent job in recapturing London during the early and mid 1850s and Great Britain’s pro-war mood on the cusp of the Crimean War. He also expertly drew readers into the world of the British Army during the first months of the war. His description of the Army caps and hospitals at Alma just before the Battle of Balaclava literally had me cringing in my seat a bit:
"So the siege was laid, the French and ourselves sitting down on the muddy, rain-sodden gullied plateau before Sevastopol, the dismalest place on earth, with no proper quarters but a few poor huts and tents, and everything to be carted up from Balaclava on the coast eight miles away. Soon the camp, and the road to it, was a stinking quagmire; everyone looked and felt filthy, the rations were poor, the work of preparing the siege was cruel hard (for the men, anyway), and all the bounce there had been in the army after Alma evaporated in the dank, feverish rain by day and the biting cold by night. Soon half of us were lousy, as some wags said, who’d holiday at Brighton if he could come to sunny Sevastopol instead?"
Another memorable passage featured Flashman’s participation in the Light Brigade Charge. Fraser did a superb job in describing not only the Battle of Balaclava, but particularly the Light Brigade Charge. I found his description of the famous military charge filled with heady action, chaos and terror – especially from Flashman’s point-of-view:
"I had only a moment to look back – my mare was galloping like a thing demented, as I steadied, there was Cardigan, waving his sabre and standing in his stirrups; the guns were only a hundred yards away, almost hiddenin a great billowing bank of smoke, a bank which kept glaring red as though some Lucifer were opening furnace doors deep inside it. There was no turning, no holding back, and even in that deafening thunder I could hear the sudden chorus of yells behind me as the torn remnant of the Light Brigade gathered itself for the final mad charge into the battery. I dug my heels, yelling nonsense and brandishing my sabre, shot into the smoke with one final rip from my bowels and a prayer that my gallant little mare wouldn’t career headlong into a gun-muzzle, staggered at the fearful concussion of a gun exploding within a yard of me – and then we were through, into the open space behind the guns, leaping the limbers and ammunition boxes with the Russians scattering to let us through, and Cardigan a bare two yards away, reining his beast back almost on its haunches."
However, one of my favorite chapters in the novel featured Flashman and the Kokordans’ attempts to destroy the Russian gunboats filled with weapons to be used against the Kokordans and the invasion of India. Before this battle took place, Ko Dali’s daughter drugged the cowardly officer with hashish (bhang) in order to force him to overcome his fear for the operation. The scene of the cowardly Flashy acting like George Armstrong Custer on crack struck me as one of the funniest passages in the entire series:
"God, what a chaos it was! I was galloping like a dervish at Kutebar’s heels, roaring 'Hark forrard! Ha-ha, you bloody foreigners, Flashy’s here!', careering through the narrow spaces between the sheds, with the muskets banging off to our left, startled sleepers crying out, and everyone yelling like be-damned. As we burst headlong onto the last stretch of open beach, and swerved past the landward end of the pier, some stout Russian was bawling and letting fly with a pistol; I left off singing 'Rule, Britannia' to take a shot at him, but missed, and there ahead someone was waving a torch and calling, and suddenly there were dark figures all around us, clutching at our bridles, almost pulling us from the saddles towards a big go-down on the north side of the pier."
George MacDonald Fraser did take historical liberties with one particular character – the novel’s main villain, Count Nicholas Ignatieff. The author described the Russian character in the following manner:
"And as our eyes met through the cigarette smoke I thought, hollo, this is another of those momentous encounters. You didn’t have to look at this chap twice to remember him forever. It was the eyes, as it so often is – I thought in that moment of Bismarck, and Charity Spring, and Akbar Khan; it had been the eyes with them, too. But this fellow’s were different from anything yet: one was blue, but the other had a divided iris, half-blue, half-brown, and the oddly fascinating effect of this was that you didn’t know where to look, but kept shifting from one to the other.
For the rest, he had a gingerish, curling hair and square, masterful face that was no way impaired by a badly-broken nose. He looked tough, and immensely self-assured; it was in his glance, in the abrupt way he moved, in the slant of the long cigarette between his fingers, in the rakish tilt of his peaked cap, in the immaculate white tunic of the Imperial Guards. He was the kind who knew exactly what was what, where everything was, and precisely who was who – especially himself. He was probably a devil with women, admired by his superiors, hated by his rivals, and abjectly feared by his subordinates. One word summed him up: bastard."
The above passage described Flashman’s opinion of Ignatieff during their first meeting on the road to Starkosk. They met for the second time, when Flashman and "Scud" East overheard Ignatieff, Czar Nicholas I and other Russian officials discuss plans to invade India during a secret meeting at Starkosk. And their third and final encounter happened after Flashman was recaptured, following his escape from Starkosk and attempt to reach the British lines on the Crimean peninsula. It was Ignatieff who tossed Flashman into the prison at Fort Raim. From what I have read, the real Ignatieff had never been quite the villain as portrayed in "FLASHMAN AT THE CHARGE". Fraser even admitted that he taken liberties with the character in order to provide the novel with a main villain. Mind you, I believe he could have done that a lot easier with a fictional character. Why he had decided to take a historical figure and change his character in order to make him an effective villain is beyond me.
After reading "FLASHMAN AT THE CHARGE", it is easy to see why it remains very popular with many fans of Fraser’s novels. It is a well written comic-adventure tale filled with interesting characters – fictional and historical. The novel also featured two very unique passages, namely the infamous Charge of the Light Brigade and the usually cowardly Flashman behaving in a brave and aggressive man during a major battle. "FLASHMAN AT THE CHARGE" also happened to be one of those rare Flashman novels that began and ended on a strong note. Not only does it remain popular with many Flashman fans, but I also personally consider it to be one of Fraser’s better works.
”TWILIGHT” (2008) Review
When I first saw the previews for the 2008 adaptation of Stephanie Meyer’s 2005 novel about teenage love and vampires, I had no idea that I had glimpsed into an adolescent literary phenomenon. About a week before the movie’s U.S. release, I finally realized what ”TWILIGHT” was all about when I read about the book series in several articles on the Internet.
Directed by Catherine Hardwicke, ”TWILIGHT” is about seventeen-year-old Isabella "Bella" Swan, who moves to the small town of Forks, Washington in order to live with her divorced father, Charlie Swan, who is the town's chief of police. There, she finds herself drawn to a mysterious classmate, Edward Cullen, who is revealed to be a 108-year-old vampire, despite being physically seventeen. Although Edward discourages the romance at first, they eventually fall deeply in love. The arrival of three nomadic vampires, James, Laurent, and Victoria, puts Bella's life in danger. Edward and his family - Alice, Carlisle, Esme, Jasper, Emmett and Rosalie - put their lives at stake to save her.
I am trying to fight off the inevitable – namely give my opinion of the movie – but I might as well get it over with. I wish I could say that I loved ”TWILIGHT”. After all, the premise reminded me of the first three seasons of a favorite television series of mine, ”BUFFY THE VAMPIRE SLAYER” (1997-2003). But I barely liked the movie. "TWILIGHT" not only moved at a ridiculously low pace, but I barely found it original. Who am I kidding? Aside from the portrayal of vampires as one-dimensional good guys whose skin glistens in the sunlight, the story lacked any semblance of originality.
I found myself watching scenes that strongly resembled certain episodes from ”BUFFY”, including one that featured Edward feeding from Bella’s blood. Not only do Edward and Bella reminded me of Buffy and Angel, with less bite or complexity, but they also reminded me of the two leads from ”BEAUTY AND THE BEAST” (1987-1990) - Catherine and Vincent. By the way, I was never a fan of the Buffy and Angel relationship. I found it barely tolerable, which is why I preferred Buffy’s more complex and messier relationship with Spike, the series’ other major vampire character. As for ”BEAUTY AND THE BEAST”, I never became a fan. I found it a big yawn fest. But I was willing to give ”TWILIGHT” a chance. Unfortunately, Melissa Rosenberg’s script barely kept me awake. The dark and wet Pacific Northwest setting did not help.
The cast for ”TWILIGHT” seemed solid. Somewhat. Both Kristen Stewart and Robert Pattinson, as Bella Swan and Edward Cullen, managed to generate chemistry. Somewhat. Mind you, I found nothing electrifying about their screen chemistry or performances. I also feel that Pattinson managed to create a more memorable performance than the rest of the cast. Unfortunately, there were moments when he seemed in danger of overdoing it with the Byronic hero persona. Poor Stewart seemed to be stuck with a role that bordered on being dangerously passive for a female lead. Is it any wonder that I found their relationship somewhat disturbing? As for the rest of the cast, I found nothing memorable about them – including Billy Burke, who portrayed Bella’s father or Cam Gigande (James), who came off as an early Spike wannabe. The teen roles in this movie annoyed me to no end. I realize that many years have passed since I was in high school, but I could have sworn that my fellow schoolmates had sounded more intelligent . . . and interesting than Bella and her school friends.
I wish I could say more about ”TWILIGHT”, but I cannot. I simply was not that impressed with the film. It was not a bad film. It had some good moments, which included a showdown between Edward and James at Bella’s old dance school in Phoenix. But it certainly was not a good one. Between Hardwicke’s lethargic direction, Rosenberg’s screenplay and the mildly interesting performances by the cast, I failed to become a fan of this movie.
