"INDEPENDENCE DAY: RESURGENCE" (2016) Review
Back in the 1990s, Twentieth Century Fox Studios, producer Dean Devlin and producer-director Roland Emmerich delivered a science-fiction epic about an alien invasion during the Fourth of July holiday. Hence, the title -"INDEPENDENCE DAY".
Years later, the studio and the two producers delivered a sequel to the 1996 blockbuster. This movie, "INDEPENDENCE DAY: RESURGENCE", featured some of the same characters and the same aliens. And . . . this movie was set during the twentieth anniversary of humanity's previous victory against the aliens - on the Fourth of July.
In anticipation of the invading aliens' return, the United Nations have collaborated to form the Earth Space Defense (ESD), an international military defense and research organization that has developed hybrid technology, reverse-engineered from the invaders' fallen ships in anticipation that they would return. When the returning aliens again attack Earth with an advanced and unprecedented force, a new generation of defenders from the ESD joins forces with the surviving protagonists from the 1996 film to participate in a battle to save the world from annihilation. Humanity also discovers that their adversary might also have other enemies of their own. Among the survivors from the first film are:
* David Levinson - the MIT-educated computer expert, environmental activist and one of the heroes from the 1996 film, who has become the ESD Director in charge of the civilian sector
*Thomas J. Whitmore - the former U.S. president during the first invasion and former Gulf War pilot, who has been suffering from occasional bouts of PTS from the previous invasion
*Julius Levinson - David's widowed father, who has written a book about his previous experiences from the previous invasion
* Dr. Brakish Okun - the comatose Area 51 scientist, who has awaken after 20 years
*Jasmine Dubrow-Hiller - widow of the late war hero Steven Hiller and a former exotic dancer, who had returned to school to study nursing and become a hospital administrator
*Dylan Dubrow-Hiller - Jasmine's son and Steven Hiller's stepson, who became a pilot and captain in ESD; and a fleet leader of the Legacy Squadron
*Patricia Whitmore - Whitmore's daughter, who is not only an ESD pilot, but also aide to the current president, Elizabeth Lanford
*William Grey - retired U.S.M.C. general, Whitmore's former head of the United States Space Command, who had succeeded the latter as U.S. President
The movie also featured new characters, but I will get to them later.
The movie begins with the world preparing to celebrate the twentieth anniversary of its victory over the aliens. David Levinson and ESD colleague Dr. Catherine Marceaux travel to the Republique Nationale d'Umbutu to meet with warlord Dikembe Umbutu, who leads him to an intact alien destroyer. Aboard the ship, they discover that the alien occupants had sent a distress call to their home planet before being defeated. Furthermore, Levinson and Marceaux discover that Umbutu has been telepathically linked with the aliens ever since his personal encounter with one, years ago. They also discover that both former President Whitmore and Dr. Okun, who awakens at Area 51 after a twenty-year coma, are also among those who are telepathically linked with the aliens, due to their previous encounters.
The following day, an unknown alien ship or sphere emerges from a wormhole near Earth. Although Dr. Levinson believes it might belong to a race that might be benevolent, Earth's Security Council orders it to be shot down. When ESD pilots Jake Morrison (Patricia Whitmore's fiance) and Charlie Miller take Levinson, Marceaux, Umbutu, and Levinson's accountant Floyd Rosenberg to the alien wreckage on a space tug; an alien mothership appears and destroys Earth's planetary defenses before approaching the planet. The mothership then lands over the Atlantic Ocean and begins destroying cities on the Eastern Seaboard. The alien invaders also begin drilling a hole through the bottom of Earth to harvest the heat of the planet's core for fuel, which will destroy its magnetic field in the process.
I once came across an article in which producer-director Roland Emmerich admitted that he did not like making sequels. While watching "INDEPENDENCE DAY: RESURGENCE", I found it easy to believe his words. The movie, pardon for saying this, seemed to lacked heart. It also seemed to lacked the magic of its 1996 predecessor and a handful of other movies directed by Emmerich. I am aware that "INDEPENDENCE DAY" had its problems. But it still had a magic and energy that was particularly lacking in this new sequel. It seemed as if Emmerich was going through the motions, while directing this film. But you know what? He was not solely to blame. I also had a problem with the film's screenplay, written by Emmerich, Devlin and three other screenwriters.
First of all, this movie seemed to lack any kind of originality whatsoever. It was bad enough that it tried to copy some of the aspects of the 1996 - especially with the movie's finale set at Area 51. I also noticed that the movie tried to copy the old "refugees caught up in the alien invasion" with a sequence that featured David Levinson's father, Julius, traveling from Florida to Nevada with a car full of recently orphaned kids. The problem with this particular sequence is that it did not last very long, due to Mr. Levinson and his companions reaching Nevada rather quickly. Too quickly, if I must be honest. "INDEPENDENCE DAY: RESURGENCE" also utilized the old "drilling to the Earth's core" spiel from movies like 1976'S "AT EARTH'S CORE" and 2003's "THE CORE", a storyline that failed to generate any interest within me.
I certainly had a problem with the movie's portrayal of the central (and fictional) African nation, the Republique Nationale d'Umbutu. I found it so stupid. According to a Wiki page, the country came into existence by a local warlord in the wake of the invasion from the previous movie. But the warlord wanted nothing to do with the outside world, despite spending several years fighting some alien survivors. This was just ridiculous. One, I cannot see the international community standing by and allowing any of the alien survivors posing as a threat, even in a newly formed and isolationist country. Two, the d'Umbutu must have been some kind of idiot to prevent other countries from helping out the alien threat against his. By the time of the second film, the warlord's son, Dikembe Umbutu, had become the new head of state. Not long after he met with David Leivnson and Catherine Marceaux, all three left the country and the Republique National d'Umbutu was never heard from again. The whole point of featuring this setting in the first place was to serve as a background for the Dikembe Umbutu character and to indicate that the alien survivors in that country had sent a distress signal before they were killed. What was the point of this distress signal in the first place? Surely, the aliens' defeat at the hands of the humans was enough to encourage them for a second attempt at planetary invasion? Good grief!
Another major problem I had with "INDEPENDENCE DAY: RESURGENCE" were the characterizations featured in this film. The latter seemed to be reeking with clichés. One good example was the Jake Morrison character portrayed Liam Hemsworth. After portraying the complex Gale Hawthorne character in "THE HUNGER GAMES" movie franchise, poor Hemsworth found himself saddled with a very unoriginal character that seemed unworthy of his skills as an actor. Jake Morrison fit the typical "hotshot" pilot trope, straight out of movies like "TOP GUN" - a brash and talented pilot, whose aggressive and cocky manner seemed to irritate his commander. Boring. And the Dylan Dubrow-Hiller character portrayed by Jessie T. Usher, who came off as a humorless straight-arrow type who always seemed to reek with disapproval of Hemsworth's Jake. Usher was Val Kilmer to Hemsworth's Tom Cruise. I am not that familiar with Angelababy as an actress, but it seemed clear to me that her character, ESD pilot Lieutenant Rain Lao, is a female version of Dylan Dubrow-Hiller, whose uncle is the ESD Moon Base's commander, portrayed by Emmerich veteran Chin Han ("2012"). And what would a "hotshot" type like Jake Morrison be without his goofy sidekick "aka Anthony Edwards"? Travis Tope filled this spot in his portrayal of Jake's "devoted" friend, Lieutenant Charlie Miller. And just to make sure that poor Charlie was more than a sidekick, the screenwriters allowed him to become infatuated with Lieutenant Lao, who seemed to have no interest in him, whatsoever . . . until he proved his . . . manliness in the final battle against the aliens and their queen. Maika Monroe as Patricia Whitmore did not really do much in this film other than express concern for her ailing father, Thomas Whitmore and be Hemsworth's romantic interest. Well . . . at least her character played a minor role
But the younger characters were not the only ones I found troublesome. It was nice to see Jeff Goldblum and Judd Hirsch portray David and Julian Levinson, again. Unfortunately, the writers dumped Hirsch's character with a bunch of kids led by an adolescent Joey King in some convoluted attempt to involve them in an "epic" journey. As the for the David Levinson character, he seemed to be romancing his ESD colleague, Dr. Catherine Marceaux, portrayed by Charlotte Gainsbourg. Which led me to wonder what happened to Connie Spano, the ex-wife with whom David had reunited at the end of the 1996 film. Did her character die sometime between the two movies? Or did she and David break up again? Worse, I noticed that David did not have a major role in the aliens' defeat. Neither did Dr. Marceaux for that manner. Why was she in this movie in the first place, other than provide Jeff Goldblum with a romantic lead? That honor seemed to go to the military characters. At least Brent Spinner's Dr. Brakish Okun had a lot more to do in this film. He was the one who made first contact with the alien sphere. But how in the hell did he survive from being attacked in the last movie? I thought he had been declared dead. Confusing. Bill Pullman, who portrayed former President Thomas Whitmore spent most of the film reacting to the Post-Traumatic Stress (PTS) from his past close encounter with an alien, twenty years ago. He did have a part in the final action scene against the aliens. Actor Deobia Oparei's Dikembe Umbutu struck me as a one-note characterization of masculinity. He could have been more interesting and worthy of Oparei's talent, but the screenwriters sold him short. His only real purpose, it seemed, was to be around to give final approval of the Floyd Rosenberg character, after the latter managed to "prove his masculinity" by saving Umbutu's life. Sigh. Robert Loggia made a brief cameo as Whitmore's former Chief of Staff General Grey some time before his death in December 2015. Thank goodness this movie was not the last one for a first-rate actor like Loggia.
The worst characterizations proved to be those for Vivica A. Fox's Jasmine Dubrow-Hiller and Sela Ward's President Elizabeth Lanford. The screenwriters' handling of their characters struck me as sheer travesty. In a nutshell, the screenwriters killed off both of them. I was so disgusted that I left the theater feeling that Dean Devlin and Roland Emmerich had something against middle-aged women. Fox Jasmine barely had five minutes of screen time before the writers bumped her off, while son Dylan raced to the hospital to save her. Apparently, Emmerich and Devlin had decided she was not worth keeping around, due to Will Smith's refusal to do the movie. Worse, Fox's character was fridged for the sake of the Dylan Dubrow-Hiller character. The President Elizabeth Lanford character proved to be a major problem as well. When I first saw Sela Ward (who also appeared in Emmerich's "THE DAY AFTER TOMORROW") on the screen, I was interested to see how the screenwriters would explore how she would handle an alien invasion. Well, audiences did not get to see much, because the writers . . . KILLED HER OFF before the movie had reached the midway point!! Worse, she was replaced by General Joshua T. Adams of the ESD, as portrayed by William Fitchner. Apparently, Devlin and Emmerich do not believe that a woman civilian is capable of leading a nation through an alien invasion.
I will give "INDEPENDENCE DAY: RESURGENCE" points for its attempts at originality. One, the humans' defeat of the alien invaders played out differently than it did in the 1996 movie. It involved the invaders' Queen (or leader) arriving at the Area 51 base (for reasons that had eluded me), David and Julius Levinson on a bus with the latter's young traveling companions, both Thomas and Patricia Whitmore, and a group of ESD pilots that involved Dylan Dubrow-Hiller and Jake Morrison. I wish I could go into details on what happened, but I do not think I have the energy to do so. But it was original, if not someone cheesy. The introduction of another alien race that might be enemies of the invaders was another interesting attempt at originality. I suspect this new race was introduced to hint at the possibility of a franchise developing from this movie. Hmmmm. We will see. Although I have my doubts.
I will also give points to "INDEPENDENCE DAY: RESURGENCE" for its special effects. Yes, I admit that there times when I found Markus Förderer's photography rather unusually dark . . . more than I care to admit. But when the visuals were clear, I must admit that I found Förderer's photography rather breathtaking. This was especially the case for the movie's final action sequence at the Area 51 base. More importantly, his photography greatly enhanced Barry Chusid's production designs, which did a top-notch job in reflecting how the aliens' technology had enhanced Earth's 21st century society; along with the work of the visual effects team led by Shaun Friedberg.
After reading this review, one would come away with the belief that I disliked "INDEPENDENCE DAY: RESURGENCE". Yes, I am pissed at how Dean Devlin and Roland Emmerich handled the two major middle-aged women characters in this film. And I was far from impressed by the movie's plot and other characterization. The movie also lacked the magic of the 1996 film. But I liked it. I did not love it. I barely tolerated it. But I liked it. Do not ask me why, because I cannot explain my reaction. Enough said.
"JERICHO" RETROSPECT: (1.12) "The Day Before"
In compare to a television series like ABC's "LOST", "JERICHO" rarely featured any flashbacks, let alone a flashback episode. I said . . . rarely. For to my knowledge, there were at least two flashback episodes. One of them was called (1.12) "The Day Before".
The episode basically covered the last 36 hours in the lives of Jake Green, Robert Hawkins, members of their families, and other Jericho citizens like Emily Sullivan and Stanley Richmond before the bombing attacks. Thirty-six hours before the attacks saw Jake Green in San Diego trying to get a legitimate job as a pilot. But due to Jake's unwillingness to help the U.S. government investigate Ravenwood, his passport is flagged, making it impossible for him to be hired as a pilot. An old friend and fellow ex-mercenary named Freddie Ruiz tries to recruit him to participate in a cargo run operation. But since the job is sponsored by Ravenwood and involves Afghanistan, Jake rejects the job offer. Jake tries and fails to prevent Freddie from taking the job, but the latter ends up being shot and killed by the military company. Jake helps Freddie's pregnant wife Anna get out of San Diego, before traveling back east to Kansas . . . hours before the bombs detonate across the country.
Robert Hawkins' tale begins with a mysterious meeting that involves him and a group of people who are each assigned to a truck carrying a bomb. Robert is ordered to detonate his bomb in Columbus, Ohio. However, Robert and a fellow agent named Sarah Mason make plans to betray the group. He also kidnaps his estranged wife Darcy Hawkins and their two children - Allison and Samuel - in order to get them out of Washington D.C. Sarah mysteriously disappears, but the Hawkins family makes it to Kansas in time. After their arrival in Jericho, Darcy finds a weapon and tries to force Robert to let her and the kids go. But the Denver bombing diffuses the family feud and the Hawkins find themselves citizens of Jericho.
"The Day Before" also featured on other stories. A physical checkup by April Green reveals that Johnston's health might be in question. He considers having younger son Eric Green run for mayor in his place. Meanwhile, Eric has already begun his affair with Mary Bailey, unaware that wife April has secretly filed for divorce and had just received the divorce papers. Emily Sullivan discovers that her fiance, banker Roger Hammond, is considering a new job in Chicago. The couple quarrel, due to her desire to remain in Jericho. And Mimi Clark arrives in Jericho to audit Stanley Richmond's farm.
"The Day Before" never made my top ten list of favorite episodes of "JERICHO". I have nothing against the episode. To be honest, I found it very interesting. But I would never regard it as one of my ten favorite episodes from the series. I would probably rank it somewhere between eleven and thirteen. And that is pretty close. When I said that it was very interesting, I was not kidding. As far as I know, "The Day Before" might be one of three"JERICHO" episodes that heavily featured flashbacks. "The Day Before" is the only one that is basically a flashback episode.
Of the minor story arcs featured in this episode, the one featuring Mimi and Stanley's first meeting inside Bailey's Tavern struck me as amusing . . . especially Stanley's initial attempt to make a pass at her. I barely paid any attention to the one featuring Eric's affair with Mary and April's receipt of her divorce papers, due to the small attention paid to Eric and April's marriage in this episode. On the other hand, discovering that Emily nearly ended her engagement to Roger in order to remain in Jericho made me realize how fully attached she was to the town. Of course, Roger going behind her back to apply for a job in Chicago did not help matters. I suspect that this lack of mutual interest between the two made me realize that Emily and Roger were unsuited for each other . . . something they might be forced to learn for himself, now that he was back in Jericho. I found the story arc featuring the Greens and the town's mayor race very interesting. One, I had no idea that Gail Green wanted Johnston to give up the idea of continuing as Jericho's mayor. I got the feeling that she used his health scare as an excuse for him to consider it. But what I really found interesting was Johnston's inability to give up political power . . . on his own initiative. He was willing to drop out of the race for Gail's sake. But he was willing to use Eric to maintain that power. I never realized this before . . . or perhaps I had never paid attention in the past. But for the first time, I found myself wondering if Johnston was a controlling man who found it difficult to give up power of any kind.
But the episode also featured two main story arcs featuring both Jake Green and Robert Hawkins. In the episode, (1.08) "Rogue River", Jake had seemed familiar with the private military contractor Ravenwood. I had assumed that he had simply heard about the company, while in Iraq. But "The Day Before" revealed that Jake had his own personal brush with Ravenwood, when his friend Freddie Ruiz tried to get him a job with the company. The situation takes a tragic turn when a Federal agent warns Jake that that U.S. government was investigating Ravenwood, resulting in Freddie's death. Watching this sequence made me really appreciate how much Jake was at the end of his rope when he had returned to Jericho to unsuccessfully collect his inheritance from his late grandfather in the (1.01) "Pilot" episode.
If you want my opinion, the real star of this episode was the story arc involving the Hawkins family. To a certain extent, audiences finally learned that Hawkins was part of a terrorist cell responsible for the bombs that were detonated in the series' first episode. Audiences also learned that Robert did not detonate the bomb given to him and instead, forced his estranged family to accompany him to Jericho. And apparently, Darcy was not the only one having an affair. This episode also revealed Robert's mistress at the time, a fellow "terrorist" named Sarah Mason. Only she disappeared before he could head for Kansas with his family. What made this particular story arc rather fascinating to me was the revelation on how low Robert's relationship with his family had sunk. When he had arrived in Washington D.C. to collect them, they wanted nothing to do with him. Worse, they seemed so fearful of them that they ended up summoning two Washington D.C. police officers to help them escape . . . from him.
I had one major problem with "The Day Before". Most of the episode covered the 36 hours before the bombs dropped. And this time period had me questioning both Jake and the Hawkins family's journey to Jericho. I barely found it hard to believe that it took the Hawkins family less than 36 hours to travel from Washington D.C. to Jericho, Kansas. Barely. Perhaps Robert drove all day and night. But I absolutely found it impossible to believe that it took Jake less than 24 hours to travel from San Diego, California to Jericho. The "Pilot" made it clear that Jake had arrived in Denver, Colorado via the train, before he drove the rest of the way to Jericho on the day the bombs dropped. Both he and Anna Ruiz had traveled from San Diego to Albuquerque via a bus. Whereas Anna traveled on to Houston, Texas; Jake allegedly headed for Denver via rail. However, if Jake really did arrive in Denver by train, he would have been forced to make connections in both Los Angeles and Oakland, and skip Albuquerque altogether. And it still would have taken him at least 24 hours or more to reach Denver alone. Someone should have consulted the Amtrak route map before writing this episode. Also the show's producers and the episode's writer should have extended the time period for this episode by at least another 12 hours or so.
"The Day Before" featured some solid performances from the likes of Kenneth Mitchell, Pamela Reed, Brad Beyer, Alicia Coppola, Clare Carey, Jazz Raycole, Darby Stanchfield, Erica Muñoz, Siena Goines, Christopher Wiehl and James Parks. However, I feel that the more outstanding performances came from the following - April D. Parker, who did an excellent job in conveying Darcy Hawkins' fear and anger toward her estranged husband; Mark Adair-Rios, who portrayed Jake's friendly yet more morally flexible friend Freddie Ruiz; Gerald McRaney, who gave a skillful performance as Mayor Johnston Green, reluctant to give up power; and Ashley Scott, who did a great job in conveying Emily Sullivan's emotional attachment to her hometown. But the two stars of this episode were the show's leads - Skeet Ulrich and Lennie James. For the first time, since the series' beginning, audiences get a hint of Jake Green's past in both Afghanistan and Iraq. Ulrich did a superb job in not only conveying Jake's emotional state at what seemed to be the nadir of his life, but also how a personal experience in Afghanistan continued to traumatize him after such a long period of time. Lennie James gave an equally superb performance as the enigmatic Robert Hawkins, who seemed hellbent in not only upsetting his "terrorist" cell's plans, but also getting his family out of danger. At the same time, James was very skillful in conveying how frightening Robert was to his family on the eve of the bombings.
The previous episode, (1.11) "Vox Popoli", ended with a group of wandering refugees arriving in Jericho. One of those refugees turned out to be Emily Sullivan's fiance, Roger Hammond. "The Day Before" not only repeated that scene, but also revealed another surprising figure . . . namely Robert's former mistress and colleague, Sarah Mason. This episode not only revealed how far Jake, Robert and many other characters had come since the series' first episode, it also hinted some future conflicts to come - especially for Jake, Robert, Emily and the other members of the Hawkins family.
"BARBARY COAST" (1935) ReviewI have seen a good number of television and movie Westerns in my time. But I find it rather odd that it is hard - almost difficult - to find a well known story set during the California Gold Rush era. And I find that rather surprising, considering many historians regard it as one of the most interesting periods in the history of the American Old West. Of the movies and television productions I have come across, one of them is the 1935 Western, "BARBARY COAST". Directed by Howard Hawks and adapted from Herbert Asbury's 1933 book, the movie told the story about one Mary Rutledge, a young woman from the East Coast who arrives in 1850 San Francisco to marry the wealthy owner of a local saloon. She learns from a group of men at the wharf that her fiancé had been killed - probably murdered the owner of the Bella Donna restaurant, one Louis Chamalis. Upon meeting Chamalis at his establishment, Mary agrees to be his companion for both economic and personal reasons. She eventually ends up running a crooked roulette wheel at the Bella Donna and becoming Chamalis' escort. But despite her own larceny, Mary (who becomes known as "the Swan), becomes disenchanted with Chamalis' bloody methods of maintaining power within San Francisco's Barbary Coast neighborhood. He even manages to coerce a newspaper owner named Colonel Cobb, who had accused Chamalis of a past murder, into keeping silent. During a morning ride in the countryside, Mary meets and falls in love with a handsome gold miner named Jim Carmichael. Life eventually becomes more difficult for Mary, as she finds herself torn between Jim's idyllic love and Chamalis' luxurious lifestyle and his obsessive passion for her.Judging from my recap of "BARBARY COAST", it is easy to see that the movie is more than just a Western. It seemed to be part crime melodrama, part romance, part Western and part adventure story. "BARBARY COAST" seemed to have the makings of a good old-fashioned costume epic that was very popular with Hollywood studios during the mid-to-late 1930s. If there is one scene in the movie that truly personified its epic status, it is one of the opening sequences that featured Mary Rutledge's arrival in San Francisco and her first meeting with Louis Chamalis. Mary's first viewing of the socializing inside the Bella Donna is filled with details and reeked with atmosphere. Frankly, I consider this scene an artistic triumph for both director Howard Hawks and the movie's art director, Richard Day."BARBARY COAST" went through four screenwriters and five script revisions to make it to the screen. The movie began as a tale about San Francisco's Barbary Coast, but ended up as a love triangle within the setting. This was due to the Production Code that was recently enforced by Joseph Breen. The latter objected to the original screenplay's frank portrayal of the San Francisco neighborhood's activities. By changing the screenplay into a love story in which the heroine finds redemption through love for a decent sort, the filmmakers finally managed to gain approval from Breen. Although Ben Hecht and Charles MacArthur were credited as the movie's writers, screenwriters Stephen Longstreet and Edward Chodorov also worked on the script, but did not receive any screen credit. Personally, I had no problems with this choice. Thanks to Hawks' direction, moviegoers still managed to get a few peeps on just how sordid and corrupt San Francisco was during the Gold Rush. The movie also benefited from a first-rate cast led by Miriam Hopkins, Edward G. Robinson and Joel McCrea. I would not consider their performances as memorable or outstanding, but all three gave solid performances that more or less kept the movie on track. I found this a miracle, considering the emotional rifts that seemed to permeate the set during production. As it turned out, Robinson and Hopkins could barely stand each other. However . . . there were moments when Robinson and McCrea's performances were in danger of being less than competent. Robinson nearly veered into the realm of over-the-top melodrama while conveying his character's jealousy in the movie's last twenty minutes. And McCrea came off as a bit of a stiff in most of his early scenes. Only with Walter Brennan, did the actor truly conveyed his sharp acting skills. As for Hopkins . . . well, she gave a better performance in this movie than she did in the film for which she had earned an Oscar nomination - namely "BECKY SHARP". The movie also featured competent performances from the likes of Walter Brennan, Frank Craven, Harry Carey, and Donald Meek. But if I had to give a prize for the most interesting performance in the film, I would give it Brian Donlevy for his portrayal of Louis Chamalis' ruthless enforcer, Knuckles Jacoby. Superficially, Donlevy's Knuckles is portrayed as the typical movie villain's minion, who usually stands around wearing a menacing expression. Donlevy did all this and at the same time, managed to inject a little pathos in a character who found himself in a legally desperation situation, thanks to his loyalty toward his employer.But you know what? Despite some of the performances - especially Brian Donlevy's and the movie's production values, I did not like "BARBARY COAST". Not one bit. There were at least two reasons for this dislike. One, I was not that fond of Omar Kiam's costume designs - namely the ones for Miriam Hopkins. The problem with her costumes is that Kiam seemed incapable of determining whether the movie is set in 1850 or 1935. Honestly. A peek at the costume worn by the actress in the image below should convey the contradicting nature of her costume:
The other . . . and bigger reason why I disliked "BARBARY COAST" is that the plot ended up disappointing me so much. This movie had the potential to be one of the blockbuster costume dramas shown in movie theaters during the mid-to-late 1930s. If only Joseph Breen and the Censor Board had allowed the filmmakers to somewhat follow Asbury's book and explore the colorful history of San Francisco from the mid-1840s to the California Gold Rush period of the early-to-mid 1850s. Despite the colorful opening featuring Mary Rutledge's arrival in San Francisco and the subplot about the Louis Chamalis-Colonel Cobb conflict, "BARBARY COAST" was merely reduced to a 90 minute turgid melodrama about a love triangle between a gold digger, a villain with a penchant for being a drama queen, and stiff-necked gold miner and poet who only seemed to come alive in the company of his crotchety companion. To make matters worse, the movie ended with Mary and Jim Carmichael floating around San Francisco Bay, hidden by the darkness and fog, while evading the increasingly jealous Chamalis, before they can board a clipper ship bound for the East Coast. I mean, honestly . . . really? I have nothing else to say about "BARBARY COAST". What else is there to say? Judging from the numerous reviews I have read online, a good number of people seemed to have a high regard for it. However, I simply do not feel the same. Neither director Howard Hawks; screenwriters Ben Hetch and Charles MacArthur; and a cast led by Miriam Hopkins, Edward G. Robinson and Joel McCrea could prevent me from feeling only disappointed. Pity.
Below is a list of my favorite episodes from the CBS series, "ELEMENTARY". Created by Robert Doherty, the series stars Jonny Lee Miller as Sherlock Holmes and Lucy Liu as Joan Watson: FIVE FAVORITE EPISODES OF "ELEMENTARY" SEASON ONE (2012-2013)
1. (1.02) "While You Were Sleeping" - Sherlock Holmes and Joan Watson investigate the murders of two illegitimate children of a wealthy businessman. Matters become complicated when a witness identifies a woman in a coma — the businessman's legitimate daughter — as the killer.
2. (1.24) "Heroine" - Following Holmes' discovery his former lover, Irene Adler, and his arch enemy Moriarty's true identity, he races against time to prevent the latter from carrying out a plan to murder a Macedonian diplomat for the sake of profit. 
3. (1.12) "M" - Holmes is reunited with "M.", a British serial killer who appears to have followed Holmes to New York. Meanwhile, Watson eventually learns that "M" is the one who had murdered Sherlock's lover Irene Adler.
4. (1.06) "Flight Risk" - Holmes is recruited by N.Y.P.D. Captain Thomas Gregson to investigate the site of a plane crash on a beach. He comes to the conclusion that one of the four crash victims had been murdered.
5. (1.16) "Details" - Gregson's second-in-command, Detective Marcus Bell, survives a drive-by shooting while driving his car and his suspected attacker later turns up dead. When the evidence hints a possible revenge killing, Holmes and Watson investigate the case to clear him of any wrongdoing.
