Sunday, September 14, 2025

"AMERICAN HUSTLE" (2013) Review

 












"AMERICAN HUSTLE" (2013) Review

Between 2010 and 2015, the career of David O. Russell had seemed to be on a roll. During this period, Russell had directed, produced or did both four movies that had garnered a great deal of acclaim and awards. The third of this "Golden Quartet" happened to be a period comedy-drama called "AMERICAN HUSTLE"

Set mainly in 1978, "AMERICAN HUSTLE" is loosely based on the ABSCAM operation, set up by the F.B.I. as a sting operation against various government officials in New Jersey and Pennsylvania. The movie begins with two con artists and lovers, Irving Rosenfeld and Sydney Prosser, who are caught in a loan scam by F.B.I. Special Agent Richie Di Maso. The latter proposes to release them if Irving assists him in a sting operation against Mayor Carmine Polito of Camden, New Jersey and other officials. Sydney tries to convince Irving not to agree with Richie's proposal. But desperate to avoid prison and reluctant to leave his adopted son with his verbose and slightly unstable wife Rosalyn, Irving agrees to assist Richie and the F.B.I. The sting operation nearly starts off on the wrong foot, thanks to a clumsy tactic on Richie's part, but Irving manages to woo back the charismatic and popular Carmine, who is seeking funds to revitalize gambling in Atlantic City. The scam seems to be going fine, despite Sydney's growing relationship with Richie. But when Carmine introduces Irving, Sydney and Richie to the notoriously violent Mafia overlord Victor Tellegio into the plan to raise money; and Rosalyn's jealous nature and notoriously big mouth threatens to expose the sting operation; Irving realizes he has to come up with an alternate plan to save him and Sydney from the Mob and the F.B.I.

While watching "AMERICAN HUSTLE", it occurred to me that it is filled with some very interesting and eccentric characters. First, there are the two lovebirds - Irving Rosenfeld and Sydney Prosser - with his odd toupee and her fake British accent. Then we have Richie Di Maso is an ambitious "Mama's Boy" with hair permed into tight curls, who is a bit too eager to prove himself with the F.B.I. Irving's wife Rosalyn is an unhappily married woman with a big mouth and a careless and self-involved personality. And Mayor Polito is a happy-go-lucky politician with a rather large pompadour hair-style and questionable connections to the Mob. The movie is also populated with a Latino F.B.I. agent recruited by Richie to potray a wealthy Arab sheik, a charming Mob soldier who ends up falling for Rosalyn, Richie's frustrated and wary F.B.I. supervisor, and a very sinister Mob boss that can speak Arabic. If I have to be perfectly honest, I would have to say that the movie's array of characters struck me as being the movie's strong point.

This should not have been a surprise. "AMERICAN HUSTLE" is also filled with some great performances. Christian Bale gave a wonderfully subtle and complex performance as the aging and stressed out con man who reluctantly finds himself involved with a scam operation set up by the F.B.I. He certainly clicked with Amy Adams, who gave one of the most subtle performances of her career as the charming, yet desperate former stripper-turned-con artist, who found herself in a state of flux over her freedom and her relationship with her partner/lover. Bradley Cooper was practically a basket of fire as the aggressive F.B.I. Agent Richie Di Maso, who become over-eager to make a name for himself within the Bureau. Mind you, there were moments when Cooper's performance seemed to border on hamminess. I could also say the same for Jennifer Lawrence's portrayal of Irving's not-so-stable wife, Rosalyn. However, I must admit that Lawrence also provided the movie with some of its best comic moments. Jeremy Renner was a joy to watch as the charismatic mayor of Camden, Carmine Polito. The latter must have been the most happy-go-lucky role he has ever done.

"AMERICAN HUSTLE" also featured some first-rate performances from the supporting cast. Louis C.K. was very effective Richie's long suffering boss, Special Agent Stoddard Thorsen. Michael Peña provided some memorable comic moments as Special Agent Paco Hernandez, who surprised everyone with his ability to speak Arabic. Robert De Niro, who also made a surprising appearance as mobster Victor Tellegio, gave a subtle and intimidating appearance . . . especially in a scene in which he tested Agent Thorsen's ability to speak Arabic. The movie also featured solid performances from Jack Huston as a young mobster, Alessandro Nivola as Richie and Thoren's boss, Anthony Zerbe as a corrupt congressman, and Elisabeth Röhm as Mayor Polito's equally happy-go-lucky wife Dolly.

I was also impressed by the production designs for "AMERICAN HUSTLE". Judy Becker and her team did an exceptional job of bringing the late 1970s back to life. She was also assisted by Heather Loeffler's set decorations and Jesse Rosenthal's art direction. Michael Wilkinson's costume designs did an excellent job of not only capturing that particular era, but also representing the major character. This was especially apparent in his costumes for the Sydney Prosser, who used low-cut dresses and gowns to distract her marks. And I mean very low cut.

If there is one problem I had with "AMERICAN HUSTLE", it is probably Eric Warren Singer and David O. Russell's screenplay. At first, it seemed perfectly fine to me. But eventually, there were a few aspects of the screenplay I found either troubling or confusing. One, I noticed that Russell tried utilize the use of multiple narrations that Martin Scorsese used in his 1995 movie, "CASINO". At first, he used Irving and Sydney's narration. Then he added Richie's voice to the mix. The problem is that I can only recall Richie's narration in one scene. Nor do I recall Sydney's narration in the movie's second half. Also, the first half of the movie seemed to hint that Richie's mark in his operation was Camden's Mayor Polito, who wanted to raise funds to revitalize Atlantic City. Why? Why would the mayor of Camden be interested in revitalizing the fortunes of another city, located in another county? And why was the F.B.I. so interested in Camden's mayor? At first, I thought the agency was aware of his mob ties. But when Carmine introduced Irving and Richie to mobster Victor Tellegio, both the con man and the Federal agent seemed taken by the mobster's appearance. So, why did Richie target Carmine in the first place? To make matters even more confusing, Richie extended his sting operation to several members of Congress. There seemed to be no focus in the operation and especially in the narrative.  Or perhaps Richie had more than one target.  Who knows.

Despite the slightly confusing screenplay, I must admit that "AMERICAN HUSTLE" was a very entertaining movie. Not only did it recaptured the era of the 1970s, but also featured some superb performances from a cast led by Christian Bale and Amy Adams. I thought it was entertaining enough to overlook its flaws.






Thursday, September 11, 2025

"DIE HARD 2: DIE HARDER" (1990) Photo Gallery

 












Below are images from "DIE HARD 2: DIE HARDER", the 1990 sequel to the 1988 hit movie and adaptation of Walter Wager's 1987 novel, "58 Minutes". Directed by Renny Harlin, the movie starred Bruce Willis:



"DIE HARD 2: DIE HARDER" (1990) Photo Gallery



























Saturday, September 6, 2025

Ranking of "RIPLEY" (2024) Episodes

 










Below is my ranking of the episodes from "RIPLEY", Netflix's 2024 adaptation of Patricia Highsmith's 1955 novel, "The Talented Mr. Ripley". Adapted and directed by Steven Zaillian, the limited series starred Andrew Scott in the title role: 



RANKING OF "RIPLEY" (2024) EPISODES










1. (1.06) "VI Some Heavy Instrument" - A grisly discovery leads the Rome police to American expatriate Tom Ripley's doorstep, beginning a game of cat and mouse with its lead investigator, Inspector Pietro Ravini.














2. (1.05) "V Lucio" - Tom's new comfortable life in Rome comes under threat by a surprise visit from Freddie Miles, a close friend of wealthy expatriate Dickie Greenleaf.





















3. (1.02) "II Seven Mercies" - After befriending Dickie, Tom settles in the former's Atrani seaside villa, to the displeasure of Dickie's girlfriend Marge Sherwood.















4. (1.08) "VIII Narcissus" - After his close calls in Rome, Tom uses his real name and creates a life in Venice - despite the arrivals of Marge and Dickie's father, Herbert Greenleaf - in this final episode.















5. (1.01) "I A Hard Man to Find" - Tom's life of petty crimes in New York City is interrupted when he is recruited by the wealthy Mr. Greenleaf to travel to Italy and convince Dickie to return home.















6. (1.04) IV La Dolce Vita" - Following the events in San Remo, Tom returns to Atrani and informs Marge that Dickie has moved on to Rome. Using a false identity and a doctored passport, Tom also heads to Rome to begin a life of privilege.















7. (1.07) "VII "Macabre Entertainment" - While Inspector Ravini expands his murder investigation, an elusive Tom plots his next moves during a brief trip to Sicily.















8. (1.03) "Sommerso" - When both Dickie and Mr. Greenleaf begin seeing through his ruse, Tom resorts to drastic methods during a trip to San Remo.












Saturday, August 30, 2025

"BREAKING DAWN, PART II" (2012) Review

 














"BREAKING DAWN, PART II" (2012) Review

Years ago, Warner Brothers had made the decision to split the movie adaptation of Stephanie Meyers' last "Twilight Saga" novel - "Breaking Dawn" - into two films; following its example of the two adaptations for the last "Harry Potter" novel. The first film, "BREAKING DAWN, PART I", was released a year ago. Instead of waiting six months, the studio decided to wait a year for the second half of the tale, 2012's "BREAKING DAWN, PART II".

"BREAKING DAWN, PART II" picked up where the latter film left off - with Bella Swann's transformation into a vampire, following the difficult birth of her and Edward Cullen's daughter. The movie's first ten to fifteen minutes focused on Bella becoming acquainted with her new state and abilities. She eventually learns that her best friend and wolf shapeshifter, Jacob Black has "imprinted" on hers and Edward's new daughter, Renesmee Carlie Cullen. In other words, Jacob has found his soulmate in Bella's daughter - whether he proves to be her protector, a lover, or an older sibling. At the moment, Jacob seemed to be serving as Renesmee's protector and much older friend. Bella first reacted with hostility at the idea of Jacob imprinting on her daughter, but she eventually resolved herself to the situation. But a more important situation has developed with Renesmee. The Cullen/Swan offspring has begun aging rapidly. Even worse, a fellow vampire named Irina Denali spots Renesmee playing in the woods with Bella and Jacob and comes to the conclusion that the young girl might be an immortal - a vampire sired from a child. She reports her assumptions to the Volturi, who become determined to destroy Renesmee. Creating child vampires goes against their law, due to the former's unpredictable nature. Aro, leader of the Volturi, also longs to destroy the Cullens; due to their large size and the psychic abilities that many of them possess. Bella, Edward and the Cullens are forced to seek allies from other vampire covens around the world to help them protect Renesmee from the Volturi. And Jacob recruits his fellow wolf shapeshifters from the La Push pack to assist in the Cullens' battle.

A part of me was astounded that the film franchise for the "Twilight" Saga had finally came to an end with this film. Another part of me was relieved. To be honest, I have never been a die-hard fan of the series. And of the five movies, I have managed to like at least two of them - "ECLIPSE" and surprisingly, "BREAKING DAWN, PART II". You heard it first. I actually liked "BREAKING DAWN, PART II". I did not love it. And I was not initially thrilled by Bella's initial transformation into a vampire. But for some reason, her transformation and the birth of her daughter attained a few achievements in the franchise. One, Bella's character transformed from a passive and love-obsessed teenager to a self-assured and mature young woman (or vampire), who proved she could be ruthless when protecting her daughter. For the first time in the series, the Bella/Edward romance actually became bearable. I believe this was due to the change in Edward's nature, as well. He stopped being a brooding and controlling boyfriend and began treating Bella as an equal partner in their relationship. And the tiresome love triangle between Bella, Edward and Jacob finally came to an end, due to Renesmee's birth. Jacob came to accept Bella and Edward's romance and began focusing his attention upon their daughter. Thankfully, Jacob's feelings for Renesmee did not produce any "ick factor" within me. I believe this is due to Jacob's attitude toward her as some kind of goddaughter or younger sister. Renesmee seemed to regard him as some kind of loving big brother. And even more ironically, both Taylor Lautner and child actress Mackenzie Foy managed to click on-screen.

Before one accuses me of loving this film, I assure you that I do not. Yes, I liked it. But it had problems that prevented it from becoming a favorite of mine. Being part of the "Twilight" Saga did not help. I found the scene featuring Bella arm wrestling with Emmett Cullen rather childish and a waste of time. In Stephanie Meyers' novel, Charlie Swan learned about Jacob's status as a wolf shape shifter and suspected that Bella and the Cullens are not quite human, but he was never informed that she had transformed into a vampire. However, screenwriter Melissa Rosenberg made matters slightly worse by not even conveying Charlie's suspicions of the recent inhuman nature of his daughter. I found that rather sloppy. Also, there were moments when I found the Cullens and Jacob's interactions with their vampire allies resembling a "happening" from the Age of Aquarius. I had this fear that sooner or later, they would form a circle by holding hands and sing "Kumbaya". Those moments were most nauseating. Hell, I enjoyed the Bella/Edward sex scene more than those moments.

But despite these unpleasant moments in the film, I still enjoyed "BREAKING DAWN, PART II"Dear God, I cannot believe I said that. But I liked it. Aside from the more positive portrayals of Bella and Edward's characters and Jacob's relationship with Renesmee, there were other aspects of the movie I liked. Michael Sheen was deliciously over-the-top as the Voltari's leader, Aro. Billy Burke's portrayal of Charlie Swan was entertaining as ever. Due to the improvement over Bella and Edward's personalities, I was able to enjoy Kristen Stewart and Robert Pattison's performances a lot more than I did in the previous movies. Taylor Lautner was great, as always. Maggie Grace was very effective as Irina Denali, the embittered vampire who had erroneously assumed that Renesmee was an under aged vampire. Both Lee Pace and Rami Malek provided a great deal of the movie's humor as two of the vampires who become among the Cullens' vampiric allies.

The movie's pièce de résistance proved to be the final battle between the Cullens' army of vampires and wolf shapeshifters and the Voltari's army. I have to hand it to director Bill Condon. He really outdid himself in this sequence. I found it even more impressive than director David Slade's handling of the protagonists' battle with Victoria's army of newborn vampires in 2010's "ECLIPSE". This sequence was enhanced by the plot twist that marked the end of the battle. It was a twist that struck me as well handled by both Condon and Rosenberg. In fact, I believe they did a better job of this sequence than Stephanie Meyer did in her novel.

Like I said . . . a part of me ended up happy that the "Twilight" film franchise had finally ended. I no longer have to face being coerced by my relatives in viewing any of these movies at the theater. However, another part of me is also relieved that franchise ended on a positive note. To my utter surprise, I found "BREAKING DAWN, PART II" to be rather entertaining, despite its flaws. More importantly, the movie featured an improvement on the characterizations of the two leading characters - Bella Swan and Edward Cullen. And the movie ended with a well written and well shot action sequence that provided a surprisingly effective plot twist. All I can say is . . . good job.





Friday, August 22, 2025

"SUNDAY IN NEW YORK" (1963) Photo Gallery

 












Below are images from "SUNDAY IN NEW YORK", the 1963 adaptation of Norman Krasna's 1961 Broadway play. Directed by Peter Tewksbury, the movie starred Rod Taylor, Jane Fonda and Cliff Robertson:



"SUNDAY IN NEW YORK" (1963) Photo Gallery