"Powers That Be in Whedonverse"

 

"POWERS THAT BE IN WHEDONVERSE"

While perusing one of the many BUFFYVERSE message boards on the Internet many years ago, I had come across a passage from an old article titled, "Classic CJL: Spike and the Whedonverse":

"In order to battle the new enemy (vampires), the Powers have called upon Slayers, Champions (welcome, Cordy!), Seers and Mystics, all dedicated to protecting the human race from the vampires and half-breed demons who feed upon and ravage the populace."

Like many other "BUFFY THE VAMPIRE" fans, I had believed in this nonsense . . . until I saw the Season Seven episode, (7.15) "Get It Done". Thanks to this particular episode, I finally came to the conclusion that the above comment about the so-called "Powers That Be" featured in both "BUFFY THE VAMPIRE SLAYER" and its spin-off, "ANGEL" just might not be true. Following the suicide of one of the Potential Slayers and a dream of the First Slayer, in "Get It Done", Buffy Summers had received a bag from Principal Robin Wood. The bag once belonged to his mother – a former Slayer from the 1970s named Nikki Wood. This bag eventually led Buffy to discover the true origins of a long line of vampire slayers.

In "Get It Done", Buffy finally discovered that the Powers That Be had not created the Slayer line. Instead, a trio of ancient African shamans had committed the dead in order to create a weapon (one of flesh) to fight vampires and other demons for them. And to insure this weapon would remain under their control – and under the controls of those that followed them – the shamans had guaranteed the Slayer line would continue through countless young females throughout the ages via a spell. Why? Because they had believed that adolescent girls and young women would be easily controlled, due to their ages and gender. So one has to wonder - did the First Slayer, Buffy, Faith Lehane, Kendra Young, Nikki Wood, Xin Rong and all of the Slayers before and after really had a sacred duty to defend humans against vampires and other demons, because of the Powers to Be? Or had they merely been reluctant conscripts in a never ending war waged against demons by these shamans and their descendants – the Watcher’s Council?

Speaking of vampires, here is another passage from the article . . . this time, it centered around Angel – the vampire with a soul, who had formed his own gang to fight demonic evil on his own show in Los Angeles:

"Of course, the biggest exception to the rule, the vamp who broke the mold, is Angel. The Powers and our Lord Joss have spent a great deal of time and effort guiding his path from Chaos, prepping him for his pivotal and unique role in the upcoming "End of Days" we’ve been waiting for since BtVS, Season 1."

I am curious. Exactly how did the vaunted Powers That Be guide Angel toward his actions in one of the late "BUFFY THE VAMPIRE SLAYER" episodes, (7.21) "End of Days"? I will admit that the Powers to Be had been responsible for placing him in Buffy’s path back in 1996. A demon named Whistler had introduced Angel to the future Slayer and within less than a year, the latter followed her to Sunnydale and his own future in demon slaying.

But the Powers That Be had not been responsible for giving him his soul back in 1898. A group of Kalderash gypsies from Romania had restored his human soul in an act of revenge for his murder of one of their children. This soul would afflict him with a conscience and condemn him to an eternity of guilt and remorse for the crimes he has committed. After Angel lost his soul again one hundred years later in 1998, one of Buffy’s close friends, Willow Rosenberg, restored his soul while he was engaged in a lethal sword fight against the Slayer. Come to think of it, Willow performed this act again five years later, on the behest of Angel’s Los Angeles associates. If the Powers to Be were not responsible for the various restorations of his soul, who would have become their "Champion" from the Shanshu Prophecy, if Angel had not killed that Kalderash gypsy child?

As for his role in "End of Days" – the only task Angel ended up performing was to hand Buffy the amulet that would help her defeat the First Evil’s plans to upset the balance of good and evil. Come to think of it, the heads of Wolfram and Hart – the law firm that served as the Powers That Be's opposite number – had given Angel that amulet. But another powerful and souled vampire, eventually wore the amulet in the "BUFFY THE VAMPIRE" series finale, (7.22) "Chosen" that led to the First Evil’s defeat.

That vampire proved to be Spike, originally a lovesick and failed Victorian poet who ended up being sired by one Drusilla, the very vampire who had been driven insane and sired by Angel or Angelus. Although Spike had originally traveled with Drusilla, Angel and his sire Darla for several years; he and Drusilla eventually broke away and became a romantic pair on their own. By the time he had reached Sunnydale in 1997, Spike had developed a reputation as the only vampire to have killed more than one Slayer (including Nikki Wood). He had hoped Buffy would prove to be his third Slayer. However, a series of events eventually led to Spike falling in love with Buffy, forming an alliance with her and her friends, and winning back his soul. Although Angel had brought the amulet to Sunnydale, Buffy had decided Spike would be the one to wear it during her final showdown against the First Evil. Buffy had decided . . . not the Powers That Be.

From what I have surmised, the Powers That Be had only committed one major act in their "war against evil" - they had used Whistler to guide Angel toward making his acquaintance with Buffy before she became a Slayer. They were certainly not responsible for the creation of the Slayer line. They were not responsible for Angel getting back his human soul . . . three times. Come to think of it, they were not responsible for Spike retrieving his soul. Apparently, William the Bloody had made the choice to regain his soul. No one had made it for him. And Buffy had decided which souled vampire would wear the mystical amulet during her fight against the First Evil. This only led me to wonder just how relevant were the Powers That Be in the Whedonverse.

Beggar's Chicken

 

Below is an article about the dish known as Beggar's Chicken:



BEGGAR'S CHICKEN

I have eaten my share of chicken dishes during my lifetime. But while perusing a food history website, I came across one that originated on the other side of the world called Beggar's Chicken.

Like a good number of dishes from other parts of the world - including the United States - the origin of Beggar's Chicken seemed to be shrouded in mystery and mythology. Beggar's Chicken is a popular dish in China. And many of the country's regions have claimed it as the dish's original location. However, most experts agree the dish may have originated in Hangzhou province or the Jiangsu province.

The dish was traditionally prepared with a chicken that is first stuffed with various ingredients. Then it was wrapped in clay and lotus leaves (or banana or bamboo leaves as alternatives) and baked slowly using low heat. Preparation of a single portion of Beggar's Chicken usually took up to six hours.

Various legends surround the origins of Beggar's Chicken. One story featured a beggar who had stolen a chicken from a farm. Lacking a pot or utensils, he wrapped the bird in lotus leaves and packed clay or mud around it, set it in a hole where he had lit a fire, and buried it. When he dug up the chicken and cracked open the clay, he found the meat was tender and aromatic. In another version, the beggar stole the chicken from the Emperor of China during the Qing Dynasty (1644-1911) and used the mud-hole method to avoid smoke that might attract the Imperial guards. When the emperor stopped to dine with the beggar, he enjoyed the dish so much that he added it to the Imperial menu. The beggar prospered by selling the dish to locals. According to another legend, Beggar's Chicken was a childhood favorite of Emperor Gaozu of Han, who had been born a peasant. When Gaozu became emperor, the recipe became an Imperial specialty.

During the present day, changes have been made for the preparation of Beggar's Chicken. Dough is sometimes substituted for clay for the dish's preparation. However, some recipes still call for the use of non-toxic clay to cover the chicken and retain moisture. Non-toxic clay can be obtained from hardware or arts and craft stores. However, cooks must pay attention when baking the dish with clay, because if too much heat may prematurely crack the clay. This might be proved to be dangerous due to the pressure buildup in the clay shell. Preparing the dish with dough is safer. Beggar's Chicken can be also prepared in ovens, outdoor grills, smokers, and campfires. Ceramic cooking pots can also be used to retain moisture, but these are expensive to purchase. But even an oven bag or aluminum foil can be used when cooking the chicken in a domestic oven.

Below is a recipe for Beggar's Chicken on the Schoolofwok.co.uk website:


Beggar's Chicken

Ingredients

1 fresh whole baby chicken (Poussin)
4 Large Lotus Leaves / Aluminium foil sheets
2-4 strong toothpicks
225 ml tepid water
150g plain flour

Marinade
2 tablespoons dark soy sauce
1 tablespoon Chinese rice wine or dry sherry
1 cube finely chopped ginger
2 teaspoons salt

Stuffing
2 dried shiitake mushrooms
1 lean pork loin steaks
2 tbsp Chinese pickled cabbage
3 spring onion ends
1 tablespoon light soy sauce
1 capful rice wine or dry sherry
1 tsp granulated sugar
1/2 tsp sesame oil
1/4 tsp five-spice powder
Salt to taste


Preparations

1. Finely chop the ginger and place in large mixing bowl.
2. Place the chicken in the bowl and add all the marinade mix well and base the chicken inside and out with the marinade.
3. Cover and place in the fridge to marinade for 1 hour.
4. Finely chop all stuffing ingredients.
5. Heat 1 tbsp oil in a wok and fry the finely chopped spring onions with the pork loin on high heat.
6. Once the pork is golden brown, add the mushrooms, pickled cabbage and five spice.
7. Add the soy sauce, rice wine, sugar and salt to taste.
8. Once the sauce is well mixed, add the sesame oil, bring to a high simmer and then remove from heat.
9. Stuff the marinated chicken cavity with the stuffing and pour the sauce into the cavity.
10. Close the cavity by threading the toothpicks through the skin.
11. Now wrap the whole chicken in the lotus leaves and place pouring the sauce over the chicken before closing neatly on the top of the chicken.
12. Make a dough by gradually mixing in the water with the flour in a large mixing bowl. Knead for roughly 3-5 minutes.
13. Now roll out the dough and wrap the whole lotus leaf chicken in the dough. Closing the dough together on the top of the chicken.
14. Place in the oven to cook for 45-60 mins depending on the size of the chicken.

Top Ten Favorite Movies Set Between 1750 and 1799

Below is my current list of favorite movies set between 1750 and 1799: 



TOP TEN FAVORITE MOVIES SET BETWEEN 1750 AND 1799



1. "The Last of the Mohicans" (1992) - Michael Mann directed what I believe is the best film adaptation of James Fenimore Cooper's 1826 novel set during the Seven Years War. The movie starred Daniel Day-Lewis, Madeleine Stowe, Wes Studi and Russell Means.





2. "Dangerous Liaisons" (1988) - Stephen Frears directed this sumptuous Oscar nominated adaptation of screenwriter Christopher Hampton's 1985 stage play, which was an adaptation of Pierre Choderlos de Laclos' 1782 novel. The movie starred Glenn Close, John Malkovich and Michelle Pfieffer.





3. "Crouching Tiger, Hidden Dragon" (2000) - Ang Lee directed this superb Oscar winning adaptation of Wang Dulu's wuxia novel. The movie starred Chow Yun-fat, Michelle Yeoh and Zhang Ziyi.





4. "Amazing Grace" (2006) - Ioan Gruffudd, Benedict Cumberbatch and Romola Garai starred in this biopic about British politician/abolitionist William Wilberforce's efforts to end Britain's TransAtlantic slave trade. Michael Apted directed.





5. "The Scarlet Pimpernel" (1982) - Anthony Andrews and Jane Seymour starred in this superb adaptation of Baroness Orczy's 1905 novel and its 1913 sequel, "Eldorado". Directed by Clive Donner, the movie co-starred Ian McKellen.





6. "Pride & Prejudice" (2005) - Joe Wright directed this first-rate adaptation of Jane Austen's 1813 novel. The movie starred Keira Knightley and Matthew Macfadyen.





7. "1776" (1972) - William Daniels, Howard da Silva and Ken Howard starred in this adaptation of Peter Stone's 1969 Broadway musical set during the American Revolution. Peter H. Hunt directed.





8. "The Scarecrow of Romney Marsh" (1963) - Patrick McGoohan starred in this Disney adaptation of Russell Thorndike's 1915 novel, "Doctor Syn: A Tale of the Romney Marsh". James Neilson directed.





9. "Jefferson in Paris" (1995) - Ismail Merchant co-produced and James Ivory directed this semi-fictionalized account of Thomas Jefferson's tenure as U.S. Ambassador to France. The movie starred Nick Nolte, Greta Scacchi, Gwyneth Paltrow and Thandie Newton.





10. "April Morning" (1988) - Chad Lowe, Tommy Lee Jones and Robert Urich starred in this adaptation of Howard Fast's 1961 novel about the Battle of Lexington and Concord. Delbert Mann directed.

"THE MUMMY: TOMB OF THE DRAGON EMPEROR" (2008) Review

"THE MUMMY: TOMB OF THE DRAGON EMPEROR" (2008) Review

Six years ago, Universal Pictures released its third film in ”THE MUMMY” franchise, starring Brendan Fraser as adventurer Rick O’Connell. This third outing centered around Rick and his family’s attempts to stop the resurrection of a ruthless Chinese emperor in post-World War II China. 

The film began with a narration about the rise to power of Emperor Han (Jet Li), the Dragon Emperor and detailed the relationship between him and Xi Yuan (Michelle Yeoh), who knows the secrets of immortality. Han declared to his first in command General Ming (Russell Wong) that no one is to touch Xi Yuan, however ever since General Ming was charged with finding Xi Yuan and bringing her to Han, he ended up falling for her. After Xi Yuan supposedly cast the immortality spell on Han, he ushered Xi Yuan to the balcony where they look down to see General Ming tied at the arms and legs about to be pulled apart by horses. Han found out about their relationship and killed Ming while Xi Yuan watches. He then stabbed her, but she escaped. Knowing that the Emperor would destroy the world if he were to become immortal, Xi Yuan placed a curse on him and his army to be turned to stone.

The movie shifted to late 1946/early 1947, at a time when explorer Rick O'Connell (Fraser), his archeologist/novelist wife Evelyn (Maria Bello) and brother-in-law Jonathan Carnahan (John Hannah) are now retired. Both Rick and Evelyn seemed to be bored with their retirement. Their son Alex (Luke Ford) has dropped out of school and has become what the older O'Connells still long to be, explorers and adventurers. Alex, along with the financial backing of a colleague of his parents, Roger Wilson (David Calder), found and excavated the Dragon Emperor's tomb and is attacked by a mysterious woman (Isabella Leong). They avoid being harmed and successfully bring the Emperor back to Shanghai, where Jonathan owns a night club called Imhotep. In the meantime, the British government entrusted the elder O'Connells to take the Eye of Shangri-La back to China as a good faith gesture from the British to the Chinese. All the O’Connells end up at Alex's exhibit in Shanghai. Roger, General Yang (Anthony Wong Chau-Sang) and his second in command Choi (Jessey Meng) intervened, taking the Eye of Shangri-La and forcing Evelyn to read the script to open the Eye and release the Emperor. Alex found the mysterious woman from the excavation site at the exhibit and after a quick dialogue, both helped in freeing Alex's parents. With the resurrected Han escaping with General Yang, the O'Connells chased them through the streets of Shanghai until the Dragon Emperor and Yang escaped. The mysterious woman turned out to be an immortal named Lin a protector of the Dragon Emperors tomb. She also happened to be Xi Yuan and General Ming’s daughter. Lin informed the O’Connells that Han will try to become immortal by going to Shangri-La using the Eye as its guide.

When I learned that Stephen Sommers, who had directed the first two ”MUMMY” films, would not be returning at the helm to direct this third movie, I had a small suspicion that the latter would not possess the same production values as the first two films. And when Universal Pictures released the news that the film would be released in the second half of the summer, instead of May, my suspicions were confirmed. And I was right. The production values of ”THE MUMMY: TOMB OF THE DRAGON EMPEROR” did not seem as impressive as its two predecessors. Aside from the impressive set that served as mid-1940s Shanghai, Simon Duggan’s photography failed to capture the epic grandeur of the first two films.

The cinematography was not the only thing about this film that disappointed me. I must admit that I was not that impressed by the film’s final battle near the Great Wall of China. Everything seemed rushed, as if either the two screenwriters - Alfred Gough and Miles Millar (creators of ”SMALLVILLE”) or the film’s director, Rob Cohen (”THE FAST AND THE FURIOUS” and ”XXX”), were in a rush to end the film. What disappointed me more than anything were the two hand-to-hand fight scenes in the finale. After the spectacular fight between Jet Li and Jackie Chan in ”THE FORBIDDEN KINGDOM”, I had expected something just as or nearly as spectacular in the fight scene between Li and Michelle Yeoh. After all, both are martial arts icons who have worked in previous movies together. But it did not last very long. Hell, it barely last two minutes on the screen. And although Li’s fight scene with Fraser did last a bit longer, it failed to recapture the more interesting fight scene between Fraser and Arnold Vosloo in ”THE MUMMY RETURNS”.

Thankfully, ”THE MUMMY: TOMB OF THE DRAGON EMPEROR” possessed virtues, as well as flaws. The story of the O’Connell family being manipulated into raising a Chinese mummy turned out to be a solid adventure that took the family from the streets of Shanghai, to the Himalayas, the edge of the fabled Shangri-La and finally China’s famous Great Wall. Even better, the story told the two-fold story of Rick and Evelyn learning and failing to deal with professional retirement and their joy in being led into a new adventure. The movie also featured a family drama centered around the O’Connells’ efforts to re-connect with their only son, Alex. 

Even though I had expressed disappointment at the screenwriters and Rob Cohen’s handling of the finale, I must admit that the film featured four sequences that I truly enjoyed. The first featured Alex and Wilson’s discovery of Emperor Han’s tomb and their hostile encounter with Lin. The second sequence occurred in the snowy Himalayas, where the O’Connells, Jonathan and Lin attempt to prevent the resurrected Han from reaching the tower that will reveal the path to Shangri-La when the Eye, a precious blue diamond is placed on top of it, and fight off General Yang and some of his men. There is a short moment in the first half of the movie in which a bored Evelyn tries to inject a little excitement in hers and Rick’s lives by seducing him in a slinky nightgown. Instead of being successful, the desperate Evelyn found Rick sitting in an armchair – fast asleep and snoring. This was one of the most hysterical examples of a mid-life crisis I have ever seen on film and probably the funniest moment in the entire film franchise. But the sequence that I truly enjoyed featured the O’Connells’ adventures in Shanghai – from the moment when Rick and Evelyn are reconciled with Alex and Jonathan, to the riotous chase sequence through the streets of Shanghai. I thought it was wonderfully detailed and well staged. The sequence also featured a mean hand-to-hand fight scene between Evelyn and Yang’s second-in-command, Choi. Frankly, I consider their fight the best one in the entire movie. 

Both Brendan Fraser and John Hannah returned to reprise their roles of Rick O’Connell and Jonathan Carnahan for the third time. And as they had done in the first two movies, did excellent jobs. Come on. This Brendan and John we are talking about. They can do no wrong in my eyes. I honestly have to say the same about Maria Bello as Evelyn Carnahan O’Connell. I must admit that I had been disappointed when I first learned that Rachel Weisz had decided not to reprise the role of Evelyn. Do not get me wrong. I loved Rachel as Evelyn. But I must admit that Maria Bello actually made me forget about her. I enjoyed Maria’s performance as Evelyn that much. Her Evelyn is, of course, older and a little more self assured. And like her husband, she is bored with life. And I was surprised to discover that she had great chemistry with Fraser. I must admit that I felt a little unsure about Luke Ford’s performance as Alex. There were times I found him rather interesting. There were other times when I found his performance a little over-the-top. I also found his accent rather confusing, until I realized that it was neither American nor British. I discovered that Ford was an Australian actor. But his natural accent did not seem effectively hidden. Isabella Leong did a solid job as the young woman who helps the O’Connells stop Han. But I must admit that I found nothing remarkable or extraordinary about her performance. As for Jet Li . . . well, he was perfect. He is one of the few action stars who could portray both heroic and villainous characters effortlessly. And Michelle Yeoh was wonderfully poignant as the Chinese witch, Xi Yuan, whose curse against the treacherous Han set the entire story in motion.

If I must be frank, ”THE MUMMY: TOMB OF THE DRAGON EMPEROR” lacked the more prestigious production values of the first two films. And its finale was one that I found slightly disappointing. However, it did lack the over-the-top . . . almost screeching quality of the second film - ”THE MUMMY RETURNS”. And thanks to the cast, director Rob Cohen, Alfred Gough and Miles Millar, this third ”MUMMY” film turned out to be an entertaining film that one would experience a lot of fun watching. My opinion? Watch it.

"THE MUMMY: TOMB OF THE DRAGON EMPEROR" (2008) Photo Gallery

Below are images from the third entry in the MUMMY movie franchise, "THE MUMMY:  TOMB OF THE DRAGON EMPEROR".  Directed by Rob Cohen, the movie stars Brendan Fraser, Jet Li, and Maria Bello:


"THE MUMMY: TOMB OF THE DRAGON EMPEROR" (2008) Photo Gallery

"THE FORBIDDEN KINGDOM" (2008) Review

"THE FORBIDDEN KINGDOM" (2008) Review

Set in present time South Boston and Ancient China, "THE FORBIDDEN KINGDOM" is a martial-arts/fantasy film that was directed by Rob Minkoff. The movie also co-starred two of the most famous names in the martial-arts genre – Jackie Chan and Jet Li. The movie is basically about a South Boston teenage fan of Hong Kong kung fu films, who is transported back in time to Ancient China via a magical staff. There, he must undertake a quest to free the fabled warrior Sun Wukong aka "The Monkey King".

In a nutshell, "THE FORBIDDEN KINGDOM" is an entertaining action film with strong fantasy and comedy elements. Our two martial arts stars portray Lu Yan – the Drunken Immortal (Jackie Chan) and The Silent Monk (Jet Li), who help Boston teenager Jason Williams (Michael Angarano) free Sun Wukong (also Jet Li) from the clutches of an evil immortal called the Jade Warlord (Collin Chou).

"THE FORBIDDEN KINGDOM" is not perfect. To be frank, I only two complaints about the movie. One, the editing by Eric Strand seemed rather choppy. There were moments when the movie lacked a smooth segue from one scene to another. And two, I found the backstory for Jason’s character rather clichéd. It seemed straight out of the rulebook for typical teen angst films that started with 1979’s "MY BODYGUARD". You know what I am referring to - shy geeky adolescent who is terrorized by the local bully, has profound experiences before successfully confronting bully in the last reel. Come to think of it, I saw something similar in the fantasy-comedy, "STARDUST".

Despite the above-mentioned flaws, "THE FORBIDDEN KINGDOM" is an entertaining movie. Jackie Chan and Jet Li proved that despite their different styles and approaches to the martial arts genre, they could generate screen chemistry together. Michael Angarano is perfectly disarming and funny as the Boston teen who finds himself in an unfamiliar world. Portraying his potential love interest is Liu Yi Fei as Golden Sparrow, a young female orphan who seeks vengeance against the main villain. Speaking of villains, both Collin Chou (the Jade Warlord) and Li Bingbing (Ni-Chang, the White-Haired Assassin) provided a solid villainous challenge to the four heroes.

On the surface, "THE FORBIDDEN KINGDOM" provides solid entertainment and martial arts action. However, I must commend on two matters. One, I really enjoyed the superb fight sequence between the two martial arts stars – Chan and Li. Whatever expectation I had about their fight, the two stars and fight choreographer Yuen Woo-ping more than fulfilled it. I have not enjoyed such a fight scene since Jet Li’s fight with Donnie Yen in "HERO" or the two Michelle Yeoh/Zhang Yi fight sequences in "CROUCHING TIGER, HIDDEN DRAGON". I would also like to point out the film’s cinematography shot by Peter Pau. The various landscapes of Ancient China, whether the characters are in the tropics, the forests, the desert or in the mountain regions, are exquisite.

In short, "THE FORBIDDEN KINGDOM" is an entertaining film filled with solid action, drama, comedy, and great cinematography. As long as you are not expecting another "CROUCHING TIGER, HIDDEN DRAGON" or "HOUSE OF THE FLYING DAGGERS", you will not be disappointed.

"THE FORBIDDEN KINGDOM" (2008) Photo Gallery

Below is a gallery from the 2008 Jackie Chan/Jet Li fantasy action film:


"THE FORBIDDEN KINGDOM" (2008) Photo Gallery