Showing posts with label dave bautista. Show all posts
Showing posts with label dave bautista. Show all posts

Thursday, August 17, 2017

"GUARDIANS OF THE GALAXY VOL. 2" (2017) Review




"GUARDIANS OF THE GALAXY VOL. 2" (2017) Review

Before I started on this review, I found myself wondering which "phase" in the Marvel Cinematic Universe (MCU) that "GUARDIANS OF THE GALAXY VOL. 2" found itself. Phase Two? Phase Three? In fact, I continued to ponder more about the franchise's current phase than about the plot for this movie. Until I finally shook myself out of this stupor. 

Back in 2014, Marvel Films/Disney Studios released "GUARDIANS OF THE GALAXY" during the month of August, more or less a graveyard for summer films. I suspect that Kevin Fiege had low expectations of the film's performance at the box office, due to its unfamiliarity with the general public. The movie proved them wrong and went on to become a major box office hit for that year. Due to its success back in 2014, Marvel Films/Disney Studios released a sequel, "GUARDIANS OF THE GALAXY VOL. 2" in the more exulted release date in early May, three years later. James Gunn, who had directed the 2014 film, returned to direct this film. And although he had also served as co-writer of the first film with Nicole Perlman, he served as this film's sole screenwriter.

Following the events of the 2014 film, Peter Quill aka Starlord and his friends have become renowned throughout the galaxy as the "Guardians of the Galaxy". The movie begins with the Guardians delivering stolen and valuable batteries to a race called the Sovereign, after they had protected the items from an inter-dimensional monster. In exchange, the Sovereign deliver Gamora's adopted sister Nebula, who had been caught earlier trying to steal the batteries. However, this peaceful transaction is disrupted when one of the Guardians, Rocket the Raccoon, steal some of the batteries for himself. The Guardians find themselves hunted by a fleet of ships controlled by the Sovereign and their leader, Ayesha. They eventually crash land on a planet inhabited by a mysterious figure, who destroys the Sovereign fleet for them. That figure turns out to be Ego, Peter Quill's powerful father first mentioned in the 2014 film. Ego turns out to be a god-like Celestial that manipulated the matter around its consciousness to form his "home" planet. He explains to Peter that he had projected a humanoid guise to travel the universe and discover a purpose. He eventually fell in love with Peter's mother Meredith Quill. Following her death, Ego hired Yondu to collect the young Quill, but the boy was never delivered and Ego has been searching for his son ever since. The latter invites Quill, Gamora, and Drax to his home planet. Meanwhile, Rocket and Groot remain behind to repair the ship and guard Nebula. Unbeknownst to all, Ayesha has hired Peter's former mentor, Ravagers leader Yondu Udonta to hunt them down. But the Guardians eventually discover that Ego might prove to be a bigger problem than either Ayesha or Yondu's crew.

I was surprised by the characterization featured in "GUARDIANS OF THE GALAXY VOL. 2". It had been one of the strong points of the 2014 movie. But director-writer James Gunn took it to another level in this film, as Gunn's screenplay further explored the main characters' backgrounds and emotional concerns. More important, the characterizations featured in this film led to better performances by the cast. 

One good example was the exploration of Peter Quill's relationships with the two father figures in his life - his biological father Ego and his mentor, Yondu Udonta. Peter's search for a permanent father figure proved to have an ironic twist, considering his longing to meet his real father, Ego's charismatic personality and his occasionally hostile relationship with Yondu. Chris Pratt had to step up his game to develop Peter's character even further. He did . . . and proved that he could be a excellent dramatic actor . . . for the second (or third) time in his career. Kurt Russell gave a first-rate and charismatic performance in his portrayal of Ego. And thanks to Zoe Saldana and Karen Gillan's excellent performances, the movie also explored Gamora's relationships with her adoptive sister, Nebula and their adoptive father, the villainous Thanos. Although the latter did not appear in the movie, his presence was strongly felt - especially in the confrontation between the two women as they confronted the circumstances that led to their estrangement. "GUARDIANS OF THE GALAXY VOL. 2" also featured the further development of Peter and Gamora's relationship. The potential romance in this relationship not only manifested in a charming dance between the pair on Ego's planet, but also a heated quarrel in which Peter expressed his frustration at being kept at a distance by Gamora. This scene featured great acting from both Pratt and Saldana. 

Bradley Cooper had been highly praised for his voice performance as Rocket the Racoon in the 2014 film. The character's past was not really explored in this film. Considering his origin as a lab experiment, I found this a pity. But Rocket's problems with being part of a group and his emotional issues were touched upon - especially in a strong and emotional scene that featured a conversation between him and Yondu, while they were being held prisoner. Both Cooper and actor Michael Rooker nearly stole the movie with this scene between Rocket and Yondu. Also, Rocket found himself serving as the toddler Groot's protector - a strange twist, considering that the latter had been his protector in the previous film. I understand that actor Vin Diesel continued to provide the voice for Groot - and yes, I do mean Baby Groot. I thought Marvel would hire someone other than the deep-voiced Diesel for the role. But they brought him back. And I am amazed that he was able to forgo his usual deep voice to portray the toddler Groot. And speaking of the Yondu, his past reared its ugly head following the revelation that the other Ravager leaders had exiled his group due to child trafficking on Ego's behalf - including the kidnapping the young Peter Grill from Earth. This revelation also led to another in which audiences learn the true strength of Peter and Yondu's relationship. 

The very literal Drax the Destroyer forms a strange friendship with a young empath named Mantis, who has been forced to serve as Ego's "pet" for a number of years. Although Drax's needling personality and strange sense of humor made his regard for the naive and sheltered seem abusive, I was surprised at how the pair managed to grow close - to the point that Drax nearly sacrificed himself for her safety. In these scenes involving Drax, Dave Bautista proved once again that he was a better actor than many had assumed, due to his past as a professional wrestler. And he had a first-rate co-star in Pom Klementieff's subtle and charming portrayal of the empathic Manits. 

"GUARDIANS OF THE GALAXY VOL. 2" also saw the return of Yondu's right-hand man, Kraglin, who was forced to overcome his sense of self-preservation in order to come to his captain's aid when the crew turned on Yondu. Ayesha, the Golden High Priestess and leader of the Sovereign, proved to be another interesting role for actress Elizabeth Debicki's filmography. Ayesha proved to be not only interesting, but also one of the most arrogant characters in the Marvel Cinematic Universe (MCU) . . . the type of character that eventually rubbed Rocket the wrong way. Audiences also got an expanded look into the world of the Ravagers. Thanks to Gunn's script, I realized that most of them - including Yondu - was not as despicable as I had originally assumed. And I was shocked and pleasantly to see the likes of Sylvester Stallone, Michelle Yeoh, Ving Rhames and Michael Rosenbaum as among the older leaders of the Ravangers.

But despite the movie's strong characterizations, I was not as impressed by "GUARDIANS OF THE GALAXY VOL. 2" as I thought I would be. It lacked something that the 2014 movie possessed - a strong narrative. At first, I thought Ayesha would prove to be the heroes' main protagonists, considering that she had hired the Ravagers to hunt down the Guardians in the first place. However, about midway into the movie, I realized that she was nothing more than a plot device (and a tiresome one at that) used by Gunn to drive the Guardians into the path of Ego, Peter's father. And in the end, it was really about him . . . and his plan to remake the universe into his image, using the seedlings he had implanted on different planets, impregnating various females like Meredith Quill and using his offsprings like Peter. 

I know . . . this sounds confusing. Let me put it this way. For years, Ego traveled to different parts of the universe, planting seedlings on different planets. Then he seduced and impregnated women like Meredith so that he can utilize the powers of his offsprings to activate the seedlings . . . and he can terraform those planets into his image. As it turned out, Peter was the only offspring who had the power to help him activate the seedlings. Personally, I found this story rather lame. It was more or less just another "meglomaniac" trying to conquer the universe. In a way, it reminded me of Thanos' narrative within the MCU involving the Infinity Stones . . . only it involved "seedlings" and Ego's offsprings. I found this narrative less original and with more shortcuts. The film's minor plot lines involving the characters' emotional arcs struck me as more interesting.

The movie also featured the usual first-rate visual effects. I was surprised that so many visual effects companies were involved in the film's production. I think I managed to count at least nine of them. Wow. Nine companies involved in the visual effects? Hmmm . . . perhaps I should not have been surprised. "GUARDIANS OF THE GALAXY VOL. 2" seemed to lack a cohesive visual style, despite having a single production designer, Scott Chambliss. Some people were not impressed by the visuals for Ego's planet, as shown below:



Personally, I was. Mind you, there was nothing mind-blowing about the visual effects for Ego's planet. But I had enjoyed them, nonetheless. However, I was impressed by the special effects used to visually convey Rocket, Groot, Kraglin and Yondu's journey across the galaxy - involving several jumps. I found it very effective and rather funny.

Peter Quill's audio cassette tape played a major role in the score for "GUARDIANS OF THE GALAXY". Near the end of that particular movie, he came across the package that his mother Meredith had given him just before her death. The package contained another cassette with more of her favorite songs of her youth. I hate to say this, but I was not that impressed by the collection of songs used for "GUARDIANS OF THE GALAXY VOL. 2", aside from one or two. Even more surprising is that I found the songs featured in the movie's end credits to be a lot more entertaining . . . and right for the movie. Pity.

Overall, I enjoyed "GUARDIANS OF THE GALAXY VOL. 2". It was not exactly a disappointment thanks to the strong characterizations featured in the film and the first-rate performances by a cast led by Chris Pratt and Zoe Saldana. But I must be honest, it was almost a ghost of the 2014 film. And this is due to what I believe was a weak narrative that included a villain with goals that struck me as unoriginal. It is a pity that Nicole Perlman did return to serve as director James Gunn's co-writer in this second film. I had the odd feeling that needed a collaborator for a stronger narrative.

Tuesday, July 4, 2017

"GUARDIANS OF THE GALAXY VOL. 2" (2017) Photo Gallery



Below are images from "GUARDIANS OF THE GALAXY VOL. 2", the sequel to Marvel's 2014 hit film. Written and directed by James Gunn, the movie stars Chris Pratt and Zoe Saldana: 


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Saturday, January 30, 2016

"SPECTRE" (2015) Review




"SPECTRE" (2015) Review

Following the release of the 2012 movie, "SKYFALL", my interest in the James Bond movie franchise had somewhat dropped. This was due to my negative reaction to the movie. In other words, I disliked it. When I learned that Sam Mendes, who had directed "SKYFALL", would return to direct the franchise's 24th movie, I did not receive the news very well and paid as little attention to the production of this new movie as possible. But . . . my family has never been able to resist the release of a new James Bond movie. So, we did not hesitate to rush to the theaters when "SPECTRE" hit the movie screens.

Written by John Logan, Neal Purvis, Robert Wade and Jez Butterworth; "SPECTRE" involved James Bond's investigation of the global organization that had ties to the financial terrorist group Quantum, which Bond was pitted against in "CASINO ROYALE" and "QUANTUM OF SOLACE". Before the movie began, Bond had received a posthumous message from the previous "M" (Judi Dench) to The movie began with Bond shadowing a mysterious figure in Mexico City, during the city's Day of the Dead celebration. He is there to kill an assassin named Marco Sciarra, who is plotting a terrorist attack with two other men. Although Bond manages to kill Sciarra and his two colleagues, he is suspended by the new "M" (Gareth Mallory) for conducting an unauthorized mission. Bond disobeys the latter's order and continues his mission set by his former boss, by attending Sciarra's funeral in Rome. There, he not only meets Sciarra's widow, but also stumbles across a new organization called Spectre with ties to his former nemesis, Quantum; but also one Ernst Stravo Blofeld. While "M" finds himself engaged in a struggle against "C", the head of the privately financed Joint Intelligence Service, which consists of the recently merged MI5 and MI6, who wants Britain join a global surveillance and intelligence co-operation initiative between nine countries called "Nine Eyes". However, Bond discovers during his unauthorized investigation of Spectre that the latter might be the instigator of the "Nine Eyes" organization.

I read somewhere that "SPECTRE" was not as well received by filmgoers and some critics as "SKYFALL". Especially in the United States. I had a few problems with "SPECTRE". One, director Sam Mendes continued to shoot actor Daniel Craig as if the latter was a male model. I found this annoying in "SKYFALL" and continued to find it annoying in this film. The character Eve Moneypenny was criminally underused in the movie's final action sequence set in London . . . especially since she was a former field agent. I was not that impressed by the Morocco locations chosen by the movie's producers. I have seen desert locations in previous Bond movies that looked more attractive . . . including "THE LIVING DAYLIGHTS", which was also filmed in that country. I had earlier pointed out Spectre's ties to Quantum, the organization that Bond had battled against in both "CASINO ROYALE" and "QUANTUM OF SOLACE". However, the movie's plot also suggested that the Raoul Silva character from "SKYFALL" also had connections to Spectre. Frankly, I found this somewhat of a stretch, considering that the 2012 movie never hinted any such connection to either Spectre or Quantum. In my review of "SKYFALL", I had pointed out that I found its theme song unmemorable for me. I have to say the same about "Writing's On the Wall", this movie's theme song, which was written and performed by Sam Smith. I would not be able to remember a tune from either movie . . . even if I tried. I have nothing against Léa Seydoux as an actress. But she and star Daniel Craig had very little screen chemistry. Worse, I found their romance rather contrived. There was no real hint of attraction between the two, until the last third of the film, when the pair arrived in Morocco.

Despite these flaws, I still managed to enjoy "SPECTRE" very much. First of all, this movie had a strong narrative with very little plot holes. I also enjoyed how the screenwriters tied the Quantum organization with Spectre. Quantum always seemed to focus more upon financing for warlords like Steven Obanno or military-political figures like General Medrano who needed cash to regain power in a country like Bolivia. It seemed very probable that it would serve as a branch for a terrorist organization like Spectre. In fact, the theme of this entire movie seemed to be about death and ghosts from the past - especially ghosts from Bond's past interactions with Quantum/Spectre since "CASINO ROYALE" (in other words, Craig's tenure). The movie's pre-credit sequence opened with Bond in Mexico City, during the latter's Day of the Dead celebration. The movie's opening credits featured images from past villains, along with the late Vesper Lynd and former "M". I may not have found it memorable, but I am glad to say that the movie's theme song resonated strongly with the plot. Speaking of which, the screenplay also hinted a past connection between Bond and Spectre's leader, Blofeld; which adheres rather well to Bond's orphan past. But what I really enjoyed about "SPECTRE" was that Bond's search for Marco Sciarra and discovery of the Spectre organization was due to a posthumous message from the former "M". Apparently, the lady had decided to use Bond to finish what they had started back in "CASINO ROYALE". How effective of her.

Another aspect of "SPECTRE" that impressed me was the movie's style . . . especially its cinematography. I may have found the Morocco locations lacking in color, but I must admit that Hoyte Van Hoytema's photography did most of them justice. Well, there were two sequences in which the Morocco locations impressed me. One of them featured the arrival of Bond and leading lady Dr. Madeleine Swann's arrival in the city of Tangier. I was also impressed by Van Hoytema's sleek photography of Rome, which was mainly filmed at night. But the one sequence that truly blew my mind was the pre-titled one in Mexico City. Despite being shot with a slight Sepia, the Mexico City sequence was filled with color and real atmosphere. I must admit that Lee Smith's editing, Thomas Newman's exciting score and the mind-boggling action greatly added to Van Hoytem's work. Frankly, I thought it was one of the best shot sequences in the entire Bond franchise.

"SPECTRE" proved to be Daniel Craig's fourth turn in the role of James Bond. And as usual, he knocked it out of the ballpark. A relative of mine once hinted the suggestion that Craig might be the best actor of all those who have portrayed Bond for EON Productions. I will have to give her comment some thought. But I must admit that he has been consistently spot on in his portrayal of Bond. But in this movie, his penchant (or should I say Craig's penchant) for dark humor seemed particularly sharp. I stand by my opinion that the chemistry between Craig and his leading lady, Léa Seydoux, did not strike me as particularly warm. But Seydoux was not the first actress in the franchise who lacked any real chemistry with the Bond actor in question. Her penchant for sullen expressions and pouting did not mesh well with Craig's screen presence. However, I cannot deny that the actress gave a first-rate performance as the guarded Dr. Swann, who turned out to be the daughter of one of Bond's former enemies - Mr. White from "CASINO ROYALE" and "QUANTUM OF SOLACE". It was nice that the screenwriters explored her character's own personal demons regarding her father - especially in one scene in which she viewed a video clip of his death.

Of the four (or possibly five) actors who have portrayed Ernst Stravos Blofeld, Christoph Waltz's interpretation struck me as the most subtle. He did an excellent job of conveying his character's malice, intelligence and penchant for sadism; while projecting a mask of mild amusement. Ralph Fiennes had a most unusual task as the new "M" and I thought he handled it quite well. His character had already been introduced in "SKYFALL" as Gareth Mallory, head of the Intelligence and Security Committee. But in "SPECTRE", he had to portray "M" as someone who is new at his job, which has become under threat by "C" of the Joint Intelligence Service and Bond's penchant for disobeying orders.

Naomie Harris returned as Eve Moneypenny and I found her performance just as entertaining and first-rate as ever. More importantly, her chemistry with Daniel Craig was as strong as it was in the 2012 movie. Another returnee from "SKYFALL" was Ben Whishaw, who continued his entertaining and sardonic performance as MI-6's Quartermaster, "Q". Whishaw also had a chance to act out a mild adventure in the Austrian Alps in which "Q" is pursued by SPECTRE agents. Jesper Christensen returned for his third appearance in the movie franchise as Quantum agent, Mr. White. As much as I found his appearances in "CASINO ROYALE" and "QUANTUM OF SOLACE" rather interesting, I was very impressed by his more complex portrayal as the dying former operative, who was willing to cooperate with Bond for the safety of his daughter. It was a treat to see Dave Bautista again, who portrayed SPECTRE assassin, Mr. Hinx. I found his performance effectively menacing and really added a great deal to the movie's fight scenes. But a part of me felt slightly disappointed that he had only a few lines in the movie, especially since I found his performance in 2014's "GUARDIANS OF THE GALAXY" so impressive. The movie also featured solid performances from the likes of Rory Kinnear, Monica Bellucci, Alessandro Cremona and Andrew Scott, who struck me as particularly creepy as the head of the Joint Intelligence Service, "C".

What else can I say about "SPECTRE"? The movie restored my faith in the Bond movie franchise. Despite some flaws, I enjoyed it so much that I would probably rank it among my top ten Bond movies, thanks to director Sam Mendes, the movie's screenwriters and a cast led by the always talented Daniel Craig.

Monday, January 4, 2016

"SPECTRE" (2015) Photo Gallery

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Below are images from "SPECTRE", the 24th entry in the James Bond movie franchise. Directed by Sam Mendes, the movie stars Daniel Craig as James Bond, OO7: 



"SPECTRE" (2015) Photo Gallery

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