"THE FUGITIVE" (1993) Review
During a period between the late 1980s and the 2000s, Hollywood released a good number of film adaptations of successful or not-so-successful television shows. This is ironic, considering the television industry tend to do the opposite. One of those film adaptations of TV shows happened to be the 1993 action thriller, "THE FUGITIVE".
Based on the ABC 1963-1967 television series that starred David Janssen, "THE FUGITIVE" told the story of prominent Chicago vascular surgeon Dr. Richard Kimble, who is accused and convicted of murdering his wealthy wife. The movie began with Kimble arriving home from a fund-raising event and later, a surgery, to find his wife murdered. He then struggled with her killer, a one-arm man who yet to make his escape. Despite his efforts to inform the Chicago Police about the one-arm man, the latter charged Kimble with his wife's murder. Following his conviction and death sentence, Kimble found himself being transported to prison on a bus. A few of Kimble's fellow prisoners attempted an escape. In the pandemonium, two prisoners and the driver were killed; and the bus rolled down a ravine and into the path of an oncoming train. Kimble saved a guard, escaped the on-coming collision, and fled as the train derailed. Hours later, U.S. Deputy Marshal Samuel Gerard and his colleagues arrived at the crash site and launched a massive manhunt that started in the Illinois countryside ended up back in Chicago. Upon his arrival in the city, Kimble started his own manhunt for his wife's one-arm killer.
I have never seen the 1963-1967 series that starred David Janssen. But I have heard and read so much about it over the years. I am aware of a few differences between the series and the movie. Whereas the latter began with Helen Kimble's death, the television series began with Kimble already on the run for six months. Sam Gerard was a U.S. Marshal in the film. Philip Gerard was a local police detective, obsessed with finding Kimble. Which made me wonder how he was able to track Kimble all over the country for four years without losing his job. The television series featured members of both Kimble and Gerard's families, whereas the movie only featured the pair's colleagues - past and present. And so on.
After years of watching movies, I came to the realization that I have never seen a perfect movie. "THE FUGITIVE" was certainly not one. As much as I like the Richard Kimble character, there were times when he came off as a little too ideal for my taste. He came dangerously close to being a Gary Stu - especially in those scenes featuring Gerard and his team's interrogations of Kimble's old medical colleagues. How can I put this? The Richard Kimble character struck me as so ideal that in the end, he did not really develop as a character. How could he? He seemed so perfect from beginning to the end. Unlike his television counterpart, the cinematic Kimble was also blessed with a happy marriage before her death. Kimble's counterpart was the U.S. Marshal Sam Gerard. Unlike Kimble, Gerard proved to be a more complex character who possessed a ruthless streak that bordered on brutality sometimes. Especially when it came to the welfare of the deputy marshals assigned to his team. He also possessed a sharp wit that blended with sarcasm. But like Kimble, Gerard also possessed an unrelenting steak that leads him to maintain focused on his goal. And like Kimble, Gerard never really developed as a character. Now many might find my last observation hard to swallow, considering that Gerard realized that Kimble was an innocent man. So what if Gerard had finally realized that Kimble was innocent? He was never the investigator for the Kimble case in the first place. Gerard's task was to simply hunt down Kimble, who was a fugitive of the law, and return him to jail. Which he did in the end. Only he learned that Kimble was an innocent man along the way. But this discovery did not change or develop his character. After all, it was up to the Chicago Police to realize Kimble was innocent. Yet, the two original police investigators had refused to acknowledge Kimble's innocence and their mistake right up to the bitter end.
Also, a part of me wondered whether Richard Kimble or his wife Helen had relatives in Chicago. My one last complaint about "THE FUGITIVE" centered around at least two action sequences. One involved the collision between the prison bus conveying Kimble and a freight train. I was amazed that so many of the occupants inside that bus managed to survive, especially Kimble who had lingered inside longer to care for a wounded prison guard. The other action sequence that left me scratching my head was Kimble's swan dive from a dam spillover. Perhaps it was plausible for him to survive such a dive. Unfortunately, I cannot see that happening . . . even to this day. I wish that screenwriters Jeb Stuart and David Twohy, along with Andrew Davies, had used another way for Kimble to evade Gerard. Something a bit more plausible.
For a movie based on an old television series from the 1960s, "THE FUGITIVE" proved to be first-rate. That is correct. I enjoyed this film very much. In fact, I more than enjoyed it. I thought Stuart, Twohy and Davies had created a very satisfying movie filled with top-notch action, a solid mystery involving the killer's identity, intelligence and deep emotion.
Although I believed the sequences featuring the prison bus/train collision and Kimble's leap from a dam spillover bordered on the implausibility, I certainly had no problems with the film's other action sequences. In fact, I especially enjoyed three in particular - the chase sequence through downtown Chicago on St. Patrick's Day, Kimble's encounter with the one-arm man aboard a Chicago El-train and especially the final sequence that featured both Kimble and Gerard's confrontation with the real culprit behind Helen Kimble's murder. Andrew Davis did a great job in directing these sequences, filling them with breathless tension.
The 1960s television series had mainly focused on Kimble evading the police and finding the one-arm man's whereabouts. I had no problems with this. Once the cinematic Kimble had made his way back to Chicago, he started off doing the same. But thanks to screenwriters Jeb Stuart and David Twohy, the film featured an additional twist that allowed the one-armed killer to be a part of a bigger conspiracy involving a pharmaceutical company and new drug called Provasic that Kimble had failed to approve, because it caused liver damage. During Kimble's search for the one-armed man and his investigation of the mystery behind his false conviction, I felt pleased that the movie also delved into his continuing grief over his wife's death via flashbacks. These brief moments reminded audiences that Kimble was more than an action man trying to prove his innocence. He was a man still grieving over the death of his wife. Another aspect of "THE FUGITIVE" was its portrayal of Tommy Lee Jones and his team of U.S. Marshals. Unlike the ABC series, which almost portrayed the Philip Gerard character as a modern version of Inspector Javert of "LES MISERABLES" in Les Misérables - relentless and obsessive in pursuit of his prey; U.S. Marshal Sam Gerard seemed to lack the obsession of his television and literary counterparts. Which I personally found refreshing. Well, Gerard is relentless in this film, but only in a cool and professional manner. And thanks to Stuart and Twohy's screenplay, along with Tommy Lee Jones' performance, Gerard conducted his assignment with a dry and sarcastic wit.
I might as well discuss the cast's performances. What can I say? There did not seemed to be a false step among any of them. The movie boasted some first-rate supporting performances from the likes of Ron Dean, Joseph Kosala, Nick Searcy, Eddie Bo Smith, Dick Cusack, David Darlow, Kirsten Nelson, Neil Flynn, Andy Romano and Richard Riehle. This movie marked the first time I saw Julianne Moore in any motion picture, and I thought she gave a sharp performance as a hospital physician nearly overwhelmed by a crisis. Both Jane Lynch and John M. Watson Sr. seemed equally sharp as two of Kimble's colleagues and closest friends. In her few scenes, Sela Ward radiated warmth and wit as Kimble's loving wife and murder victim, Helen Kimble. It seemed a pity that she was not featured in more scenes. Andreas Katsulas gave an intelligent, yet sinister performance as Fredrick Sykes aka the One-Arm Man and Helen Kimble's killer. Jeroen Krabbé portrayed another one of Kimble's friends and colleagues, Dr. Charles Nichols, who also believed in the former's innocence. Krabbé injected a "proud father" aura in his performance, as he needled the U.S. Marshals for their failure to capture Kimble and come to the realization of the latter's innocence. I found this aspect of Krabbé's performance very subtle and very entertaining. For me, one of the most entertaining aspects of "THE FUGITIVE" proved to be those who portrayed the deputy marshals who formed Gerard's team. I am referring to L. Scott Caldwell, Daniel Roebuck, Tom Wood, Johnny Lee Davenport and especially Joe Pantoliano. Not only did I enjoy the wit and humor that permeated their interactions with each other, but I also enjoyed their interactions with Tommy Lee Jones' Gerard. In fact, Jones and Pantoliano's scenes proved to be so funny that it seemed as if they had created some kind of comedy team.
I realized I had been a little critical of the Dr. Richard Kimble and U.S. Deputy Marshal Sam Gerard characters. And I stand by my criticism. But I cannot do the same about the two actors that portrayed them. I believe Harrison Ford gave one of his career best performances as the beleaguered surgeon who found himself convicted of murdering his wife. Ford did an excellent job of conveying not only Kimble's grief over his wife's death, but also his desperation to evade the police and U.S. marshals searching for him, and the character's intelligence, while he investigates the one-arm man and the latter's motive behind Helen's death. Sam Gerard seemed like a different kettle of fish in compared to Richard Kimble and Tommy Lee Jones' portrayal of the colorful lawman proved to be one of the film's highlights. Jones managed to infuse a great deal of energy into Gerard's determined search for Kimble, without transforming the character into a copycat of the Javert character from "Les Misérables". Jones' Gerard is a tough and no-nonsense man who would ruthlessly defend members of his team and his slightly extreme form of law enforcement. I am not surprised that Jones managed to snag both acting nominations and awards for his portrayal of Gerard. However, I am astounded that Ford was never nominated.
One can tell how good a movie after so many years had passed. Nearly thirty years have passed since the release of "THE FUGITIVE". It might have a few flaws, but I believe it still holds up after so long. I also believe the movie proved to be just as superb as the 1960s television series it was based on. One can thank Andrew Davis for his energetic and intelligent direction, Jeb Stuart and David Twohy's excellent screenplay; and the superb cast led by Harrison Ford and Tommy Lee Jones.
