Showing posts with label mark strong. Show all posts
Showing posts with label mark strong. Show all posts

Thursday, August 29, 2019

"SHAZAM!" (2019) Review





"SHAZAM!" (2019) Review

I had been very surprised by Warner Brothers Studios' announcement to produce an adaptation of the Fawcett Comics (later D.C. Comics) character known as Shazam aka Captain Marvel aka Billy Baston. My only memories of the character came from the Filmation television series from the mid-1970s. Not being a fan of this particular series, I regarded this announcement with a leery eye. 

The history of D.C. Comics' version of Captain Marvel is an odd and complicated one. Billy Baston aka Captain Marvel aka Shazam was created C.C. Peck and Bill Parker in 1939 and made its debut in Whiz Comics #2, published by Fawcett Comics. The character was an instant hit. Billy Baston was a 12 year-old boy who became a costumed adult with the powers of superhuman strength, speed, flight and other abilities; when he says the word "SHAZAM"! (an acronym for six "immortal elders" - Solomon, Hercules, Atlas, Zeus, Achilles, and Mercury). By the middle of the 1940s, Shazam's popularity had surpassed Superman's. However, D.C. Comics also noticed that the costumed hero bore a strong similarity to Superman and filed a copyright infringement suit against Fawcett Comics in the early 1950s, ending the character's run for nineteen years. Then in 1972, D.C. Comics purchased the rights to Shazam from Fawcett. And in 1991, D.C. Comics required the rights of the entire family of characters associated with Shazam. Like I had said . . . complicated.

The plot to this adaptation is a lot more simple. Basically, "SHAZAM!" is an origin story. Written by Henry Gayden and directed by David F. Sandberg, the film began in 1974 upstate New York with young Thaddeus Sivana arguing with his father and older brother during a car trip. Right before a dangerous car crash, Thaddeus is transported to the Rock of Eternity, a magical temple hidden in another dimension. He meets the ancient wizard Shazam, last of the Council of Wizards, who has spent centuries searching for a new champion who is "pure of heart" after the previous champion, driven by revenge, released the Seven Deadly Sins upon the world. Thaddeus is tempted by the Sins, entrapped in statues, and is deemed unworthy and returned to Earth by Shazam.

Over forty years later in Philadelphia, foster child Billy Batson runs afoul of the law, while searching for his birth mother. He is placed in a group home with five other foster children, managed by Victor and Rosa Vasquez. Meanwhile, an embittered adult Sivana discovers a way to return to the Rock of Eternity, where he steals the Eye of Sin, becoming the Sins' vessel and besting the Wizard Shazam before returning to Earth. Later, he uses the Sins to murder his remaining family and the Sivana Industries' board of directors. Meanwhile, Billy saves Freddy (one of his fellow foster kids) from bullies and is chased into a subway. There, the wizard summons and chooses Billy as the new champion. By calling Shazam's name, Billy is transformed into an adult superhero endowed with the wizard's name and new powers. And the Wizard turns to dust, leaving behind his staff. While Freddy helps Billy utilize his new powers, Sivana searches for the new Shazam in order to steal the latter's powers.

I do not know what to say about "SHAZAM!". It is probably the first D.C. Extended Universe (DCEU) film that I did not warm up to. I am not claiming that it is a terrible movie. I honestly do not believe it is. I thought Henry Gayden wrote a very straight forward narrative that introduced the character of Shazam, conveyed his struggles to control his powers, learn to be a hero and a faced a villain who wanted to steal his abilities. Very simple. Perhaps it was too simple. For me, the most interesting aspect of "SHAZAM!" was Billy Baston's struggles outside of the suit. Billy had to learn to put his past behind him and embrace his new foster family.

The movie featured two very surprising plot twists in its narrative. One of those twists featured the other five kids at his foster home. Due to my unfamiliarity with Shazam, what happened in the hero's final battle against Sivana and the Sins at a local winter carnival took me completely by surprise. This first twist involved SHAZAM spell and Billy's foster sisters and brothers. But a previous plot twist not only surprised me, but in a way that truly satisfied. For a brief period, the movie featured a scene in which Billy not only discovered his birth mother, but also learned the truth behind their separation. I was very impressed by the ambiguous nature of this scene and how it helped develop Billy's character arc. I thought this scene was worthy of the ambiguity featured in the early DCEU movies and left me longing for them more than ever.

The cast for "SHAZAM!" proved to be first-rate. The movie featured solid performances from the likes of Faithe Herman, Grace Fulton, Ian Chen, and Jovan Armand as Billy Baston's foster brothers and sisters. I could say the same for Cooper Andrews and Marta Milans, who portrayed Billy's parents. Djimon Hounsou gave a nice, dignified performance as the wizard Shazam, who granted Billy his powers. And it was nice to see John Glover, who gave a deliciously spiteful performance as Mr. Sivana, the estranged father of Dr. Thaddeus Sivana. But there were performances that I especially took notice. Caroline Palmer gave a subtle and skillful performance as Billy's biological mother, Marilyn. Jack Dylan Grazer was very entertaining as Billy's disabled foster brother, the nerdy and enthusiastic Frederick "Freddy" Freeman. Mark Strong's portrayal of the villainous Dr. Sivana really impressed me, for he managed to both sinister and emotionally pathetic. The movie's leading man, Zachary Levi, was also entertaining as the recently empowered Billy Baston in an adult body. But for me, the best performance came from Asher Angel, who I thought gave a very nuanced and complex performance as the adolescent Billy Baston, who is reluctant to accept his new foster family, due to his obsession with finding his mother.

Despite these virtues, "SHAZAM!" proved to be something of a disappointment for me. Quite frankly, I thought it was a rather bland and conformist comic book hero movie. In a way, it reminded me of 2008's "IRON MAN", a movie that was saved from its mediocre or paint-by-the-numbers narrative by a volatile leading character. In the case of "SHAZAM!", it had a mediocre narrative and direction style saved by a leading character that was a boy in an empowered adult body. In fact, someone had dubbed the film as the DCEU's version of the 1988 movie, "BIG". Otherwise, I felt as if I was watching a comic book movie from the 1990s. I found it sad to watch a movie that had regressed a film genre by two decades. Actually, I found that not only sad, but disturbing. 

Despite Mark Strong's best efforts, the movie's main villain proved to be unsurprisingly one-dimensional. Dr. Sivana did not strike me as a memorable villain. Nor did his goal - namely the acquisition of more supernatural powers. He came off as a typical villain from the old 1998-2006 television series, "CHARMED". And as much as I admired Zachary Levi's performance, I also noticed that his portrayal of Billy Baston seemed to be at least half a decade younger than Asher Angel's portrayal. Levi's Billy struck me as less mature and more silly. Nor did it help that the one moment that allowed Billy to mature a bit more, happened when he was NOTthe empowered Shazam. It almost made Billy's acquisition of his new powers irrelevant to his character development. And for me, that is not a good thing for a comic book hero movie. I would comment on David F. Sandberg's direction, but frankly it seemed to lack any challenging or innovative qualities to me.

Is "SHAZAM!" indicative of Warner Brothers' new direction for the DCEU franchise? I fear so. What a pity. It is not a bad film. The latter featured two interesting plot twists and a first-rate performance from one of its leading men, Asher Angel. But overall, I found both the plot and David F. Sandberg's direction rather bland. The film critics and many moviegoers seemed to love this. Needless to say, I do no share their feelings. And if this is the DCEU's new direction, it can keep it as far as I am concerned.


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Tuesday, July 23, 2019

"SHAZAM!" (2019) Photo Gallery



Below are images from the seventh entry in the D.C. Comics Extended Universe (DCEU) movie franchise, "SHAZAM!". Directed by David F. Sandberg, the movie starred Zachary Levi and Asher Angel as Billy Baston aka Shazam: 



"SHAZAM!" (2019) Photo Gallery

















































Tuesday, April 7, 2015

"KINGSMAN: THE SECRET SERVICE" (2015) Review

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"KINGSMAN: THE SECRET SERVICE" (2015) Review

Matthew Vaughn must be a major comic book fan. This is the second . . . no, third time in his career in which he has directed a film adaptation of a comic book series or story. This time, he directed an adaptation of Dave Gibbons and Mark Millar's 2012 comic book series, "The Secret Service".

"KINGSMAN: THE SECRET SERVICE" told the story of a young man named Gary "Eggsy" Unwin, who becomes a recruit for a secret service organization called Kingsman. The story begins in 1997 when a team of Kingsman agents led by Harry Hart lead a raid to interrogate a terrorist in the Middle East. When their prisoner reveals an unpinned grenade, one of the Kingsman agents - who turns out to be Eggsy's father - sacrifices himself to save the others. Harry leaves a medal with a coded message to young Eggsy, in case the latter needs help. Seventeen years later, Eggsy, now a young unemployed adult living with his mother, an infant half-sister and an abusive stepfather; runs afoul of the police after he and his friends steal a car that belongs to one of his stepfather's personal thugs. When Eggsy contacts Harry, using the medal, the latter arranges his release and encourages the younger man to apply for a position at the Kingsman agency.

Meanwhile, one Professor James Arnold is kidnapped by henchmen who work for Internet billionaire Richmond Valentine. A Kingsman agent known as "Lancelot", tries to rescue Professor Arnold, but failes when Richmond's henchwoman, Gazelle, kills him. Valentine manages to convince Arnold, along with various heads of state and VIPs, to participate in a scheme that he hopes will save the planet Earth from humanity. While Harry keeps an eye on Eggsy's training, he also investigates Lancelot's death and its connection to Valentine.

Okay, I might as well say it. I enjoyed "KINGSMAN" THE SECRET SERVICE" very much. Hell, I loved it. Now, I cannot say that it is an original tale, considering that it is based upon a comic novel. But it is one of the most enjoyable comic book adaptations I have seen since . . . well, since last year's "CAPTAIN AMERICA: THE WINTER SOLDIER" and "GUARDIANS OF THE GALAXY" Okay, it is simply a damn good movie. And I am amazed that 20th Century Fox did not release it for the summer season. It is worthy of a major summer release. But since the summer of 2015 might prove to be very competitive, I can understand why the studio decided to give it an early release.

I would not say that the plot for "KINGSMAN: THE SECRET SERVICE" is not particularly original. Then again, it might be. Yes, Richmond Valentine's plot to improve Earth for mankind proved to be very similar to plots I have recently encountered in two ABC series - "ONCE UPON A TIME" and "AGENT CARTER". But it was originally used in Millar and Gibbons' 2012 comic book series. So, one can accuse the show runners for the two ABC of plagiarism. In some ways, the plot for "KINGSMAN: THE SECRET SERVICE" reminded me of the plot for the 2014 movie, "DIVERGENT". Both movies started out featuring hardcore training sessions for the protagonists and ended with the characters of Eggsy Unwin and Tris Prior engaged in some serious action sequences. Yet Vaughn and co-screenwriter Jane Goldman did a better job of balancing Eggsy's training and his participation in the movie's final action sequence. This is due to the presence of Harry Hart, who served as this movie's other major protagonist. While audiences were allowed to watch full details of Eggsy's Kingsman training, they also got to see Harry's detailed investigation of Richmond Valentine before the former was included. Using both Harry and Eggsy as the protagonists, while they engaged in their own agenda throughout most of the film allowed Vaughn and Goldman to maintain a balance in the story.

Despite "KINGSMAN: THE SECRET SERVICE" being an action comedy scene, it not only featured excellent acting, but also some interesting dramatic and comedic moments. Among my favorites included Eggsy's introduction to the Kingsman organization, his conflicts with his abusive stepfather, Harry and Kingsman leader Chester King's conflict over the idea recruiting potential agents from the middle and lower classes, Valentine's recruitment of the world's elite into his plan and his first meeting with Harry over a McDonald's meal.

I talked a good deal about the movie's plot. But remember . . . "KINGSMAN: THE SECRET SERVICE" is also an action film based upon a comic book series. And this movie featured a good deal of memorable action scenes. My favorites included Lancelot's attempt to rescue Professor Arnold, two of the Kingsman training sessions featuring a water-filled room and a parachute jump, and Harry's encounter with thugs working for Eggsy's stepfather. My favorite sequence - and it is a long one - featured the remaining Kingsman operatives' attempt to stop Valentine's plot regarding the world's human population. Most final sequences in action movies these days tend to be ridiculously long and filled with mindless violence and explosions. Yes, the final action sequence for "KINGSMAN: THE SECRET SERVICE" has its share of violence and explosions. But I thought it was well shot and did not leave me feeling disoriented and slightly deaf. This sequence also featured one of the funniest character death scenes I have seen on film.

Now . . . "KINGSMAN: THE SECRET SERVICE" is not perfect. I believe it has its flaws. First of all, there is one action sequence that I did not find particularly thrilling to watch. I am referring to the massacre at the Kentucky hate group headquarters in which Harry Hart participated against his will. My problem with this scene? It seemed to go on forever . . . as if Vaughn wanted to savor every moment of the violent conflict inside that Kentucky church just struck me as a bit too much. I also had a problem with the movie's use of the Lancelot character, portrayed by Jack Davenport. I had no problem with the latter's performance. But . . . I wish he had lasted a bit longer than he did. Davenport's time span in the movie reminded me of his limited screen appearance in the 2007 movie, "PIRATES OF THE CARIBBEAN: AT WORLD'S END". Which left me feeling dissatisfied. I wanted to see more of the actor . . . in this film and in the previous one.

The performances featured in "KINGSMAN: THE SECRET SERVICE" proved to be first-rate. Hell, they were better than first-rate. The supporting cast - including Samantha Womack, Geoff Bell, Corey Johnson and Hanna Alström - provided some real, solid performances. But I was really impressed by Edward Holcroft's portrayal of Charlie, Eggsy's aristocratic main rival in the training program; Sophie Cookson as another one of Eggsy's fellow trainees, the winsome, yet tough-minded Roxy; and Jack Davenport's portrayal of Agent "Lancelot", which struck me as a cheeky take on the James Bond character. Mark Hamill also gave a brief, yet entertaining appearance as a British academic named James Arnold, whom Valentine manages to recruit into his scheme. I was surprised by Hamill's first-rate British accent. Michael Caine added a touch of class as the Kingsman agents' aristocratic leader, Chester King aka "Arthur". And Sofia Boutella was very impressive as Valentine's cool and very deadly henchwoman, Gazelle. I swear . . . Boutella's Gazelle could put any Bond henchman or woman to shame.

Mark Strong, a veteran of past Vaughn films, did a great job of portraying "Merlin", a senior Kingsman agent who serves as the agency's trainer and senior tech expert. I was especially impressed by how Strong managed to project a mixture of authority and cheeky sense of humor in his performance. One of the best things about "KINGSMAN: THE SECRET SERVICE" was Vaughn's choice to portray the Kingsman trainee, Gary "Eggsy" Unwin. Taron Egerton gave a star making performance as the energetic and intelligent Eggsy, who is hampered by his working-class background and impatience. I never thought a twenty-something actor with very little experience could hold his own with the likes of Colin Firth, Mark Strong, Michael Caine and Samuel L. Jackson. But he did. Perfectly.

Colin Firth proved to be a surprisingly first-rate hero as Harry Hart, the veteran Kingsman agent who not only saw promise in Eggsy, but also the latter's father some seventeen years earlier. Firth is cool, witty, and authoritative. More importantly, he proved for the first time in his career that he could be a superb action hero . . . even in his early fifties. All the film historians in the world could argue over who might be the best Bond villain. As far as I am concerned, the winner of that little contest could never be as good as Samuel L. Jackson's portrayal of billionaire Richmond Valentine. He trounced them all. Not only was he one of the best (and scariest) on-screen villains I have seen in years, he was also very entertaining. Utilizing a lisp and projecting his character's aversion to violence and blood, Jackson gave what I believe was the best performance in the movie.

It is rare to find a first-rate action film that was not released during the usual summer season. It is rare, but not unknown. I do not know how "KINGSMAN: THE SECRET SERVICE" would have held up against the movies released for the summer of 2015. But regardless of its release date, it might prove to be one of my favorite movies of the year. Matthew Vaughn did a superb job as director of this adaptation of the 2012 comic series. And he was ably supported by Jane Goldman as co-screenwriter and a superb cast led by Colin Firth, Samuel L. Jackson and Taron Egerton.

Saturday, March 7, 2015

"KINGSMAN: THE SECRET SERVICE" (2015) Photo Gallery

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Below are images from "KINGSMAN: THE SECRET SERVICE", the 2015 adaptation of Dave Gibbons and Mark Millar's 2012 comic book, "The Secret Service". Directed by Matthew Vaughn, the movie starred Colin Firth, Taron Egerton and Samuel L. Jackson: 


"KINGSMAN: THE SECRET SERVICE" (2015) Photo Gallery

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Wednesday, March 6, 2013

"KICK ASS" (2010) Review




Below is my review of the recent Matthew Vaughn spoof on costumed heroes movies called "KICK ASS":  


"KICK ASS" (2010) Review

When I first saw the 2004 crime thriller, ”LAYER CAKE”, I thought that Matthew Vaughn would be spending the rest of his directing career in helming movies with a similar genre . . . and become a rival for his colleague, Guy Ritchie. Vaughn proved me wrong. Three years after ”LAYER CAKE”, he directed a fantasy comedy called ”STARDUST”. Then earlier this year, his latest directorial effort hit the theaters – a spoof of the superhero genre called ”KICK ASS”.

Based upon the comic book of the same name by Mark Millar and John Romita, Jr., ”KICK ASS” told the story of an ordinary New York teenager named Dave Lizewski, who sets out to become a real-life superhero by calling himself "Kick-Ass". However, Dave gets caught up in a bigger fight when he meets Big Daddy aka Damon Macready, a former cop, who in his quest to bring down the evil drug lord Frank D'Amico, has trained his 10-year-old daughter Mindy to be the ruthless vigilante, Hit-Girl. Big Daddy and Hit Girl’s murderous actions against D’Amico’s operations led the gangster to believe that Kick Ass was endangering his operation. His son, Chris, volunteers to become another costumed vigilante named Red Mist and lure Kick Ass to his doom.

I had considered seeing ”KICK ASS”, when it was first released in the theaters last spring. However, the movie slipped my mind and I never got around to viewing it, until it was released on DVD. After seeing the movie, I must admit feeling a bit of regret that I never saw it in the theaters. I enjoyed it very much. In fact, I would go as far to say that it has become one of my favorite movies in the superhero genre. Adapted for the screen by writer Jane Goldman and Vaughn, ”KICK ASS” provided plenty of laughs, action and pathos. Watching an unskilled high school teenager try to fight hardened criminals through the guise of a costumed vigilante struck me as one of the funniest and absurd things I have ever seen on film. Another bizarre scene that remained stamped in my mind focused on Macready/Big Daddy training his daughter to withstand a bullet to the chest, while wearing a ballistic vest. One would think it would be difficult to laugh at a movie filled with so much graphic violence – even violence directed at adolescents and a 10 year-old. And yet, Vaughn and Goldman, along with the cast, managed to strike the right balance between the laughter, the drama and the violence.

Speaking of the violence, I must admit there were times when I found it slightly hard to bear. One of the scenes I especially had difficulty dealing with centered around Kick Ass’s first attempt as a vigilante – an attempt that led to him being stabbed and severely beaten. It just seemed a bit too much. I could also say the same for the torture that both Kick Ass and Big Daddy endured at the hands of D’Amico’s men and the latter’s death. And I also must admit that at times I found Hit Girl’s murderous rampage against D’Amico’s men rather graphic. The idea of a ten year-old girl killing so many men . . . just seemed a bit too much. But the hardest scene to watch turned out to be Hit Girl’s confrontation with D’Amico. I suppose one could laugh at the idea of a ten year-old girl in a brutal fight against a grown man. But watching it on the screen made it difficult for me to laugh.

As much as I enjoyed ”KICK ASS”, the idea of an ordinary teenager believing he could face hardened criminals on the street without any self-defense training strikes me as being too absurd. Frankly, if I had known someone like Dave Lizewski in real life, I would begin to wonder about his mental capacity. If you really think about it, Dave truly had to be either be a mental gourd or simply a nut case – like the idiot who jumped off that skyscraper at the beginning of the film. A person could argue that Dave was nothing more than a fictional character like Peter Parker aka Spider-man. But would Peter Parker really be stupid enough to face hardened criminals on his own without any super abilities or self-defense training? Even Macready made sure that young Mindy would be trained as a skillful fighter before setting her loose against D’Amico’s men.

If there is one thing that Vaughn could be proud of was the exceptional cast that helped drive ”KICK ASS”. No one felt more surprised than me to learn that Aaron Johnson, who portrayed Dave Lizewski aka “Kick Ass”, was British born and raised. I felt surprised because his portrayal of an American teenager was spot on. Johnson captured all of the emotions, desires and angst of his character with sheer perfection. Another performance that blew my mind came from Nicholas Cage, the soft-spoken former cop and vigilante Big Daddy, who also happened to be an angry and murderous man determined to seek vengeance against mobster Frank D’Amico for ruining his life and career. I believe his role as Damon Macready might prove to be one of the best in his career. I do not know if mobster Frank D’Amico will prove to be one of Mark Strong’s best performances, but I must admit that he did a superb job. He kept the D’Amico character from being a one-dimensional villain and did a great job with the character’s New York accent. If she plays her cards right, Chloë Grace Moretz might become more than just the talented child actress that she is at the moment. Her portrayal of the tough, 11 year-old vigilante, Mindy Macready aka “Hit Girl” was not only entertaining, but almost as frightening as Strong’s villainous turn. The funniest performance, in my opinion, came from Christopher Mintz-Plasse, who portrayed D’Amico’s son, Chris and fake vigilante Red Mist. He provided plenty of laughs as the mobster’s slightly sarcastic son torn between a penchant for costumed heroes and a desire to follow in his father’s footsteps into a life of crime And his fight scene with Johnson nearly had me in stitches. And both Michael Rispoli and Lyndsy Fonseca gave strong support as D’Amico’s cool and clever lieutenant Big Joe and the feisty object of Dave’s desire, Katie Deauxma.

Aside from Vaughn and Goldman’s first-rate script, ”KICK ASS” benefitted from Ben Davis’ colorful and original photography. The film was not only rich in color, it provided some interesting shots that subtly reminded moviegoers that the movie was based upon a comic book series. At least three shots struck me as reminiscent of comic books and one reminded me of another comic book hero movie from the 1990s. One scene featured Macready’s former partner examining drawings that revealed the Macreadys’ tragic acquaintance with D’Amico and how they became a pair of murderous vigilantes. Another featured a close up of Big Daddy on the verge of death, after being tortured by D’Amico’s men. And the last and most obvious featured D’Amico’s death at the hands of Kick Ass. And in a very funny scene that featured Kick Ass and Red Mist's escape from one of D'Amico's burning warehouse brought back memories of the very last shot from the 1995 movie, "BATMAN BEGINS".

Despite my initial reluctance toward ”KICK ASS” and some of its violence, I found myself enjoying the movie. In fact, I will go one step forward in stating that I found it to be one of the better movies this year . . . and one of my favorites in the superhero genre. For the third time since becoming a director, Matthew Vaughn ended up impressing me very much. I cannot wait to see if he can top himself after ”KICK ASS”.

Saturday, March 2, 2013

"ZERO DARK THIRTY" (2012) Review

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"ZERO DARK THIRTY" (2012) Review

Following the release of her 2009 movie, "THE HURT LOCKER", director hit Oscar gold when the movie won Best Picture and she picked up a Best Director statuette. Three years later, Bigelow returned to the setting of the Middle East in this historical drama about the operation of the C.I.A. for the manhunt of Osama bin Laden, the leader of al-Quaeda whom the U.S. government held responsible for the terrorist attacks on this country in September 2001.

The movie begins two years after the September 11 attacks with the arrival of a C.I.A. agent named "Maya" to the U.S. Embassy in Islamabad, Pakistan. Although she had been gathering information on al-Queda for two years, Maya becomes familiar with interrogation methods used by fellow agent Dan on several Islamic detainees, including one named Anmar. Maya evolves into a hardened, yet overzealous veteran. Over the next several years, Dan transfers to the C.I.A. headquarters in Langley, Virginia; Maya and her friend and fellow agent Jessica survive the 2008 bombing of the Islamabad Mariott Hotel; and Jessica is killed during a suicide bomber's attack on Camp Chapman, Afghanistan in 2009. Although Maya is eventually reassigned to Langley following a personal attack on her outside her home, she continues the search for bin Laden. The efforts of Maya, Dan and two other agents named Hakim and Larry eventually leads the Agency to bin Laden's location in a suburban compound in Abbottabad, Pakistan. The movie ends with an attack on the compound on May 2, 2011 authorized by President Barack Obama.

"ZERO DARK THIRTY" has acquired a good deal of acclaim and accolades since its release. Conservative critics of the Obama Administration accused Bigelow and her fellow producers of plans to release the movie before the 2012 Presidential election as a boost for the President's re-election campaign. GOP Congressional leaders also accused the Obama Administration of providing Bigelow and her team access to classified information during their research for the film. More liberal critics accused the director of using the movie's torture scenes as justification for U.S. intelligence use of torture on his prisoners. Bigelow and Columbia scheduled the movie's release date to December 2012 for a limited release to theater and January 2013 for a wide release. It has been proven that Bigelow and her team never received any classified information from the Obama Administration. As for the accusation that Bigelow is pro-torture . . . I believe it depends upon the individual moviegoer's point of view.

How do I feel about "ZERO DARK THIRTY"? Generally, I believe it is an excellent movie that benefited from a talented director and cast. Bigelow did an excellent job in capturing the tense, yet meticulous methods that the C.I.A. used to track down bin Laden. Bigelow's direction and Mark Boal's screenplay pretty much did solid work in giving the movie a documentary style aura in this historical drama. The character of Maya is supposed to be based on an actual C.I.A. agent who had worked on the bin Laden manhunt. Thanks to Bigelow, Boal and a superb and Golden Globe award-winning performance by Jessica Chastain, audiences saw the gradual development of Maya's character from C.I.A. newbie to hardened intelligence agent and negotiator, and finally to a woman obsessed with the capture of the man she not only held responsible for the September 11 attacks, but also for the death of the close friend who was killed at the Camp Chapman attack.  Looking back on Chastain's performance, I have a deep suspicion that she had been cheated out of an Academy Award statuette for Best Actress.

"ZERO DARK THIRTY" also featured some top-notch performances from the rest of the cast. Jason Clarke, who had previously worked with Chastain in "LAWLESS", gave an excellent performance as Dan, the intense and ruthless C.I.A. agent who initiated Maya into the brutal world of intelligence interrogations. Kyle Chandler handed in another top-notch and complex performance as former C.I.A. Islamabad Station Chief, Joseph Bradley, who seemed to be at turns both impressed and exasperated by Maya's obsession with the bin Laden hunt. I was surprised to see Jennifer Ehle in this movie. Then again, I have been seeing her in a great deal of American productions, lately. In "ZERO DARK THIRTY", she gave a first-rate as Maya's friend and colleague, Jessica. The movie also boasted some solid work from the likes of Mark Strong, Joel Edgerton, Harold Perrineau, Édgar Ramírez, Fares Fares, Stephen Dillane (who did possess a shaky American accent) and James Gandolfino.

I am perplexed about one thing about the cast. Could someone explain why Joel Edgerton was billed over Kyle Chandler, Jennifer Ehle and Mark Strong? All three had bigger roles than Edgerton. I realized that the latter portrayed one of the U.S. Navy SEALs that conducted the raid on bin Laden's compound. But I do not see this as a reason for him to receive billing over Chandler, Ehle and Strong. Another problem I have with "ZERO DARK THIRTY" is that the movie struck me as a bit schizophrenic in its style. The movie's first hour - which featured Maya and Dan's interrogations of Ammar and other detainees and some detailed investigations struck me as rather dry. I would have fallen asleep within an hour if it were not for the torture scenes. And honestly? I find that rather disturbing. The movie's second half seemed to shift in tone with the Islamabad Marriott Hotel and Camp Chapman bombings. The major characters - especially Maya - became more emotional. The second half also featured verbal conflict between Maya and Bradley, and also an attempt on her life. Once the Navy SEALs raided bin Laden's compound, the movie's tone shifted back to its dry and documentary style.

Speaking of both the torture and bin Laden compound raid sequences, both seemed to stretch out a bit too long. I understand that the C.I.A. used torture to gather information for their manhunt. Honestly, I am not surprised. I did not believe that the scandal over the Guantanamo Bay detention camp would end such interrogation methods. Personally, I find them repulsive. But I doubt that the C.I.A. or the U.S. government would care less about my feelings. But the torture scenes struck me as too long. I could have dealt with a minor on-screen torture scene. But I think Bigelow stretched it too far. I could also say the same about the SEALs' raid on the bin Laden compound. I realize that Bigelow was trying to milk the suspense for all it was worth. I am sorry, but I found it difficult to accept the idea that the SEALs were in so much danger. I was not that impressed by the Camp Chapman sequence. I never knew about the attack until I saw this movie. But I pretty much guessed what was about to happen in this sequence at least five minutes before the actual attack. How disappointing.

I have noticed that the media has been consistently labeling Quentin Tarantino's new movie, "DJANGO UNCHAINED", has been labeled by the media as a "revenge tale". I find this ironic, considering that the movie's protagonist seemed more interested in saving a loved one than revenge. On the other hand, "ZERO DARK THIRTY" practically reeks of revenge. Some movie critics have noted this, but the movie has not really acquired a reputation as a "revenge tale". I find this odd. Very odd.

I understand that "ZERO DARK THIRTY" earned both Golden Globe and Academy Award nominations. On one level, I believe the movie earned those nominations. Thanks to Kathryn Bigelow's direction and Mark Boal, it is basically a well made movie that featured some top-notch performances from a cast led by Jessica Chastain. Unfortunately, I cannot say that I loved the flim. I barely liked it. It strikes me as a bit too cold for my tastes.

Sunday, February 3, 2013

"KICK ASS" (2010) Photo Gallery


Below are photos from Matthew Vaughn's recent spoof on superhero movies, "KICK ASS". The movie starred Aaron Johnson, Christopher Mintz-Plasse, Chloë Grace Moretz, Mark Strong and Nicholas Cage:


"KICK ASS" (2010) Photo Gallery