Sunday, May 24, 2009

"STAR TREK" (2009) Photo Gallery



Below are photos from the new movie, "STAR TREK". Directed by J.J. Abrams, the movie stars Chris Pine, Zachary Quinto and Eric Bana:


"STAR TREK" (2009) Photo Gallery




















































Saturday, May 23, 2009

"Return With a Vengeance" [PG-13] - 14/18




"RETURN WITH VENGEANCE"

Author's Note: Warning. This is a short . . . short chapter. Merely a set up for the final action.

------

CHAPTER 14


The telephone on Cole's breakfast table rang. He reached over to answer. "Hello?" he greeted. "Cole Turner speaking."

"Good morning, Mr. Turner. It's me, Suzanne Maxwell. What happened to you, last night?"

Cole paused momentarily, contemplating on what answer to give his . . . 'client'. For a woman who had been stood up last night, she seemed unusually chipper. Even if she had called him by his surname. Cole finally said, "Sorry to cancel our engagement like that. I had emergency. Actually, my neighbor did. I hope you're not angry at me for canceling last night's dinner."

Brittle laughter filled Cole's ears. That could either mean that Suzanne was truly angry about last night. Or she had some kind of plan in store for him. Cole suspected the latter. "Of course not," she cried. "Actually, I wanted to reschedule our meeting for this morning. Around nine?"

"Nine?" Cole recalled that he had an early meeting with one of the senior partners around eight-thirty. "How about nine-thirty?"

Suzanne paused. "Well, I guess. I'm . . . leaving for L.A., today. A friend of mine has invited me to join her for the weekend and my plane will leave around noon. I suppose I can spare you another thirty minutes to discuss a piece of property I had discovered."

Cole hesitated. He wondered what the warlock had in mind. Seduction? Attempted murder? Hopefully, he would ready for any surprise she might have. He had managed to surprise Dako with the strength of his powers. Cole decided that he would be ready for anything that Suzanne Crozat might inflict upon him. He answered, "I'll be there, around nine-thirty. At your home, right?"

"Actually, I'll be leaving for the airport from my office on Columbus Street. You can meet me there. The Vendrum Company at the Hopkins Building on Columbus. Fifth floor." She added in a sing-song voice, "I'll be waiting for you. Bye!" Suzanne hung up.

Cole placed the receiver on the telephone. And stared at it thoughtfully.

* * * *

A haggard-looking Louis Crozat strolled inside the dining room of the two-story townhouse being rented by the Crozats. The others, Suzanne included, glanced up from their breakfast to greet the newcomer. "Well, how is our guest, this morning?" Edward asked.

Louis sat down in one of the empty chairs around the table and sighed. "Eating. And after he eats, more meditation. He seems determined to gain complete control of the mortal's body before he goes after the witches."

"Oh God!" Suzanne exclaimed with a roll of her eyes.

Edward ignored her and asked Louis, "What about Belthazor? Has Dako mentioned him, this morning?"

"No. He seemed more interested in his plans to rule other sorcerers and daemons. Perhaps even the Source's Realm and a few others." Louis made a face. "He even suggested there might be a place for all of us in his 'kingdom'."

Henry grunted. "How benevolent of him!"

"Henry!"

He let out a huff. "I'm getting tired of this, Edward! And I'm getting tired of him. We all are! Let's just get . . ." He glanced uneasily at the doorway. ". . . get rid of Belthazor, take his powers and kill the witches, ourselves."

"And what about Piper Halliwell?" Edward replied with a sneer. "How do we deal with her baby without Dako's help?" To Suzanne's obvious discomfort, Edward's eyes slid toward her. "If there's a chance we can't get Dako to help us, we'll have to resort to our second plan in regard to the Halliwell witch."

A voice from the doorway boomed, "What about the witch?" All eyes stared at the bokor, standing in the doorway. "I assume you were referring to the pregnant witch."

Edward nervously cleared his throat. "Yes, Your Eminence. We, uh . . . Suzanne has discovered a spell to steal the witch's baby from her womb. This spell was once used by a powerful daemon with psychic abilities, last spring. Against the witch's younger sister. The other sister, Phoebe, was carrying the Source's child, at the time."

"The Source? I've heard of him," Dako replied haughtily. "A talented daemon, but obviously not as powerful as some have deemed him to be."

Henry retorted, "The Source was the ruler of a vast demonic realm."

"Maybe of your realm, but certainly not of mine." Dako rolled his eyes. "And yet three of these witches were able to kill him . . . three times?"

Edward frowned. "How did you . . .?"

"I told him," Louis said, looking guilty. Edward glared at him.

Dako continued, "You can used this spell on the pregnant witch. I will kill the others and steal this . . . Belthazor's powers, before killing him. You can have the witch's child. Compensation for helping me acquire power, again."

Suzanne repressed a retort. Then she glanced at the clock on the wall. Eight forty-five. Her appointment with Belthazor was in another forty-five minutes. In an effort not to raise the sorcerer's suspicions, she slowly stood up. And sighed. "It's almost nine. That herbal shop should be opened, soon. I have some shopping to do."

"Shopping?"

Coolly, Suzanne stared at him. "Yes. Shopping. For the spell to steal the witch's baby. Is there a problem?"

"No. As long as you're back in time to go after Belthazor and the witches. I will be waiting at the witches' home around midday. After we kill the witches, we'll go after the red-haired witch and her family. And then, I will take Belthazor's powers and kill him. Meanwhile, I will meditate some more." He left the room.

Suzanne sneered. "Thril-ling! A great being who can't even . . ." She paused under Edward's warning stare. "Never mind. I'll meet you all at the Halliwells' home . . . around noon." An impatient sigh escaped her mouth, as she stomped out of the room.

* * * *

Cecile stood inside Olivia's kitchen, as she put the finishing touches on a potion she hoped would free Darryl Morris from Dako's spirit. After tossing a pinch of dried amber into the saucepan, she muttered an incantation. A second later, a ball of smoke exploded above the saucepan, taking Cecile by surprise. Step one had been completed.

After a quick search through the kitchen cabinets, Cecile found a small bottle for the potion. She poured the saucepan's contents into the bottle. Just as she finished closing the bottle with a cork, the telephone rang. Cecile picked up the receiver and greeted, "Hello?"

"Cecile? Hey cherie!" a familiar deep voice boomed.

Relief flooded throughout Cecile's body, when she recognized her boyfriend's voice. "Andre? Is that you?"

"Yeah. I got the spell that you wanted. A friend of mine had just e-mailed it to me, a few minutes ago. You remember Thierry Devereaux, don't you? From St. Croix? Well, when I told him about your encounter with . . ."

Cecile kept her patience in check. She loved Andre, but sometimes she wondered if the man was in love with his own voice. "Andre! Honey? The spell, please! I'm in a hurry."

"Oh. Yeah."

Cecile listened patiently, as Andre recited a spell that had not been used in nearly 250 years. She did not bother to write it down, for she possessed an eidetic memory. When the houngan finished, Cecile replied, "Got it! Thanks baby. And tell your friend, Mister . . ."

The vision struck Cecile like a bolt of lightning. She saw Cole Turner inside an expensive office with a dark-haired, beautiful woman. Cecile saw Cole drink something and drop to the floor, disoriented. Then four men entered the office, and with the woman, formed a circle around the half-daemon. They chanted some incantation that left Cole powerless. Then Cecile saw one of them kill Olivia's neighbor with a fireball. The vision continued with a shadowy figure (whom Cecile figured must be Dako) and the warlocks killing the McNeills, Phoebe Halliwell, Leo Wyatt and Paige Matthews. Cecile also saw Piper Halliwell killed by the the shadow figure, and her own death at the hands of the same warlock she had spotted two days ago. The vision ended as abruptly as it had begun. Cecile dropped to the floor, gasping for air.

"Cecile?" Andre's voice could be heard from the telephone receiver she had dropped. "Cecile! Are you there?"

Slowly, the Vodoun priestess rose to her feet. She took a deep breath and picked up the receiver. "Andre, I . . . I have to go. There's an emergency. I'll call you back, later."

"Cecile! Dammit wo . . ." Unfortunately, Andre Morrell's voice went unheeded by Cecile, as she disconnected the line.


END OF CHAPTER FOURTEEN

Friday, May 22, 2009

"THE FOUR FEATHERS" (1939) Review


This year marks the 70th anniversary of the fourth version of A.E.W. Mason's adventure classic, "THE FOUR FEATHERS":


"THE FOUR FEATHERS" (1939) Review

There have been seven versions of A.E.W. Mason’s 1902 novel, ”The Four Feathers”. At least three of them were silent films. In 1939, British producer Alexander Korda released the first sound adaptation of the novel. This version was also the first one to be filmed in color. Directed by Korda’s brother, Zoltan Korda, ”THE FOUR FEATHERS” starred John Clements, June Duprez, Ralph Richardson and C. Aubrey Smith.

Not only was this version of ”THE FOUR FEATHERS” the first to feature both sound and color, it is regarded by many as the best adaptation of Mason’s novel. Fifteen years has passed since I last saw this movie. When I first saw it back in the mid-1990s, I was very impressed by this film. After seeing it fifteen years later (or more), I am still impressed. Somewhat. Granted, my admiration for the movie has dimmed slightly, but I still believe that it is a first-class movie.

Unlike Mason’s novel or the recent 2002 version, this version of ”THE FOUR FEATHERS” is not set right after General Charles Gordon’s death in 1885. Instead, the movie is set in 1895. Harry Faversham is an officer in the British Army and his regiment has been ordered to the Sudan to avenge the death of “Chinese” Gordon from ten years ago. On the eve of its departure, British officer Harry Faversham (Clements) resigns his commission. As a result, his three friends and fellow officers, Captain John Durrance (Richardson) and Lieutenants Burroughs (Donald Grey) and Willoughby (Jack Allen), express their contempt of his supposed cowardice by each sending him a white feather attached to a calling card. When his fiancée, Ethne Burroughs (Duprez), says nothing in his defense, he bitterly demands one more from her. She refuses, but he plucks one from her fan and leaves. While the officers go off to war, he admits to his old acquaintance Dr. Sutton (Frederick Culley) that he is a coward and must make amends. He departs for Egypt. There, he adopts the disguise of a native with the help of Dr. Harraz (Henry Oscar), choosing to play a despised mute Sangali to hide his lack of knowledge of the language.

What can I saw about ”THE FOUR FEATHERS”? For one, it is a beautiful looking film. I understand that it had been filmed in both Great Britain and in Sudan. And photographers Georges Périnal and Osmond Borradaile did a beautiful job in capturing the scope and color (via Technicolor) of both countries. It was not surprising for me to learn that the film had received an Academy Award nomination for Best Cinematography. I also found Miklos Rozsa’s score, Vincent Korda’s uncredited production design, W. Percy Day’s matte paintings, along with Godfrey Brennan and René Hubert’s costume designs impressive, as well.

But I am merely procrastinating. I have not discussed the meat of the movie – namely the story and the acting. Well, I might as well start with the first. R.C. Sherriff, Lajos Biro and Arthur Wimperis created a solid adaptation of Mason’s novel. They made a few changes. As I had stated before, they set the movie in the 1890s, enabling them to incorporate the British victory at the Battle of Omdurman in September 1898 into the plot. The novel was set around the mid 1880s. The character of Abou Fatma (featured in both the novel and in other versions, including the 2002 movie) is not this film. But these changes did not hurt the plot. ”THE FOUR FEATHERS” still turned out to be a rousing action-adventure film. When I first saw the movie back in the early 1990s, the patriotic jingoism surrounding the British Empire did not bother me at all. Fifteen years later, it did. Somewhat. I have seen plenty of old films from the 1930s and 1940s that painted the British Empire in a positive light. Unfortunately, this version of ”THE FOUR FEATHERS” did so at a level that sometimes came off as a little too heavy-handed for my taste. I suspect that the reason behind the three screenwriters’ decision to set the movie in the mid-to-late 1890s in order to allow the movie to feature an actual British imperialist victory – Omdurman - and a chance to wave the flag. The movie did question the idea of what constituted bravery or cowardice. But once Harry arrived in the Sudan, the topic never reared its ugly head again. Hmmm. Too bad.

The movie featured a solid, first-rate cast. John Clements gave an excellent performance as Harry Faversham, who is emotionally torn between his aversion to the idea of serving as a British officer and continuing his family’s military tradition. My only quibble with his performance was that I found his . . . ’portrayal’ of a mute Sangali exaggerated. The other first-rate performance featured in this movie came from Ralph Richardson, who portrayed Faversham’s best friend and romantic rival, Jack Durrance. I was especially impressed by how Richardson conveyed Jack’s desperation to hide his blindness from his command and his hopeless infatuation with Harry’s fiancée, Ethne Burroughs. Who, by the way, was portrayed by June Duprez. Ms. Duprez gave a charming performance. But aside from two scenes – one that featured her discovery of Harry’s resignation from the Army and her regret for pushing him away – Miss Duprez’s Ethne seemed to lack depth. Well known British character actor, C. Aubrey Smith gave a sprightly and funny performance as Ethne’s father, the irascible General Burroughs who continues to live in the past glories of his service during the Crimean War. In fact, the movie’s running joke turned out to be the General’s embellishments of his favorite war story – the Battle of Balaclava.

When one comes down to it, the 1939 version of ”THE FOUR FEATHERS” is a rousing and entertaining tale about a disgraced British Army officer who finds redemption through his private heroic acts to protect his former colleagues and friends during the last year of the Mahdist War. My main quibble with the movie centered around the script written by R.C. Sherriff, Lajos Biro and Arthur Wimperis. Granted, they did a first-rate job of adapting Mason’s novel. But aside from the first third of the movie in which the script briefly questioned society’s idea of bravery, the story seemed lack depth and in the end, came off as a propaganda film for the British Empire. However, Georges Périnal and Osmond Borradaile’s Technicolor photography of both England and the Sudan are absolutely breathtaking and deserving of an Oscar nomination. The movie featured a solid cast that included excellent performances by John Clements and Ralph Richardson. And Zoltan Korda kept it all together with his skillful direction that featured some excellent dramatic moments and great action.

I realize that many consider Korda’s version of ”THE FOUR FEATHERS” to be the best of the seven already made. This is an opinion that I cannot honestly share. It is also an opinion I have not harbored in the past decade. It is a little too jingoistic for my taste. And aside from the Harry Faversham and Jack Durrance characters, most of the other characters do not strike me as possessing enough depth. But it is a first-rate action-adventure film. And it is easy to see why so many fans still love it after seventy years.

Wednesday, May 20, 2009

"NORTH AND SOUTH" Trilogy - Inaccuracies



After reading a list of historical inaccuracies in the movie, "TITANIC", I could not help but think about the historical inaccuracies I've found in the "NORTH AND SOUTH" Trilogy - no matter how much I loved it. So, here it is:


“NORTH AND SOUTH" Trilogy - Inaccuracies



1. George and Orry's journey to West Point - I could be mistaken, but I thought most cadets who traveled to West Point from New York City, did so by a steamer up the Hudson River in the mid-1800s.

2. Orry's sword duel w/Bent - I realize many of you found it exciting, but
after asking around, I discovered that it is impossible for someone with Orry's difficulties in studies to be an excellent swordsman. Actually, someone like Bent should have kicked his butt.

3. Ulysses Grant did not graduate from West Point two years ahead of George and Orry (as indicated in ”NORTH AND SOUTH: BOOK II”). He graduated three years before them in 1843.

4. The Mains should not have been at Mont Royal during the summers of 1844, 1846 or 1854. Summertime was considered fever season in the South Carolina low country. South Carolinians planters usually vacationed in the upcountry or somewhere else - preferably at Newport Island.

****



5. When Virgilia made the "slave bordellos" reference in her speech during the abolitionist meeting in Philadelphia, she had been very close to the truth, despite Orry's reaction. Due to a Federal law that forbade the import of African slaves in 1808, prosperous slave owners like Tillet Main encouraged their slaves to breed. Female slaves were encouraged to breed by the age fourteen.

6. Fredrick Douglass never referred to God in his speeches. A bitter encounter with the clergy in Maryland erased any religious fevor that he had.

7. Robert Guilliame was too old to be playing Fredrick Douglass in 1848. During that year, Douglass was only 30 years old. Guilliame was at least 56 or 57 years old when he appeared in ”NORTH AND SOUTH: BOOK I”.

8. The song, "Dixie", was written by a Northerner in 1859 and became popular throughout the South in 1860. When James Huntoon sung it at a rally in New Orleans, he may have sung it a year or two early.

****



9. Orry had been premature in referring to John Brown as insane in December 1859. The abolitionist was never considered insane until the 1890s, when the "Lost Cause" myth became very popular.

10. Contrary to the miniseries, Major Robert Anderson was not in his mid to late 30s – the age of actor James Rebhorn, who portrayed the officer when the miniseries was filmed - around the winter of 1860-61. He was at least 55 years old.

11. Hiram Burdan, commander of the Sharpshooters, was not the stickler as portrayed by Kurtwood Smith in the miniseries. In fact, he was not a very good commander and left the Sharpshooters sometime in early 1864.

12. Lincoln had never made a comment about suggesting his other commanders drink the same brand of whiskey as Grant.

****



13. Although he remained sober throughout most of the war, Grant did go on an alcoholic bender sometime during the Vicksburg siege – May to July 1863.

14. West Point never held a ball for its graduates during the mid-1800s. The graduating class usually went to the Astor House in New York City for a graduation supper.

15. Generals Grant and Sherman had met President Lincoln a few weeks
before the war ended, they met on a James River steamboat around City Point, Virginia. They did not meet on the field, with General Sheridan, as indicated in "BOOK II".

16. William Stills had been 34-36 years old during the winter of 1855/56. The actor who portrayed him in ”BOOK I”, the late Ron O'Neal, was at least 47 years old at the time of the miniseries’ production.


If you can find any further discrepancies, please let me know.


Monday, May 18, 2009

"X-MEN ORIGINS: WOLVERINE" (2009) Photo Gallery



Below are photos from the new X-MEN about the origins of the Wolverine character called "X-MEN ORIGINS: WOLVERINE". The movie stars Hugh Jackman, Liev Schrieber, Danny Huston, Lynn Collins, will.i.am and Ryan Reynolds:


"X-MEN ORIGINS: WOLVERINE" (2009) Photo Gallery
































































"STATE OF PLAY" (2009) Review


Below is my review of the new political thriller, "STATE OF PLAY", starring Russell Crowe and Ben Affleck:


”STATE OF PLAY” (2009) Review

Aside from the Liam Neeson thriller, ”TAKEN”, I must admit that I have not found the movies released during the past three months that impressive. They have not been terrible. But I have harbored this feeling that I have been wallowing in a sea of mediocrity lately. Thankfully, this ended when I finally the new political thriller directed by Kevin Macdonald called, ”STATE OF PLAY”.

Based upon the critically acclaimed 2003 British miniseries of the same name, ”STATE OF PLAY” is about a Washington D.C. newspaper's investigation into the death of a young congressional aide named Sonia Baker (Maria Thayer) and centers around the relationship between leading journalist Cal McAffrey (Russell Crowe) and his old friend Robert Collins (Ben Affleck), a U.S. congressman on the fast track and Baker’s employer. When Congressman Collins learns of his aide’s death, he asks his old friend, McAffrey to investigate her death when it is labeled as a suicide. McAffrey and a blogger with his newspaper named Della Frye (Rachel McAdams) not only learn that Baker was Congressman Collins’ mistress, but there might be a connection between her death and the private military company that the congressman was investigating.

I have heard a few proclaim that the original British miniseries is superior to this version. If so, then it must have been one hell of a production. I have never seen the miniseries, but I must admit that I found this version of ”STATE OF PLAY” to be very impressive. Kevin Macdonald’s solid direction screenwriters Matthew Michael Carnahan, Tony Gilroy, Peter Morgan, and Billy Ray created a tight thriller filled with interesting glimpses into the press and Washington politics. I doubt that this film will ever be critically acclaimed like the British miniseries or earn any award nominations, but it was a solid, well-acted movie filled with first-rate performances. And its story – unlike previous movies I have recently watched – did not end on a disappointing note. The movie ended with an unexpected twist that surprised me.

Russell Crowe led the cast, portraying Washington Globe journalist, Cal McAffrey. I would not consider his role as interesting as the Ed Hoffman character from ”BODY OF LIES”, Bud White in ”L.A. CONFIDENTIAL”, Jeffrey Wigand in ”THE INSIDER” or his Oscar winning role in ”GLADIATOR” - Maximus Decimus Meridius. His Cal McAffrey is on the surface, an affable, yet slightly jaded reporter who becomes a relentless truth-seeker when pursuing a special story. In the case of Sonia Baker, McAffrey’s relentless investigation seemed rooted in his desire to extract his friend Collins from the gossip slingers over the latter’s affair with the aide and focus upon bringing down the private military company being investigated by Collins. Crowe is at turns relaxed and at the same time, intense and single-minded in his pursuit of journalistic truth.

Several years ago, I had found myself thinking that if there was ever a remake of the 1950 classic, ”SUNSET BOULEVARD”, who could portray the doomed Hollywood screenwriter, Joe Gillis. The first person that immediately came to my mind was Ben Affleck. Actress Nancy Olson once described William Holden at the time that particular movie was filmed as the typical handsome Hollywood leading actor . . . but with a touch of corruption that made his Joe Gillis so memorable. Frankly, I could say the same about Affleck. I saw him display this same trait in movies like ”BOUNCE” and ”HOLLYWOODLAND”. And I could see it in his performance as Congressman Robert Collins. Affleck managed to skillfully project Collins not only as a dedicated crusader who is determined to bring down the private military company with a congressional investigation, but also a flawed man who became sexually attracted to his beautiful aide, while struggling to control his anger at the knowledge of his wife Anne’s (Robin Wright Penn) past affair with McAffrey.

The rest of the cast included Rachel McAdams’ solid portrayal of a popular blogger turned junior political reporter named Della Frye, who finds herself in the midst of the career-making story and mentored by McAffrey. Helen Mirren’s Washington Globe editor Cameron Lynne is wonderfully splashy and strong, without being over-the-top. I could say the same for Jason Bateman’s performance as a bisexual fetish club promoter named Dominic Foy, who has the information that McAffrey and Frye need. Michael Berresse portrayed a mysterious hitman named Robert Bingham and he does a pretty good job. However, I must admit that I found his performance as a sociopath a little over-the-top . . . especially in his last scene. Although not as memorable as some of the other supporting cast, both Harry Lennix as a Washington D.C. cop and Jeff Daniels as Affleck’s congressional mentor gave solid support to the movie. And there is Robin Wright Penn, who portrayed the congressman’s wife, Anne Collins. Penn gave a complex performance as the politician’s wife who is not only hurt and betrayed by her husband’s infidelity, but wracked with guilt over her own past indiscretion with McAffrey, along with desire for him.

If you are expecting ”STATE OF PLAY” to be the next ”ALL THE PRESIDENT’S MEN” or ”SEVEN DAYS IN MAY”, you are going to be slightly disappointed. I have seen better quality political films than this movie. But I can honestly say that I still found ”STATE OF PLAY” to be a solid and entertaining movie filled with intelligence, humor and a strong and steady cast.

Sunday, May 17, 2009

"Altered Lives" [PG] - Chapter Six




"ALTERED LIVES"

CHAPTER SIX

LARS HOMESTEAD, TATOOINE

Obi-Wan guided the Nabooan skiff to a moisture farm, outside Mos Eisley. After he landed the craft, two figures emerged from the dome-shaped adobe structure. Obi-Wan left the cockpit and disembarked from the ship.

"Good evening sir," a stocky young man in desert robes greeted. "My name is Owen Lars. This is my wife, Beru." He nodded at the diminutive, yet slightly pretty young woman that stood by the farmer's side. "May I help you?"

Obi-Wan bowed formally. "Yes. My name is Obi-Wan Kenobi, and I . . ."

Mrs. Lars gasped slightly. Her husband frowned. "Obi-Wan Kenobi?" the latter repeated. "Of the Jedi Order? Anakin's friend?"

The former Jedi Master nearly winced at the last description. "Uh, yes. You've heard of me?"

Mr. Lars hesitated before he replied, "My late stepmother, Shmi Skywalker Lars, used to mention both you and her son, Anakin Skywalker. Apparently, he had mentioned your name in the only letter he ever written to her." His expression indicated slight disapproval of Anakin's lack of communication.

Vaguely, Obi-Wan recalled giving the nine year-old Anakin, permission to write one last letter to his mother. Just before the young boy had began formal Jedi training. "I see," the older man murmured. "Yes, well the reason I am here is I am looking for Anakin."

"He's missing?" Owen Lars' frown disappeared.

A curious Beru Lars asked, "What happened to him? Has it to do with the Empire's edict against the Jedi?"

"You've learned that we now have a new Empire?" Obi-Wan asked.

Lars shrugged his shoulders. "The news had spread pretty fast throughout the planet. We've just learned about the death of Anakin's friend, Senator Amidala."

Obi-Wan merely responded with feigned sadness. "Yes, it was quite a blow. I have known the senator since she was Queen of Naboo."

A long silent pause followed. The Jedi Master found himself growing slightly uncomfortable. The Lars struck him as decent people. Yet, their reticence made it difficult for him to feel at ease. He found it easier to interact with more extroverted personalities like Qui-Gon. And Anakin.

"You said something about Anakin being missing?" Lars finally asked, breaking the silence. "What happened?"

Obi-Wan told the moisture farmers about the events that had recently unfolded. But he left out Anakin's role in the Jedi Order's destruction. And the duel on Mustafar. "All of the surviving Jedi have been on the run, since. I have been trying to locate Anakin. To find out if whether he is dead or alive."

"He's not here," Lars declared. "In fact, Beru and I haven't laid eyes on him in three years. Not since my stepmother's death."

In other words, Obi-Wan silently surmised, Anakin may have returned to Coruscant . . . and Palpatine. He felt slightly disappointed that Anakin's last act on Mustafar may have failed to turn him away from the Dark Side.

"What about Mos Espa?" Mrs. Beru suggested.

Lars glanced at her. "You mean Watto?"

"Who?" Obi-Wan asked. The name sounded familiar. "Wasn't he Anakin's former owner?"

The woman, Beru, added, "And Shmi's."

"Watto is dead," Lars revealed in a matter-of-factly tone. "Remember? He was killed by one of the Hutts after failing to pay back a loan." He turned to Obi-Wan. "If Anakin had went to Mos Espa, he must now know that Watto is dead. Besides, I doubt he would have an easy time finding employment. Most people either own slaves or droids. He would be better off going somewhere else."

Obi-Wan's brief flare of hope quickly died. "Yes, of course. That would make sense." He heaved a melancholy sigh.

Mrs. Lars said, "I don't mean to pry, but do you have anywhere to go? I mean . . ." She paused at her husband.

Lars added, "We're just wondering if you plan to keep looking for Anakin." His eyes glanced downward, as he sighed. "I don't mean to sound blunt, but it looks as if he might be dead. And if he isn't, I don't think that your chances of finding him are all that great. Perhaps you should just . . ."

"Give up?" Obi-Wan finished. Privately, he already had. The Jedi Master had tried using the Force to sense Anakin's presence within the galaxy. He tried and failed. Either Anakin was truly dead (which he doubted), had disappeared or returned to Coruscant. Obi-Wan feared the latter. It seemed useless to continue his search for Anakin. Perhaps he should do as he had hinted to Master Yoda - find a permanent home here on Tatooine. "Perhaps you're right," he said to the Lars.

Lars asked, "Are you considering a room in Mos Eisley? I'm sure there are plenty of . . ."

"I don't think so," Obi-Wan said with a shake of his head. "Not isolated enough. I don't think it would be wise of me to live in a settled area. Sooner or later, an Imperial presence will be stationed in the cities."

Again, Lars and his wife exchanged glances. "There's a small hut not far from here," the moisture farmer commented. "In the middle of the Wasteland. You can dismantle your starship. Sell the parts. Create a nice, comfortable living for yourself. Of course, you would have to be wary of the Tusken Raiders."

The moisture farmer's suggestion made good sense to Obi-Wan. Any further roaming on his part might lead to capture or death. And if Padme and her children ever found themselves on the run, chances of them seeking refuge here on Tatooine seemed pretty certain. "Yes," the Jedi Master said. "I believe it would be wise for me to take up your suggestion. Could you direct me . . .?"

Lars' wife interrupted. "You should look for it, tomorrow. Tonight, you can share dinner with us and spend the night at our homestead. Right, Owen?"

"You would be more than welcomed," Lars added.

Obi-Wan felt a twinge of guilt for his earlier view of the couple. Reticent or not, they also seemed to be very hospitable and selfless people. What a shame that Anakin never became more acquainted with them. The Jedi Master gratefully accepted the couple's offer and followed them inside the homestead.

---------

ALDERA PALACE, ALDERAAN


The Tantive IV entered Alderaan space and descended toward the planet's capital city - Aldera and the royal palace located at the city's outskirts. The Corellian-made star cruiser slowly landed on the palace's main platform, where a handful of palace aides had gathered.

Inside her cabin, Padme made last adjustments to her outfit. She wore a simple, elegant black gown made from brocade, with a silk black belt wrapped around her waist. A delicately woven black lace veil covered her face - indicating her status as a recent widow. Both Luke and Leia lay in separate baskets. Bail's aide, Sheltay Retrac, had already made arrangements for the removal of Padme's trunks from the cabin.

Padme glanced through the cabin's window. After the cruiser had landed, she saw Bail and his traveling entourage greet the palace aides. A few minutes passed before the entire party strode toward one of the palace's entrances. The cabin's bell chimed. Padme ushered in the cruiser's captain. "Milady," Captain Raymus Antilles greeted with a bow. "It is time to leave."

The Alderaanian picked up Luke. Padme lifted Leia's basket. She and her droids followed the captain out of the cabin. The small party entered the palace and weaved their way through a series of wide corridors. They eventually came upon a pair of wide, double doors. "Senator, this will be your quarters until a more permanent arrangement can be found." Captain Antilles opened the double doors and led the others inside.

"Oh my!" C3-P0 declared in hushed tones. R2-D2 beeped excitedly. Padme understood the droids' reactions. Some would have called her penthouse at the Senate Apartment Complex in 500 Republica as opulent. But her former apartment seemed modest in compare to her new apartments, here on Alderaan. The rooms reminded Padme of her years as Naboo's queen, at the Theed Royal Palace.

Captain Antilles added, "Arrangements are being made to find a nursemaid for the children. Now, if you will excuse me, Milady." He bowed and left the room.

Padme heaved a sigh and said to Threepio, "We might as well begin unpacking." It took the former senator and the droids nearly a half hour to unpack all of her belongings. As luck would have it, Bail or one of his aides even managed to find a pair of cribs for the twins.

Just as Padme and the droids finished their task, Sheltay Retrac appeared with another woman in tow. "Good day, Senator," Sheltay greeted. "I would like to introduce you to Magda. His Highness has asked her to act as your children's nursemaid." She added, "With your permission, of course."

"Permission granted," Padme said with a reassuring smile to the nursemaid. "The children are in the east room." Magda bowed and strode out of the main room.

At that moment, the doors opened and Bail and a third woman entered the main apartment. Padme immediately recognized her colleague's wife - the regal, dark-haired ruler of Alderaan, Queen Breha Antilles-Organa. "Your Majesty," Padme greeted the older woman with a curtsey.

Alderaan's queen greeted the former senator with a warm smile. "Senator Amidala, we are so glad to have you here on Alderaan. Bail has informed me of your recent difficulties. I am so sorry."

"I've been through trying times before," Padme replied, wondering what her former colleague had told his wife. "And survived. I shall survive this."

Queen Breha nodded. "Of course. Where are the children?"

"In the new nursery. The room to the right." Padme hesitated. "By the way, I want to thank you both for giving the children and me refuge here on Alderaan. And for finding a new nursemaid for the twins."

The Alderaanian queen merely nodded. "Magda had originally been hired to act as nursemaid for my . . . our . . ." A heavy sadness shadowed her elegant face.

A slightly stiff Bail added, "The queen and I have experienced difficulty in con . . . in conceiving a child, over the past several years. Recently, Breha had . . . suffered a miscarriage."

The Organas' troubles made Padme forget her own. "Oh. I'm so sorry," she murmured.

"It no longer matters," Queen Breha said, assuming a brave smile. "At least this old place will finally enjoy the presence of children." Her face brightened with hope. "May I see them?"

Smiling, Padme replied, "Of course. I'll have . . ."

"Don't worry," the queen said. "I'll simply find my way to the nursery. Excuse me." She left the main apartment.

Bail turned to his aide. "Do you mind, Sheltay? I would like to speak with the senator alone." The other woman bowed and followed the queen out of the room. Once alone, Bail asked Padme, "How are you feeling?"

With a shrug, she replied, "Fine. I think. Considering the horrors of the past few days. When will the Senate reconvene?"

"Next week," Bail replied. "Rumor has it that our new emperor plans to discuss the fate of the Separatist worlds."

"Somehow, I do not foresee a pleasant future for them."

Bail replied, "I do not foresee one for the entire galaxy. Mon Mothma believes that our old Loyalist Committee should publicly speak out, if the Emperor begins to abuse his new powers."

The news immediately alarmed Padme. "No, Bail. I don't believe that is a good idea. Now is not the time. Right now, you all need to be good little Senators. Mind your manners and keep your heads down. However, there is no reason why you and the others should make plans to oppose the Emperor sometime in the future."

Nodding, the Alderaanian prince said, "You're right. The last thing we need to do right now is attract Palpatine's attention. Especially since he is preoccupied with hunting down Jedi Knights and probably his former apprentice."

"Former appren . . .?" The words took Padme by surprise. "Surely you don't speak of Count Dooku? He's dead."

"No, I speak of Anakin, of course." Bail hesitated. "Your husband. You do know that he's missing, don't you?"

Shock overwhelmed Padme, as she stared at her former colleague. "That's impossible! Anakin is dead! Obi-Wan was forced to kill him on Mustafar. When I asked, he could not even say anything."

It became Bail's turn to look astonished. "You mean to say that Master Yoda and Master Kenobi never told you what happened on Mustafar? During Kenobi's fight with your husband, Anakin had decided to walk away than finish the duel. He even left his lightsaber to Master Kenobi."

Anger welled inside Padme. "They lied to me!" she hissed in a low voice. "They lied!"

"Padme . . . please," Bail pleaded. "Perhaps they had a reason . . ."

"They had a reason, all right!" Padme retorted. "They wanted to make sure that I would not roam the galaxy, searching for Anakin!"

Bail added soothingly, "Can you blame them? I'm sure that Master Yoda and Master Kenobi wanted to make sure that you and the children will remain safe from the Emperor."

Her anger rising, Padme shot back, "And that's not all! They also wanted to make certain that Luke and Leia will grow up to ensure the continuation of their precious Jedi Order in the future! No wonder Master Yoda wanted the twins separated from me."

Anxiety flared in Bail's dark eyes. "Padme, you're not going to . . .?"

"Search for Anakin?" Padme shook her head. "No. Despite what Master Yoda and Master Kenobi may think, I have enough sense to realize that would be dangerous. At least right now. But they had lied to me, Bail. And for that it might be a while before I can forgive them. If ever."

----------

MOS ESPA, TATOOINE

A despondent Anakin sat inside the tavern's taproom, nursing a glass of Corellian Spiced Ale. Two days had passed since his starfighter had been stolen and he learned of Padme's death. And nothing had been right since.

Padme was dead. He still found it hard to believe. When he last saw her on Mustafar, she had been alive and well . . . despite her unconscious state. His attack upon her must have caused more damage than he realized. The idea sent Anakin into another wave of anger - only directed at himself.

The disappearance of the Jedi starfighter had made matters worse for him. Upon learning of the disappearance, Anakin realized that the Jawas must have come across his ship and stripped it down to parts to be sold. Without his starfighter, he found himself stranded on Tatooine. In fact, he lacked the means to find transportation to the Lars moisture farm, outside Mos Eisley.

Now on his fourth day, Anakin's self-anger had transformed into despair. Padme was dead. His life was over as a Jedi Knight. He no longer desired to return to Sidious and Coruscant. And he lacked the funds to leave Tatooine, let alone find transportation to the Lars' homestead. He also realized that he only had enough Wupiupi for one last meal. He certainly could not spend another night at the tavern. His situation left him with two options - starvation or offer himself as an indentured servant to one of the city's merchants. Despite his despondency, Anakin felt no desire to commit suicide. A small part of him simply refused to give up, just because his circumstances have become nearly hopeless. He only hoped that Bashir Gupa or any other merchant would accept his offer as an indentured servant. How ironic that he seemed to have come a full circle in his life. Thirteen years ago, he had left Tatooine, newly freed from servitude. And now, he has returned, only to be enslaved once more.

Anakin finished the last of his ale, when a robed man marched into the tavern's bar. "Where is he?" he growled at the bartender. "Where's Barcus? He was supposed to be at the Aurelis Hangar, nearly a half hour ago!"

The bartender shrugged his shoulders. "Barcus? You mean that drunken Caridian? Huh! You can find him at the local medical facility. He got into a fight with another spacer. I hate to say it, but your friend drinks a lot better than he fights."

Anakin stood up and strode toward the bar. "How much do I owe you?" he asked the bartender.

"Five Wupiupi," the bartender replied.

While Anakin dug into his pockets, the human stranger continued, "Exactly how bad is he? I mean . . . will he be able to fly out of here?"

A contemptuous snort escaped the bartender's mouth. "Mister, your friend has a broken arm and two broken ribs. He ain't gonna be flying out of here for a long time." Anakin handed him five coins.

"Where am I going to find another pilot?" the stranger cried in despair. Then his dark eyes fell upon Anakin. "Excuse me sir, but are you a pilot, by any chance?"

Anakin sighed. "Actually, I am. Only I have no ship. Sorry."

The man's eyes brightened with hope. "No, this is . . . Listen, would you like to take on a job? I have . . . a . . . shipment that need to be flown to the Zonju system. No ship is required. I already have one - a Corellian freighter called the Javian Hawk. I simply need a pilot."

After a brief hesitation, Anakin asked, "How much are you willing to pay?"

The man replied, "Five hundred Imperial credits. And I'll have a few more jobs for you, once we reach our destination. My name is Maxmus Tebiki."

Five hundred Imperial credits. Anakin did not need to be convinced any further. "You have yourself a pilot, Mr. Tebiki. I . . . uh, I'll need some money in advance for a change of clothes and a weapon."

Tebiki hesitated. "Can you be ready within two hours?"

"Of course."

Nodding, Tebiki continued, "Good. Meet me at the Aurelis Hangar within two hours. And here are the 20 Wupiupi that you asked for." He handed the money to Anakin. "May I ask who you are, by the way?"

Memories of a certain pilot that he had first met here on Tatooine, flashed in Anakin's mind. "Olie. Ric Olie." He would have to change his name, once his employment with Tebiki ended.

Anakin's new employer shook his hand. "It's a pleasure, Mr. Olie. Truly. And I'll see you within two hours." Tebiki marched out of the taproom.

Feeling elated for the first time in . . . well, in quite a while, Anakin flashed his old cocky grin at the bartender. "Excuse me." Then he marched out of the tavern and into a whole new life ahead.


THE END


NOTE: This is the first of five stories set between "ROTS" and "ANH". The next story - now being written - will be "The Corellian Connection".