"LOST" RETROSPECT - (3.15) "Left Behind"Have you ever watched a movie or television episode and had maintained an opinion of it for years? Only to change your mind after an umpteenth viewing of it? That is what happened to me after a recent rewatch of the "LOST" Season Three episode, (3.15) "Left Behind"I might as well begin with the episode's "B" plot. This featured a "B" plot that involved Oceanic survivors Hugo "Hurley" Reyes and James "Sawyer" Ford. Following the events of the previous episode, (3.14) "Exposé", Hurley informs Sawyer that the rest of survivors are in the middle of a debate on whether to banish the Alabama-born con man from the camp. Hurley reminds Sawyer about the benefits of living within a society and suggests that Sawyer start making efforts to make amends for his past actions.All I have to say is . . . who had written this episode? Honestly. For years, I thought it was a decent, but not exactly mind-blowing episode. But after this latest viewing, I honestly do not know what to think of it. I might as well start with the "B" plot. What can I say? I found it annoying and pointless. It is not that I had any sympathy for Sawyer at this point in the series. I did not. I did not care for Sawyer until Season Five. If Hurley believed the Oceanic camp needed a leader to fulfill the absence of Jack, Sayid and John Locke; he should have stepped up and volunteered for the role, himself. If he was capable of pushing or manipulating Sawyer into stepping into the leadership role, he was capable of assuming the role of leader himself. Instead, Hurley pulled this stupid con job in order to manipulate Sawyer into assuming the role. All this plot managed to achieve was solidify my belief that Hurley was definitely a man child . . . at least through most of the series' run.Since "Left Behind" happened to be a Kate-centric episode, I might as start with her flashback. In it, Kate meets Sawyer's old flame (at least two-to-three years before she met him on the island), Cassidy Phillips, while the latter was attempting to sell questionable jewelry. Kate comes to her aid before a potential customer could inform the cops. After Cassidy guesses that Kate, who was a fugitive, also did not want to attract the cops; the two women become fast friends. Cassidy agrees to help Kate distract the local law enforcement and U.S. Marshal Edward Mars, so that the fugitive could contact her mother, a waitress at an Iowa road cafe Diane Janssen. You see . . . Kate wanted to know why dear old Mom had ratted her to the cops after she had murdered her father.I rather liked Cassidy and it was good to see her again after her previous appearance in a Sawyer flashback from Season Two. But I found Kate's agenda very annoying. Why on earth would she be shocked at her mother's decision to inform the police about her murder? Was the audience really expected to sympathize with Kate over Diane's action . . . and becoming perplexed about it? Because I still feel no sympathy for Kate. Audiences learned in the Season Two episode that Kate had murdered her father, Wayne Janssen, in (2.09) "What Kate Did". Diane had a very good reason for snitching on Kate. As she had reminded the latter, Kate had cold-bloodedly murdered Diane's husband, blew up her house and committed insurance fraud to cover up the fact that a murder had been committed. Worse, Kate had lied about the real reason she killed Wayne. She had killed him for her own personal and selfish reason. And yet, in the end, Kate had decided not to forgive her mother for ratting her out? Fuck that! Diane had a chance to rat her out a second time in this episode. Only she did not bother. Kate had her good moments as an individual, but her complaints about Diane in this episode only convinced me how incredibly selfish and delusional she could be.I finally come to the episode's main plot. While being held captive by the Others for less than a day at their compound, Kate Austen peaks out of a house and spots the group packing to leave. Seconds later, someone tosses a gas cannister, which knocks her out. Some time passes before Kate regains conscious and finds herself handcuffed to the Others' rogue member, Dr. Juliet Burke. Kate is not particularly fond of Juliet, due to the latter being an Other and for developing a close friendship with the Oceanic survivors' leader, Dr. Jack Shephard. While Kate insists upon returning to the Barracks to find another Oceanic captive, Sayid Jarrah, and Jack; Juliet insists upon heading for the Oceanic beach camp. The pair experience a series of adventures involving an encounter with the island entity, "the Smoke Monster", while arguing over Jack and the reason behind Juliet's estrangement from the Others.I have a question. Why did Kate ask Juliet what the latter had done to piss off Ben and the Others? Juliet had murdered Pickett - right before Kate's eyes - in order to save her and Sawyer. Had she experienced memory loss or something? Had Damon Lindelof and Elizabeth Sarnoff really concocted this ridiculous plot to handcuff Juliet to Kate? According to a later episode, Ben had conceived this handcuff plan. But why? Hold on. I know why. Ben had expected Juliet to use this situation to gain Kate's trust - and through the latter, the Oceanic castaways' trust. Yet again, WHY? All Juliet had to do was agree with Kate's plan to return to the Barracks. Both would have easily found Jack. After all, she had managed to gain his sympathy and friendship during his captivity with the Others. It seemed so pointless to handcuff Juliet to Kate and try to gain her trust. This whole scenario struck me as unnecessary and infantile. As for the catfight in the rain? Very sexist and I suspect, typical of this series' showrunners. And Juliet's encounter with the Smoke Monster? Pointless, because she never encountered it again.Looking back on my recent rewatch of "Left Behind", I cannot believe I had accepted it as a tolerable episode that could pass muster. Because I find it difficult to accept this . . . at least now. There were too many idiotic plot points and situations for me to regard it as nothing more than an example of one of the less than exemplary episodes from "LOST".
Below is a list of my top five favorite episodes from Season One of "LOST" (2004-2010). The series was created by Jeffrey Lieber, J. J. Abrams and Damon Lindelof; and produced by the latter and Carlton Cuse.TOP FIVE FAVORITE "LOST" SEASON ONE (2004-2005) Episodes
1. (1.23-1.25) "Exodus" - This season finale served as a transition in the series' narrative, as an expedition sets out to find dynamite to open the hatch recently discovered by castaway John Locke. And the raft planned by Michael Dawson finally leaves the island with him, his son Walt, Jin Kwon and James "Sawyer" Ford, resulting in unexpected circumstances.
2. (1.17) ". . . In Translation" - This episode featured Jin Kwon's backstory in flashbacks and the further disintegration of his marriage, when he discovers that his wife Sun had learned English behind his back.
3. (1.04) "Walkabout" - While Locke and a few others set on a hunting expedition to find boar for the other castaways, his flashbacks reveal his reason for being in Australia.
4. (1.11) "All the Best Cowboys Have Daddy Issues" - Jack Shephard leads an expedition to find two castaways that had been kidnapped in the previous episode. The episode's flashbacks reveal the events that led to Jack being responsible for his father's dismissal from the hospital they worked at.
5. (1.19) "Deus Ex Machina" - In their search for a means to open a hatch they had found; Locke and Boone Carlyle find a Nigerian small plane. And their discovery leads to tragic circumstances. In the flashbacks, Locke meets his parents for the first time, who prove to be major disappointments.
"LOST" RETROSPECT: (2.09) "What Kate Did"
Kate Austen has to be one of the most divisive characters on the ABC series, "LOST". The character has generated some very extreme reactions from the show's fans. The latter have either loved her or hated her. I had harbored a good deal of dislike toward Kate, myself for a long period. However, my dislike stemmed from the writers' handling of her character and a good number of the fans' attitude toward the mistakes and crimes she had committed. A good example of this attitude could be found in the general reaction to the Season Two episode called (2.09) "What Kate Did".
This episode followed up on the disastrous first meeting between the remaining Tail Section survivors and the Fuselage survivors in episodes (2.06) "Abandoned" and (2.08) "Collision". Ana-Lucia Cortez and her fellow Tailies finally made it to the Fuselage camp, but with tragedy in their wake. Ana-Lucia had accidentally shot and killed Shannon Rutherford, after mistaking the younger woman for the Others, following the disappearance of stewardess Cindy Chandler. James "Sawyer" Ford; who had been badly wounded by one of the Others in the Season One finale, (1.24) "Exodus, Part II", while trying to prevent ten year-old Walt Lloyd from being kidnapped; finally received decent medical attention from leader Dr. Jack Shephard. There was a good deal of marital reconciliations that occurred. Rose Nadler finally reconciled with her husband, Tail Section survivor Bernard Nadler, in the previous episode. And the series' favorite South Korean couple, Jin and Sun Kwon, celebrated their reconciliation after four days with . . . well, with sex.
Everything seemed to be going well with everyone . . . except for fugitive and Fuselage survivor Kate Austen. While gathering fruit from a tree, she spots a black horse in the jungle. Later, while feeding the semi-conscious Sawyer with the fruit, he grabs her by the neck and demands to know why she killed him. The black horse and Sawyer's attack leads Kate to speculate on whether the former had been possessed by the spirit of her dead stepfather, Wayne Janssen. Three years earlier, Kate had discovered that her stepfather was actually her real father. Due to Wayne's physical abuse of her mother Diane and alcoholism, Kate harbors hatred of him. But the realization that he is her biological father leads her to murder him via an explosion of the Janssen house and commit insurance fraud in order to provide for her mother. Although U.S. Marshal Edward Mars manages to capture her before she could purchase a bus ticket to Tallahassee, Kate eventually escapes and spends the next three years as a fugitive from justice. The episode's subplot revolved around the DHARMA film reel discovered by John Locke in a previous episode. While showing the film clip to Michael Dawson and Mr. Eko inside the DHARMA hatch (aka the Swan Station), the latter reveals a small reel of film he had found several days ago inside the empty DHARMA Arrow Station.
Most "LOST" fans tend to regard any episode Kate-centric episode with wary eyes. If I must be honest, most of the episodes featuring Kate Austen as a main character tend to range from mediocre to piss poor. However, there are at least two or possibly three that have struck me as above-average. And "What Kate Did" happens to be one of them. Mind you, it had a few flaws. The episode never really hinted what led Kate to start thinking of her father in the first place. Was the island responsible for Sawyer being possessed by the spirit of Wayne Janssen? Did a badly wounded Sawyer, who reminded Kate of her father, brought back the memories of Wayne's murder? Inquiring minds . . . well, my inquiring mind would like to know. And why was U.S. Federal Marshal Edward Mars the one to arrest Kate at the bus station? Would she have to successfully flee across a state line before being hunted by a U.S. Marshal? Judging from the comments in many reviews for the episode, I noticed that many fans and critics were intrigued by the subplot featuring the DHARMA 16mm film. I was not. I was not intrigued when I first saw "What Kate Did". And five years later, I still remain bored. I was bored by Locke's drama queen antics in revealing the film to Michael and Mr. Eko in the first place. I was bored by Eko's little biblical story about King Judah. Looking back, I realize this subplot was basically another addition to the mystery about the Swan Station, which was revealed in late Season Five. But I do not care, because I found this subplot's presentation rather dull. Only one aspect of this subplot struck me as interesting - namely Michael's tinkering with the hatch's computer, and the possibility that he may have contacted his kidnapped son at the end of the episode.
Surprisingly, it was the main plot regarding Kate's backstory about the murder of her father that proved to be the episode's backbone. Many fans had assumed that Kate had been forced to commit a crime on behalf of a loved one or framed for a major crime. As it turned out, Kate committed murder with malice aforethought and a good deal of personal insecurity. I believe she best revealed her reason for killing her father in the following infamous soliloquy:
"Can you hear me? Sawyer? -- Wayne? [Sawyer stirs.] I'm probably crazy and this doesn't matter, but maybe you're in there somehow. But you asked me a question. You asked me why I -- why I did it. It wasn't because you drove my father away, or the way you looked at me, or because you beat her. It's because I hated that you were a part of me -- that I would never be good. That I would never have anything good. And every time that I look at Sawyer -- every time I feel something for him -- I see you, Wayne. It makes me sick.".
The sad thing is that many fans - especially female fans - refused to accept Kate's confession as the truth. Many began to speculate that "dear" Daddy Wayne not only physically abuse his wife, Kate's mother, but also sexually molested Kate when she was a child. Kate's soliloquy and the rest of the series never verified this. But many preferred to believe this theory than accept the fact that Kate had never been molested by her father. When the molestation theory failed to pan out, many decided that Kate had killed her father in order to protect Diane from further abuse. This theory became very popular after the Season Three episode, (3.15) "Left Behind" aired. Kate used this excuse to lie to her mother, but Diane exposed her in the end. Nowadays, it is popular to deride Kate Austen as a badly written character. In a way, I agree . . . but for reasons that had nothing to do with Kate's act of murder. Many had used the true reason behind Kate's murder of her father as a reason why she was badly written. Apparently, an act of cold-blooded murder by a television series' leading female character is a no-no with fans. Sexism, even when exposed in the form of feminist sensibilities, reared its ugly head.
I have to give kudos to screenwriters Steven Maeda and Craig Wright for not exposing Kate's motive for murdering her father right off the bat. They revealed the actual murder at the beginning of the episode and spent the remainder slowly unveiling not only Kate's family history, but also her motive. I found this narrative structure very clever. I was also impressed by how Maeda and Wright utilized another subplot about the aftereffects of Shannon's death into the main story. It seemed that Kate's murder of her father failed to wipe out her own personal insecurities. One particular scene in "What Kate Did" makes it apparently clear that Kate had yet to overcome those insecurities. When Jack confronted her for leaving behind the seriously injured and unconscious Sawyer on the hatch's floor, Kate responded in a vehement manner:
"Yeah, I'm sorry. I'm sorry that I am not as perfect as you! I'm sorry that I'm not as good!"
Fans are aware that Jack had suffered from his own insecurities due to some advice handed to him by his father. But listening to those words come out of Kate's mouth made wonder if part of her problems with Jack stemmed from this belief that he was some kind of figure of perfection. And if Sawyer reminded her of Wayne, why would she become emotionally attached to him, as well? Is it because she suspected that deep down, she shared a good number of character traits with her despised father? I have always felt so. Perhaps it was easier for Kate to bond with someone who strongly reminded her of Wayne, and through familial extension, herself. Who knows?
If there is one thing I cannot deny, "What Kate Did" featured some first-rate acting. Despite my annoyance at the subplot featuring the DHARMA film, it was easy for me to see that Terry O'Quinn, Harold Perrineau and Adewale Akinnuoye-Agbaje gave fine performances. Naveen Andrews continued his superb portrayal of a grief stricken Sayid Jarrah. The episode featured solid, yet minonr performances from cast members like Daniel Dae Kim, Yunjin Kim, Josh Holloway, Jorge Garcia, Emilie de Ravin, Michelle Rodriguez, Cynthia Watros, L. Scott Caldwell, Sam Anderson and especially Dominic Monaghan. I certainly cannot complain about the performances from the episode's guest stars. Beth Broderick, Lindsey Ginter and James Horan gave first-rate performances as Kate's mother, step-father and father respectively. I was especially impressed with each actor/actress' individual scenes with Evangeline Lilly. Fredric Lane continued his colorful performance as Kate's nemesis, U.S. Marshal Edward Mars. However, there were moments I found his performance a little too theatrical.
The two best performances in the episode came from Matthew Fox and especially, Evangeline Lilly. Fox, was excellent, as always. I was especially impressed how he conveyed both Jack's love for Kate and his frustration with her occasionally flaky behavior. Also, he and Lilly had a great kissing scene. I find this surprising, considering that when Season Two first aired, I never considered them as a really potential on-screen couple. However, Lilly proved to be the real surprise in this episode. I believe this is the first time she really proved her potential to be an excellent actress. She managed to convey the various emotions that Kate felt throughout the episode without resorting to mechanical acting tricks she utilized during the series' first season.
I had a few complaints about "What Kate Did". As I had earlier pointed out, one of them was the dull subplot featuring the DHARMA training film clip. I had noticed that no one had bothered to express concern for Walt Lloyd’s situation. And I found this strange. My real disappointment with the episode happened off-screen and in the future. I feel that producers Damon Lindelof and Carlton Cuse did a piss poor and half-ass job in effectively developing and drawing the plot regarding Kate's crime to a close. Despite these disappointment, I cannot deny that "What Kate Did" was a well-written episode that did an excellent job in exploring Kate's personal demons and the crime that led to her becoming a fugitive, thanks to Steven Maeda and Craig Wright's screenplay. Their work was helped not only by solid direction from Paul Edwards, but also excellent performances from a cast led by Evangeline Lilly and Matthew Fox.
Below is a list of my top five (5) favorite episodes from Season Two (1994-1995) of "BABYLON 5". Created by J. Michael Straczynski, the series starred Bruce Boxleitner, Claudia Christian, Jerry Doyle and Mira Furlan:
TOP FIVE FAVORITE EPISODES OF "BABYLON 5" (SEASON TWO: "THE COMING OF SHADOWS")
1. (2.20) "The Long, Twilight Struggle" - In this chilling episode, the Narn-Centauri War comes to an end with the Centauri war machine's brutal defeat of the Narn homeworld, aided by the Shadows.
2. (2.16) "In the Shadow of Z'ha'dum" - Babylon 5's new commanding officer, Captain John Sheridan, discovers a connection between his late wife Anna and the mysterious courier Mr. Morden; and makes enemies of everyone around him when he has the latter detained.
3. (2.18) "Confessions and Lamentations" - When a deadly plague threatening the Markab race with extinction reaches Babylon 5, Dr. Stephen Franklin and a Markab colleague, Dr. Lazarenn race against time to find a cure to save the Markab inhabitants on the space station in this heart wrenching episode.
4. (2.15) "And Now For a Word" - ISN reporter Cynthia Torqueman hosts a documentary that takes a look at the inhabitants of and life on Babylon 5, and the Narn-Centauri War raging beyond.
5. (2.09) "The Coming of Shadows" - This episode about the state visit of Centauri Emperor Turhan and the beginning of the Narn-Centauri War led to the series' first Hugo Award for Best Dramatic Presentation in 1996.
