Showing posts with label gemma chan. Show all posts
Showing posts with label gemma chan. Show all posts

Friday, August 9, 2019

"CAPTAIN MARVEL" (2019) Review






"CAPTAIN MARVEL" (2019) Review

For several years, many movie fans, critics and feminists have criticized Disney Studios and Marvel Films for failing to green light a Marvel Cinematic Universe (MCU) film that starred a person of color or simply a woman. And for years, producer Kevin Feige have assured these critics that the studio was planning such a film for the franchise. Ironically, it took the plans of a comic book film from another studio for Feige to fulfill his promise. 

Sometime in 2014 or 2015, Warner Brothers Studios announced it plans for a solo film featuring one of D.C. Comics' more famous characters, Wonder Woman. The character had first appeared in the 2016 movie, "BATMAN V. SUPERMAN: DAWN OF JUSTICE"before moving on to a solo film. This decision by Warner Brothers and the success of the Wonder Woman film eventually led Feige to push forward his plans for a film about the Marvel Comics character, Black Panther aka King T'Challa of Wakanda. The character first appeared in the 2016 movie, "CAPTAIN AMERICA: CIVIL WAR", followed by a solo movie released in early 2018. Following the success of "BLACK PANTHER", Feige immediately set in motions for the MCU's first film with a female lead - "CAPTAIN MARVEL".

The comic book origin of Captain Marvel is decidedly complex and a bit controversial. The first Captain Marvel was a Kree military officer named Mar-Vell, who becomes an ally of Earth. The second Captain Marvel was Monica Rambeau, an African-American police officer from New Orleans. She eventually became another costume heroine named Spectrum. Four more characters served the role as Captain Marvel - all of them aliens - before an Air Force officer named Carol Danvers became the sixth and most recent character to fill the role. Feige and Disney Studios had selected Danvers to be the first cinematic Captain Marvel.

Directed and co-written by Anna Boden and Ryan Fleck, "CAPTAIN MARVEL" begins in the Kree Empire's capital planet of Hala in 1995, where a member of the Empire's Starforce, Vers, suffer from amnesia and recurring nightmares involving an older woman. Both her mentor and commander, Yon-Rogg; and the empire's ruler, an artificial intelligence named Supreme Intelligence her mentor and commander, trains her to control her abilities while the Supreme Intelligence, the artificial intelligence that rules the Kree, urges her to keep her emotions in check. During a Starforce mission to rescue an undercover operative from the Skrulls, a shape-shifting race that are engaged in a war against the Kree, Vers is captured. The Skrulls' commander, Talos, probes Vers's memories and discover that the individual they are looking for might be on Earth. Vers escapes and crash-lands in Los Angeles, where she meets S.H.I.E.L.D. agents Nick Fury and Phil Coulson. Vers recovers a crystal containing her extracted memories, which leads her and Fury to an Air Force base. There, they learn that the mysterious woman that Vers had been dreaming of and for whom the Skrulls are searching is a Doctor Wendy Lawson, a woman who was working on a S.H.I.E.L.D. project known as Project Pegasus (one of the Infinity Stones - the Tesseract). They also discover that Vers is actually a Human Air Force officer named Carol Danvers, who was also working on Project Pegasus . . . and who was reported dead six years earlier in 1989. Vers (or Danvers) and Fury set out to keep the Space Stone out of the Skrulls' hands and to learn more about her past and how she had ended up with the Kree.

Many critics and fans of the Marvel Cinematic Universe (MCU) were doubtful that "CAPTAIN MARVEL" would prove to be a hit. After all, the movie's lead was a woman and the actress portraying her, Brie Larson, had a reputation for left-wing politics. Nevertheless, these doubting Thomases were proven wrong. "CAPTAIN MARVEL" went on to earn over one billion dollars at the box office. Did the movie deserve this kind of success? Hmmm . . . that is a good question.

"CAPTAIN MARVEL" did not strike me as one of the best MCU movies I have seen. I could say that it is your typical comic book hero origin story. Somewhat. "CAPTAIN MARVEL" had the unusual distinction of starting midway into Carol Danvers' tale. In fact, screenwriters, which include directors Anna Fleck and Ryan Fleck; along with "GUARDIANS OF THE GALAXY" co-writer Nicole Perlman; made the unusual choice of wrapping Carol's past and the circumstances of her amnesia in a cloud of mystery. Movie audiences were first given the peep into Carol's past during Talos' probe of her memories. Between the Project Pegasus file and Carol's reunion with her former best friend, former Air Force pilot Maria Rambeau, the mystery was finally cleared. A part of me admired the screenwriters' attempt to utilize this different narrative device to convey Carol's past. At least four other MCU films have utilized the flashback device (limited or otherwise) for their narratives. But "CAPTAIN MARVEL" is the only MCU movie in which the protagonist's past is written as a mystery. Another twist that the screenwriters had revealed concerned the identities of the film's antagonists - the Skrulls and their leader Talos. All I can say is that their goal turned out to be something of a surprise.

"CAPTAIN MARVEL" featured some well done action sequences. I thought Boden and Fleck provided solid direction for most of the film's action scenes. I enjoyed such scenes like the Starforce's rescue attempt of their spy from the Skrulls, Carol and Fury's escape from the Air Force base and the Skrulls, and the film's final action sequence involving Carol, Fury, Maria Rambeau, the Starforce team and the Skrulls. But if I had to choose my favorite action sequence, it would be the Los Angeles chase sequence in which Carol encounters Fury, Coulson and other S.H.I.E.L.D. agents, while chasing the Skrulls. My head tells me that I should be more impressed by the final action sequence. But I simply found myself more impressed by that chase sequence in the movie's first half.

What can I say about the performances in the movie? They were pretty solid. I seem to use that word a lot in describing my feelings about "CAPTAIN MARVEL". Well . . . I thought Brie Larson's performance as Carol Danvers aka Captain Marvel was more than solid. She seemed to take control of the character rather easily. And I thought she did a great job in combining certain aspects of Carol's personality - her ruthlessness, dry humor and flashes of insecurity. Although he had a brief appearance in the 2018 movie, "THE AVENGERS: INFINITY WAR", Samuel L. Jackson returned in full force as former S.H.I.E.L.D. director Nick Fury for the first time in nearly four years. Only in this film, he is a mere agent. Jackson's performance in this film proved to be a lot more humorous than in his previous MCU appearances. I also noticed that he and Larson, who had first appeared together in the 2017 movie, "KONG: SKULL ISLAND", managed to create a very strong screen chemistry. Another memorable performance came from Ben Mendelsohn, who portrayed the Skulls' leader, Talos. Thanks to Mendelsohn's skillful performance, Talos proved to be one of the most subtle and manipulative antagonists in the MCU franchise. 

Other performances that caught my eye came from Lashana Lynch, who portrayed Carol's oldest friends and former Air Force pilot, Maria Rambeau. Does that name sound familiar? It should. In the movie, Maria is the mother of Monica Rambeau, the first woman Captain Marvel . . . at least in the comics. Lynch gave a subtle and skillful performance that portrayed Maria as a pragmatic and reserve woman with a dry sense of humor. Jude Law was convincingly intense as Carol's Starforce commander and mentor, Yon-Rogg, who was unfailingly devoted to the Kree Empire and who also happened to be searching for the missing Carol. "CAPTAIN MARVEL" also featured competent performances from the likes of Clark Gregg as S.H.I.E.L.D. Agent Phil Coulson, Gemma Chan as Starforce sniper Minn-Erva, Vik Sahay as Hero Torfan and Annette Bening, who portrayed Kree scientist Mar-Vell aka Dr. Wendy Lawson and provided the voice for the Kree Supreme Intelligence A.I. Akira and Azari Akbar portrayed the young and feisty Monica Rambeau at ages eleven and five respectively. Also, Djimon Hounsou and Lee Pace (both who had been in 2014's "GUARDIANS OF THE GALAXY") reprised their roles as Korath the Pursuer and Ronan the Accuser. Only in this film, Korath was a member of Starforce and Ronan had yet to become a homicidal political extremist.

Do not get me wrong. I enjoyed "CAPTAIN MARVEL". And I do plan to purchase a DVD copy as soon as possible. But . . . it is not perfect. And it is not one of my favorite MCU films. One, I wish this movie had not been set in the past. I do not think that Andy Nicholson's production designs, along with Lauri Gaffin's set decorations and the art direction team had convincingly recaptured the late 1980s and the mid 1990s. Honestly, I have seen other movies and television shows that did a better job. I understand that Carol Danvers was an Air Force officer before she became Vers and later Captain Marvel. But I found the movie's pro-military atmosphere a bit jarring and uncomfortable. I do not understand why Disney Studios thought it was necessary to allow the U.S. Air Force to have so much influence on the film. I understand that the filmmakers had hired Kenneth Mitchell to portray Carol's father, Joseph Danvers. Why did they even bother? Mitchell was wasted in this film. He was for at least a second or two in a montage featuring Carol's memories. And he had one or two lines. What a waste of a good actor! And if I must be brutally honest, I found the movie's pacing rather uneven . . . especially in the firs thirty minutes and in the last half hour. And as much as I enjoyed some of the action sequences, my enjoyment was limited by the film's confusing editing, which has become typical of the MCU. Despite being a woman - and a progressive one at that - I found that entire moment with Captain Marvel kicking ass to the tune of Gwen Stefani's 1995 song, "Just a Girl" rather cringe worthy. The MCU has proven lately that when it comes to promoting feminine empowerment, the franchise can be rather shallow and subtle as a sledge hammer.

My biggest problems with "CAPTAIN MARVEL" proved to be its inconsistent writing - a trait that has become a hallmark of the MCU in the past several years. On "AGENTS OF S.H.I.E.L.D." Phil Coulson had informed his team that Nick Fury had recruited him into the agency, while he was in college. That should have occurred at least 10 years before this film's setting. Yet, Clark Gregg had portrayed Coulson as if the latter was a newbie agent. And to be brutally honest, Gregg's presence in the movie proved to be rather limited. Unfortunately. Speaking of S.H.I.E.L.D., why did Fury, Coulson and other S.H.I.E.L.D. agents appear at that Radio Shack store after a security guard had reported her presence? Why? Before Fury's discovery of the Skrulls' presence, S.H.I.E.L.D. was more focused on unusual scientific projects. There is also the matter of the Tesseract aka the Space Stone. Apparently, the Infinity stone, which was discovered and lost by HYDRA leader Johann Schmidt in 1942 and 1945 respectively, was discovered by S.S.R. scientist and future S.H.I.E.L.D. founder Howard Stark in 1945. S.H.I.E.L.D. kept that stone for over 40 years until it became part of a joint S.H.I.E.L.D./Air Force operation in the late 1980s called Project Pegasus. Seriously? Why would such a secretive agency like S.H.I.E.L.D. even share knowledge of the Tesseract with the U.S. Air Force, let alone allow a non-S.H.I.E.L.D. scientist (Dr. Lawson) and two junior test pilots (Carol and Maria) be the main participants in this project? 

Movie audiences also discover how Nick Fury had lost his eye. I want to state how his eye was lost, but I am too disgusted to do so. Okay . . . Dr. Lawson aka Mar-Vell's space cat (or whatever the hell it is) named Goose had scratched out his left eye. That is correct. Fury's speech about trust issues in "CAPTAIN AMERICA: THE WINTER SOLDIER" originated with a space cat that scratched out his eye, because he got too friendly with it. Jesus Christ! Talk about taking an important character moment for Fury in one film and transforming it into a joke in another, five years later. In doing so, both Boden and Fleck came dangerously close to neutering his character. They, along with Kevin Feige, actually managed to accomplish this with the Monica Rambeau character. They took Marvel Comics' first female Captain Marvel and transformed her into a child, who happened to be the daughter of Carol Danvers' best friend. I found this both frustrating and disturbing.

Earlier, I had complained about the movie's 1989-1995 setting. I have a few questions in regard to portraying Captain Marvel's origin during this setting. If Captain Marvel had been around since 1995, why did Nick Fury wait so long to summon her? He did not summon her until the chaos surrounding Thanos' Snap in "THE AVENGERS: INFINITY WAR" began to manifest . . . twenty-three years later, as shown in one of the film's post-credit scenes. If Captain Marvel had been saving the universe during those past twenty-three years, where was she when Ronan the Accuser had threatened to destroy Xandar in "GUARDIANS OF THE GALAXY"? Where was she when Ego had threatened the universe in "GUARDIANS OF THE GALAXY, VOL. 2"? Where was she when the Dark Elves had attacked both Asgard and Earth in order to get their hands on the Aether (or Reality Stone) in "THOR: THE DARK WORLD"? Where was she when Loki and the Chitauri attempted to invade Earth in "THE AVENGERS"? Where was she when Ultron threatened the Earth in "THE AVENGERS: AGE OF ULTRON"? Where was she during all of these major galactic crisis? The more I think about this, the more I realize that Carol's origin story should have been set after the recent MCU film, "THE AVENGERS: ENDGAME".

Despite my complaints about "CAPTAIN MARVEL", I did enjoy it. The movie had enough virtues for me to do so, especially an entertaining adventure set in both outer space and on Earth. I also thought the screenwriters, which included directors Anna Boden and Ryan Fleck had created an engaging and interesting mystery that surrounded the protagonist's past and origin of her abilities."CAPTAIN MARVEL" also featured some impressive action sequences and first-rate performances from a cast led by Brie Larson. I do look forward to seeing this movie again.


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Friday, July 5, 2019

"CAPTAIN MARVEL" (2019) Photo Gallery



Below are images from the latest Marvel Cinematic Universe (MCU) movie, "CAPTAIN MARVEL". Directed by Anna Boden and Ryan Fleck, the movie stars Brie Larson as Carol Danvers aka Captain Marvel: 




"CAPTAIN MARVEL" (2019) Photo Gallery


















































































Monday, April 7, 2014

"JACK RYAN: SHADOW RECRUIT" (2014) Review

JACK-RYAN


"JACK RYAN: SHADOW RECRUIT" (2014) Review

There have been four previous movies that featured the literary character, Jack Ryan. But those four movies were adaptations of novels written by the late Tom Clancy. Paramount Pictures released a fifth movie featuring the character called "JACK RYAN: SHADOW RECRUIT". Unlike the previous four movies, this fifth one is not based upon a Clancy novel. 

Directed by Kenneth Branaugh and written by Adam Cozad and David Koepp, "JACK RYAN: SHADOW RECRUIT" is presented as a reboot that chronicles Jack Ryan's early years as a C.I.A. analyst. I realize that the 2002 movie, "THE SUM OF ALL FEARS" also featured Jack's early years as an analyst. But Jack was already established with the C.I.A. in that film. "JACK RYAN: SHADOW RECRUIT" also chronicled Jack's years as a graduate student in Britain, his time as a U.S. Marine in Afghanistan and how he ended up being recruited into the C.I.A. The movie also revealed how he had recovered from a deadly helicopter crash and met his future wife, Dr. Cathy Muller. But more importantly, the movie's basic plot is about Jack uncovered a Russian plot to crash the U.S. economy with a terrorist attack and send the country into another Great Depression.

Once the circumstances leading to Jack's recruitment into the C.I.A. was conveyed, Cozad and Koepp's screenplay began with Jack working undercover as a compliance officer at a Wall Street stock brokerage, looking for suspect financial transactions that indicated terrorist activity. After the Russian Federation loses a key vote before the United Nations, Jack discovers that trillions of dollars held by Russian organizations have disappeared. A large number of those funds are controlled by a veteran of the Soviet invasion of Afghanistan, Viktor Cherevin. The latter and a group of Russian politicans are seeking revenge against the Americans for the latter's intervention in that particular invasion. Since Jack's Wall Street employer does business with Cherevin and Jack discovers that certain accounts are inaccessible to him as auditor, he has a reason to visit Moscow and investigate. Unfortunately for Jack, he narrowly survives an assassination attempt upon his arrival in Moscow . . . and is forced to send out an S.O.S. to the C.I.A. for help. Even worse, his fiancée Cathy suspects him of having an affair and flies to Moscow to confront him. In the end, Jack and his C.I.A. recruiter William Harper not only have to find a way to stop Cherevin, but also keep Cathy out of danger. 

Russians and terrorist attacks. Hmmmm . . . I have noticed that the use of Russian politics as a bogeyman has been very popular in Hollywood political thrillers lately. Is this due to the unpopularity of that country's current leader, Vladimir Putin? I wonder. Am I putting down the plot for "JACK RYAN: SHADOW RECRUIT"? As I just hinted, I did not find the use of post-Soviet Russians as villains original. And the villains' goal to destroy the U.S. economy did not seem original, as well. I have four more complaints about the movie. One, I never saw the necessity of including Jack's years before the C.I.A. - as a graduate student in Britain and his time in the U.S. Marines. In fact, it was not really necessary for screenwriters to designate the William Harper character as Jack's recruiter, since he was more important in Jack's efforts to prevent Cherevin's plot to destroy the U.S. economy. I must admit that I was somewhat disappointed by Cozad and Koepp's use of the Cathy Muller character as a damsel-in-distress - especially in the movie's second half. And speaking of the second half, once Jack and Harper fly back to the U.S. to prevent the attack, the plot seemed to rush forward with the speed of a runaway train. As for the movie's title - I found it cumbersome and amateurish. Enough said. 

Despite its flaws, I still enjoyed "JACK RYAN: SHADOW RECRUIT". Despite a plot that lacked originality, I must admit that I found it entertaining. Three-fourths of the plot regarding the terrorist attack struck me as well-paced. And I must admit that possessed a great deal of suspense - especially in the sequence that featured Jack's attempt to download Cherevin's files in the middle of a dinner party between him, Cherevin and Cathy in Moscow. The movie also had its share of first-rate action sequences. I was especially impressed by the assassination attempt on Jack inside his Moscow hotel room, Jack and Harper's attempt to rescue the kidnapped Cathy from Cherevin during a car chase, and the final action scene in which Jack tries to prevent Cherevin's son from blowing up Wall Street. I thought Kenneth Braunagh handled those scenes very well. I was also impressed by his direction of two particular dramatic scenes - Cathy's confrontation with Jack and Harper inside the younger man's hotel room; along with Jack and Cathy's tense dinner with Cherevin at a Moscow restaurant. The movie also benefited from Haris Zambarloukos' sleek and colorful photography - especially the Moscow sequences, Martin Walsh's editing in the Moscow hotel fight scene, the Cherevin dinner sequence and the final action sequence in Manhattan.


"JACK RYAN: SHADOW RECRUIT" featured some pretty solid performances. Both Chris Pine and Keira Knightley were excellent as the younger Jack Ryan and Cathy Muller. And the two performers rose above the occasion to really shine in the scene that featured their characters' Moscow confrontation about their relationship. Colm Feore and David Paymer gave brief, yet entertaining performances in the movie. It seemed a pity that they did not have more scenes. Alec Utgoff was properly villainous in a subtle way as the terrorist Aleksandr Borovsky. But I feel that the movie's two best performances came from Kevin Costner and director Kenneth Branaugh, who portrayed Jack's mentor William Harper and the main villain Viktor Cherevin. In a way, it almost seemed a pity that Costner was not the main hero of this story. He was excellent as the cool and resourceful Harper. More importantly, he reminded me - and a relative of mine - that he was charismatic as ever and had not lost his screen presence. Branaugh had the more difficult task of serving as the movie's director, which he performed with great style; and portraying the movie's leading villain. And he did a superb job of conveying Cherevin's frightening personality without being over-the-top about it.

Considering that "JACK RYAN: SHADOW RECRUIT" was released in January, I was not expecting it to be some top-notch action thriller that usually rakes in a lot of money during the summer movie season. And the movie pretty much lived up to my expectations. I could never regard "JACK RYAN: SHADOW RECRUIT" as one of the better action movies I have seen. And I certainly do not regard it as highly as I do the other four movies in the Jack Ryan movie franchise. But as I had earlier pointed out, Kenneth Branaugh still managed to direct the movie with a good deal of style and energy. The plot may not have been that original, but it still proved to be entertaining. And the first-rate performances from a cast led by Chris Pine did a lot to make this movie somewhat worthy to me.