Showing posts with label gene evans. Show all posts
Showing posts with label gene evans. Show all posts

Wednesday, May 22, 2019

"OPERATION PETTICOAT" (1959) Review

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"OPERATION PETTICOAT" (1959) Review

Many would find this hard to believe, but I first came aware of the 1959 comedy, "OPERATION PETTICOAT", when its television spinoff aired during the late 1970s. Mind you, the television series was no where as good as the 1959 movie, it was enough to attract my attention. 

Over a decade had past before I first saw the movie. And I became an even bigger fan of the film than the TV series. Directed by Blake Edwards, "OPERATION PETTICOAT" is basically a flashback tale in which U.S. Navy Admiral Matthew Sherman visits the U.S.S. Sea Tiger, an old and obsolete submarine scheduled to be sent to the scrapyard. Because Sherman was the Sea Tiger's first commanding officer, he begins reading his old log book, which recounted the submarine's time during its first difficult month following the Japanese Navy's attack at Pearl Harbor in December 1941.

On December 10, 1941, the Sea Tiger is sunk by a Japanese air raid, while it is docked at the Cavite Navy Yard in the Philippines. Sherman, then a Lieutenant-Commander, and his crew begin repairs, hoping to sail the Sea Tiger to Darwin, Australia. The submarine squadron's commodore believes there is no chance of saving the Sea Tiger and begins to transfer some of Sherman's crew to other boats. Sherman convinces the commodore otherwise and the latter begins to replace Sherman's crew, beginning with an admiral aide with no submarine experience named Lieutenant (junior grade) Nick Holden. Unfortunately for Sherman, Holden had become a naval officer to escape poverty and find a wealthy spouse. Fortunately for the submarine commander, Holden proves to be a very effective supply officer, due to his skills as a scavenger and con artist. Thanks to Holden, the Sea Tiger acquires enough parts for repair and their departure from the Philippines. Once restored to seaworthy condition - barely - with only two of her four diesels operational, the Sea Tiger reaches Marinduque, where Sherman reluctantly agrees to evacuate five stranded Army nurses. Between dealing with Holden's reluctance to reveal officer material, a partially operating submarine and five nurses with no where to go and causing mayhem on board, Sherman's first month at war proves to be very difficult.

When I first saw "OPERATION PETTICOAT", I wondered if I would like it as much as I did the television series. Needless to say . . . I did. I enjoyed this movie very much. It had a lot going for it. One, it had Blake Edwards as director. Before he directed "OPERATION PETTICOAT", Edwards had worked as an actor, screenwriter and the occasional producer/director or writer of a series of television shows. The 1959 World War II comedy proved to be his first feature movie as a director . . . and he scored big. The movie featured every aspect of first-rate Blake Edwards comedy - the director's unique humor; a cast of some very interesting and offbeat characters; and most importantly a well-written story. 

Because of his past as a screenwriter, I had assumed that Edwards had written the movie's script. I was wrong. Credit went to four writers - Paul King, Joseph B. Stone, Stanley J. Shapiro, Maurice Richlin. And I must that they had written one hell of a story. I liked how they and Edwards managed to recapture those desperate, early days of the war's Pacific Theater, when the Japanese seemed to be grabbing a great deal of territory in the Pacific. I liked the fact that despite the presence of Cary Grant, Tony Curtis and five attractive actresses portraying nurses, neither Edwards or the four screenwriters did not glamorize the movie's setting . . . aside from the spotless uniform worn by Nick Holden upon his arrival at the Sea Tiger or the characters. The Sea Tiger remained in a questionable condition throughout most of the film. And believe it or not, a good deal of the events featured in this film actually happened during those early months of the war in the Pacific . . . including the evacuation of military nurses from the Philippines, a submarine being forced to paint its surface pink, due to the lack of enough red or white lead undercoat paint. The movie nearly ended on an ironic note, when it faced great danger of being sunk . . . but not by the Japanese Navy.

I did have a few problems with "OPERATION PETTICOAT". Although most of the movie was set between December 1941-January 1942, the hairstyles and makeup for the actresses portraying the nurses clearly reflected the late 1950s. Hollywood tend to be rather sloppy about women's hairstyles and fashion in movies set in the near past. And "OPERATION PETTICOAT" was mainly set seventeen to eighteen years before its release. The nurses proved to be another problem in the film. The moment the nurses boarded the Sea Tiger, a hint of sexism seemed to permeate the movie. Nearly every scene that featured the nurses, the score written by David Rose and an uncredited Henry Mancini would shift into a cheesy tune fit for a soft core porn film . . . 1950s style. The biggest problem proved to be two characters - the commanding officer of the nurses, Major Edna Heywood; and the Sea Tiger's Chief Machinist's Mate Sam Tostin. The latter proved to be something of a misogynist, who could not stand the idea of women aboard the submarine. I could have tolerated that. I could have tolerated his dismay over Major Heywood's interest in the Sea Tiger's engines, due to her father being an engineer. What I could not tolerate was Tostin's lack of respect toward Major Heywood's status as an officer . . . and the fact that the screenwriters allowed him to get away with such lack of respect due to her being a woman. And the fact that the screenwriters wrote a romantic subplot for the pair struck me as ridiculous. The moment Tostin said these words to Major Heywood:

Chief Mechanic's Mate Sam Tostin: [speaking to Maj.Heywood in the engine room] You know, I spent a lot of years disliking women. But I don't dislike you.

Maj. Edna Heywood, RN: Oh?

Chief Mechanic's Mate Sam Tostin: You're not a woman. You're more than a woman. You're a *mechanic*


I hope the screenwriters and Edwards did not expect audiences to take this relationship seriously. A deep-seated misogynist like Tostin had no business being given a romantic interest in this film . . . especially with an upright woman like Major Heywood.

In my opinion, the two best aspects of any movie are usually the screenplay and the performances. I have already expressed my views of the movie's plot. As the performances, "OPERATION PETTICOAT" was blessed with a first-rate cast. I was surprised to see that a few cast members went on to become television stars - Gavin MacLeod ("THE MARY TYLER MOORE SHOW" and "THE LOVE BOAT"), Dick Sargeant ("BEWITCHED"), and Marion Ross ("HAPPY DAYS"). Ross did not get much of a chance to strut her stuff in this film. But MacLeod gave a hilarious performance as the high-strung and nervous Yeoman Ernest Hunckle, who worked closely with supply officer Nick Holden. Sargeant gave a very endearing, yet funny performance as the young Ensign Stovall, who seemed to be Holden's number one fan aboard the Sea Tiger and possessed a penchant for putting his foot into his mouth. Gene Evans was equally funny as the gruff Chief of the Boat (COB) Chief Torpedoman "Mo" Molumphry. Joan O'Brien seemed to display a talent for physical humor as the well-meaning, yet clumsy Second Lieutenant Dolores Crandall. And Clarence Lung made a great straight man for Tony Curtis as Holden's "partner-in-crime", U.S.M.C. Sergeant Ramon Gallardo. Other fine supporting performances came from Ross, Madlyn Rhue, Robert F. Simon, Robert Gist and George Dunn.

Despite my dislike of the Major Heywood/Chief Tostin relationship, I must admit that both Virginia Gregg and Arthur O'Connell did great jobs in capturing the essence of their characters. Especially O'Connell, who still managed to be funny, despite portraying one of the most misogynist characters I have ever seen on screen. Dina Merrill gave a solid performance as Second Lieutenant Barbara Duran, the lovely nurse who managed to captured the attention of the very engaged Nick Holden. Before he did "OPERATION PETTICOAT", Tony Curtis worked on Billy Wilder's famous Roaring Twenties comedy, "SOME LIKE IT HOT". In that film, he did an impersonation of Cary Grant that caught a great deal of attention at the time. Ironically, the two ended up co-starring in this film in less than a year. And they clicked very well on screen, despite the clash between their characters. Curtis was smooth as ever as the morally gray Nick Holden, who hid a larcenous and opportunist nature behind a charming and affable façade. Looking back, it occurred to me that if Curtis had been older than Grant, he could have easily portrayed the Matt Sherman character . . . and that Grant could have portrayed Holden. I realize that many people might disagree with me, but the acting styles of both actors seemed strongly similar to me. And although Grant could have easily portrayed a character like Nick Holden, I cannot deny that he did a superb job as the harried, yet strong-willed Matt Sherman. Watching Grant convey Sherman's confusion, resolve, and quick thinking over a series of personal and military crisis was a joy to behold. In a way, Grant marvelously managed to keep the story together, thanks to his performance.

The television series, "OPERATION PETTICOAT" did not last beyond its second season. The ABC network made too many changes to the show. Besides, the idea of five Army nurses aboard a Navy submarine for such a long period of time seemed a bit too ludicrous to accept. I did enjoy its first season. However, I enjoyed even more its predecessor, the 1959 film. During his first stint as a movie director, Blake Edwards took a gritty and realistic setting - namely the early weeks of World War II for the United States forces in the Pacific - a sly sense of humor, a crazy premise of nurses aboard a pink-coated submarine and a superb cast led by Cary Grant and Tony Curtis; and created a comedic piece of cinematic gold. I could watch this movie over and over again.

Tuesday, April 9, 2019

"OPERATION PETTICOAT" (1959) Photo Gallery

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Below are images from the 1959 war comedy, "OPERATION PETTICOAT". Directed by Blake Edwards, the movie starred Cary Grant and Tony Curtis. 



"OPERATION PETTICOAT" (1959) Photo Gallery

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Thursday, September 22, 2016

"THE SHADOW RIDERS" (1982) Review




"THE SHADOW RIDERS" (1982) Review

When I first set out to discover how many of author Louis L'Amour novels had been adapted for the movies and television, I had assumed at least a handful had gone through this process. I was surprised to discover that many of his works had been adapted. And one of them turned out to be the 1982 television movie, "THE SHADOW RIDERS"

I have only seen two L'Amour adaptations in my life - "THE SHADOW RIDERS" and the 1979 two-part miniseries, "THE SACKETTS". Both productions seemed to have a great deal in common. The two productions are adaptations of L'Amour (which is obvious). Both featured three brothers as the protagonists. Both starred Sam Elliot, Tom Selleck and Jeff Osterhage as the leads. The two productions also feature Ben Johnson as a supporting protagonist and Gene Evans as a villain. But in the end, "THE SHADOW RIDERS" and "THE SACKETTS" have their differences. The latter aired as a two-part television movie or miniseries that mainly featured action and drama. "THE SHADOW RIDERS", on the other hand, is a ninety-six minute television movie, with comic overtones.

L'Amour's tale is basically about two brothers - Dal and Mac Travern - who returned home from the Civil War after fighting on different sides and discover that a company of Confederate cavalry had raided their family's Texas ranch and the neighborhood for cattle, horses and especially people to sell in Mexico. Among those kidnapped by the raiders were other neighbors, the Traverns' younger brother Jesse (also a Civil War veteran), their younger sisters Sissy and Heather, and Dal's former sweetheart Kate Connery. The Confederate troopers, led by one Major Cooper Ashbury, hope to raise enough money or "merchandise" to trade for guns and ammunition from a notorious local gunrunner named "Colonel" Holiday Hammondin order to continue the fight against the Federal government. 

Upon learning what happened, Dal and Mac discover that the local lawman, Miles Gillette, seem incapable of going after the raiders. And once the Traverns recruit their jailbird uncle "Black Jack" from prison to help them, Gillette becomes more obsessed with capturing the latter. With no law to help them, Dal and Mac set out to rescue their family with the help of their Uncle Jack; Jesse, who managed to escape from the raiders; and Kate, whom they managed to rescue halfway through the story.

It seemed rather odd that a story about family kidnapping would have a comic tone. I have read other reviews of the movie and some L'Amour fans seemed put off by this tone. Personally, I have no problems with it. Yes, I have read the novel and it was pretty good . . . and somewhat grim. But I thought director Andrew V. McLaglen and screenwriter Jim Byrnes did a pretty damn good job in mixing the grim nature of the story with a strong comic element. The screenplay did not shy away from the horror of Major Ashbury's actions or how they affected the Travern family - especially Sissy and Heather. More importantly, most of the comedy came from the family interactions between members of the Travern family - especially Dal and Mac's reunion at a local tavern right after the war, the three brothers' reaction to Jack Travern's criminal past and the emotional reunion between Dal and Kate, who had become engaged to another man after hearing about Dal's erroneous death.

"THE SHADOW RIDERS" also featured some outstanding action sequences. My favorites include Jesse's escape from Ashbury's raiders, the three brothers' rescue of Kate, and the family's main rescue of the Travern sisters and their neighbors from Holliday Hammond's camp in Mexico. Being a veteran of many movies and television productions set in the 19th century, it seemed obvious that McLeglen was in his element with "THE SHADOW RIDERS". The action featured in the film struck me as very exciting, without any of the excess that seemed to mar a good number of action films and television shows, these days.

I only have few complaints about "THE SHADOW RIDERS". Despite its comic element, the main narrative focused a good deal of situations that involved family reunions between the Travern family. I certainly had no problems with most of them. But I had a problem one - namely the Travern brothers' reunion with their Uncle Jack, who was serving time at a local jail. I found it . . . rather lackluster. A bit too laconic and understated for my tastes. I understand that this scene featured mid 19th century American men, who may have been conditioned to keep their emotions in check. Yet, other reunion scenes - whether it was between Dal and Mac, or the pair's reunion with Jesse or their parents - seemed to feature some element of emotion. Is it because the brothers were dealing with the slightly larcenous "Black Jack" Travern? Who knows. I also had a problem with Mac's war background. The movie made it clear that he was a Union cavalry officer, who was in Georgia at the time the war ended in April-May 1865. I just do not understand why he was in Georgia at that time. He must have entered the state with William Sherman's forces in 1864. So . . . why did he remain in Georgia and not accompany Sherman into South Carolina?

If anyone would ask me, I believe the shining virtue of "THE SHADOW RIDERS" was the cast. They were outstanding. All of them - from the four leads to the numerous characters that appeared in this movie - were first-rate. They all seemed very comfortable in their roles, while at the same time, managed to provide a good deal of edge to their performances. In "THE SHADOW RIDERS"; Sam Elliot, Tom Selleck and Jeff Osterhage renew the screen chemistry they had created in"THE SACKETTS" with great ease. However, I was a little disappointed that Osterhage's role in this film seemed slightly diminished in compare to his role in the 1979 production. Katherine Ross made an excellent addition as the classy, yet strong-willed Kate Connery, who had been Dal's former sweetheart. This also gave Ross an excellent opportunity to share some rather funny and romantic scenes with her off-screen husband, Elliot. Hell, she even managed to work well with Selleck, Osterhage, Geoffrey Lewis and Gene Evans.

Ben Johnson was a hoot as the Traverns' laid-back, yet larcenous uncle, "Black Jack" Travern. I could also say the same about Gene Evans, who portrayed the very charming and very cold-blooded gunrunner, Holliday Hammond. On the other hand, Geoffrey Lewis made a very intense Cooper Ashbury, the Confederate cavalry officer who is determined to continue the War Between the States with only a company of men. "THE SHADOW RIDERS" also featured first-rate performances from veterans such as Jane Greer, Harry Carey Jr., and R.G. Armstrong; along with Dominique Dunne and Natalie May.

I may have had a problem with one or two scenes with "THE SHADOW RIDERS". And yes, I found the Civil War background for one of the major characters a bit confusing. Otherwise, I really enjoyed the movie. I enjoyed it when I first saw it as a kid, many years ago on television. And my recent viewing only confirmed that my feelings about the production has not really changed one whit. Director Andrew V. McLeglen, screenwriter Jim Byrnes and a cast led by Sam Elliot and Tom Selleck continued to make this movie a joy to watch.

Friday, August 19, 2016

"THE SHADOW RIDERS" (1982) Image Gallery

SHADOW-RIDERS

Below are images from "THE SHADOW RIDERS", the 1982 adaptation of Louis L'Amour's novel. Directed by Andrew V. McLaglen, the movie starred Tom Selleck, Sam Elliot, Katherine Ross and Jeff Osterhage: 



"THE SHADOW RIDERS" (1982) Image Gallery

01 Tom Selleck as Mac Traven


02 Sam Elliott as Dal Traven


03 Katharine Ross as Kate Connery


04 Ben Johnson as Uncle Jack Traven


05 Geoffrey Lewis as Major Ashbury


06 Jeff Osterhage as Jesse Traven


07 R.G. Armstrong as Miles Gillette


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07 R.G. Armstrong as Miles Gillette


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