Showing posts with label lupita nyong'o. Show all posts
Showing posts with label lupita nyong'o. Show all posts
Thursday, April 9, 2020
"STAR WARS: EPISODE IX - THE RISE OF SKYWALKER" (2019) Review
"STAR WARS: EPISODE IX - THE RISE OF SKYWALKER" (2019) Review
Despite its success at the box office, the second film in the Disney STAR WARS Sequel Trilogy, "STAR WARS: EPISODE VIII - THE LAST JEDI", proved to be something of a publicity disaster. Many film critics loved it. An even greater number of moviegoers disliked it. Many have attributed this schism within the STAR WARS fandom as a contributing factor to the box office failure of "SOLO: A STAR WARS STORY". To regain the universal love of the fandom, Disney Studios and Kathleen Kennedy of Lucasfilm brought back J.J. Abrams, who had directed "STAR WARS: EPISODE VII - THE FORCE AWAKENS", to handled the trilogy's third entry, "STAR WARS: EPISODE IX - THE RISE OF SKYWALKER".
Disney Studios and Lucasfilm heralded "THE RISE OF SKYWALKER" as not only the end of the franchise's Sequel Trilogy, but also the end of the Skywalker family saga, which began under George Lucas. The 2019 movie began a year after "THE LAST JEDI". The Resistance under Leia Organa has been hiding from the ever growing threat of the First Order, which has been ruled by her son, Kylo Ren aka Ben Solo. Leia has also been training Force acolyte Rey, while orchestrating the Resistance's attempts to rebuild the organization and form contacts with other worlds and factions throughout the Galaxy. However, the film's opening crawl reveals that Emperor Sheev Palpatine is still alive, despite being tossed down the second Death Star's reactor shaft by Anakin Skywalker aka Darth Vader, while being electrocuted in "STAR WARS: EPISODE VI - RETURN OF THE JEDI". Palpatine vows revenge against the Galaxy for its rejection of him and his power. Leia charges Poe Dameron, Finn and Rey to search for Palpatine and destroy him. Kylo Ren also seeks Palpatine with the intent to kill the latter and maintain his own supremacy of the First Order. Kylo Ren eventually manages to find Palpatine on the remote planet of Exegol. He learns that his former master, Snoke, had merely been a puppet of Palpatine. And the former Emperor wants him to find Rey and kill her in order to remove any possible threat to the resurgence of the Sith Order.
When I learned that J.J. Abrams would return to the "STAR WARS" franchise to conclude the Sequel Trilogy, my reactions were mixed. On one hand, I disliked his handling of "THE FORCE AWAKENS". On the other hand, I completely loathed what Rian Johnson had done with "THE LAST JEDI". And when Abrams had promised to do right by the Finn character, which had been so badly mishandled by Johnson . . . well, some part of me did not know whether to welcome Abrams' return or be leery of it.
There were aspects of "THE RISE OF SKYWALKER" that I liked. I was impressed by Dan Mindel's cinematography for the movie, especially in scenes that featured the planet of Pasaana. I thought Mindel did an excellent job of utilizing the country of Jordan for those scenes, as shown below:
I was also impressed how Mindel shot the visual effects for the last duel between Rey and Kylo Ren among the second Death Star ruins on the Endor moon. Some of the film's action sequences struck me as pretty memorable, thanks to Abrams' direction, Mindel's cinematography and stunt coordinator Eunice Huthart. I am referring to those scenes that feature the heroes' occasional encounters with the First Order on Psaana and aboard the First Order star ship. I was also relieved to see the trilogy's three protagonists - Rey, Finn and Poe Dameron - and Chewbacca spend a great deal of the movie together. The four characters managed to create a pretty solid dynamic, thanks to the performances of Daisy Ridley, John Boyega, Oscar Isaac and Joonas Suotamo and it is a shame that audiences never got a chance to experience this dynamic in the trilogy's other two films.
There was an aspect of the film's narrative that delivered a great deal of satisfaction to me. It is a small matter, but involved Rey's Jedi training. I am very relieved that Abrams finally allowed Rey to receive substantial training from a mentor, who happened to be Leia. A year had passed between "THE LAST JEDI" and "THE RISE OF SKYWALKER". Rey's first scene established that Leia had been training her during that year. The movie also established in a flashback that Leia had received her training from her brother Luke Skywalker. Why did I find this satisfying? Most of Luke's own Jedi training had also occurred during the period of a year - between the events of "STAR WARS: EPISODE V - THE EMPIRE STRIKES BACK" and "RETURN OF THE JEDI". And during this period, he had received his training from . . . you know, I have no idea on how Luke managed to complete his training. Even after so many years. To this day, it is a mystery. And this is why I am grateful that Abrams and co-writer Chris Terrio had made it clear that Leia had continued Rey's training between "THE LAST JEDI" and "THE RISE OF SKYWALKER".
The performances featured in the movie struck me as pretty solid, especially from the leads - Ridley, Boyega, Isaac and Adam Driver. The movie also featured solid, yet brief performances from returning cast members such as Kelly Marie Tran, Domhnall Gleeson, Mark Hamill, Harrison Ford, Billie Lourd, Lupita Nyong'o, and the late Carrie Fisher. Dominic Monaghan, Naomie Ackie, Keri Russell and Richard E. Grant all made nice additions to the trilogy. It was great to see Billy Dee Williams reprise his role as Lando Calrissian. He was one of the bright spots of this film. Hell, it was even nice to see Denis Lawson as Wedge Antilles again, despite his brief appearance. But if I must be honest, I was not particularly blown away by any of them - including the usually outstanding Boyega. Actually, I take that back. There was one cast member who provided a moment of superb acting. I refer to Joonas Suotamo, who did an excellent job in conveying a true moment of grief and despair for Chewbacca's character in the film's second half.
But I do have a complaint about one particular performance. And it came, from all people, Ian McDiarmid who portrayed the surprisingly alive Emperor Palpatine. How can I put this? This Palpatine seemed like a ghost of his former self. No. Wait. That was phrased wrong. What I meant to say is that McDiarmid's portrayal of Palpatine in this film seemed like an exaggeration in compare to his performances in the Original and Prequel Trilogy films. Exaggerated . . . ham-fisted. I found McDiarmid's scenes so wince-inducing that I could barely watch them. However, aware of McDiarmid's true skills as an actor, I finally realized that his bad performance may have been a result of J.J. Abrams' direction. The latter's failure as a director in Palpatine's scenes and failure to visualize the character as a subtle and manipulative villain really impeded McDiarmid's performance.
Unfortunately, McDiarmid's performance was not my only problem with "THE RISE OF SKYWALKER". I had a host of others. Many film critics have bashed J.J. Abrams for trying to reject what Rian Johnson had set up in "THE LAST JEDI". I find this criticism ironic, considering that Johnson had rejected a great deal of what Abrams had set up in "THE FORCE AWAKENS". Not that it really matters to me. I disliked "THE FORCE AWAKENS". I disliked "THE LAST JEDI". And if I must be brutally honest, I disliked "THE RISE OF SKYWALKER". Like the other two films, I thought the 2019 movie was pretty bad.
My first problem with "THE RISE OF SKYWALKER" was its main narrative. Basically, the entire story revolved around the heroes and the First Order's search for the now alive Palpatine. The film's opening crawl pretty much announced to movie audiences that Palpatine was alive without bothering presenting this revelation as a surprise. It is simply the old case of "tell and not show" that has hampered a great number of fictional works throughout time. I believe this narrative device especially does not suit a plot for a motion picture or a television series, because it comes off as a cheat. It is lazy writing. Worse, most of the main characters spend a great deal of the movie searching for Palpatine. And when they finally discover him, no one bothered to ask how he had escaped death after being allegedly killed by Anakin Skywalker aka Darth Vader in "RETURN OF THE JEDI". How did Palpatine survive being tossed to his death, while being electrocuted by Force lightning? Well, STAR WARS fans finally learned the truth in the film's novelization written by Rae Carson. The only major character who immediately managed to find Palpatine was Kylo Ren, who used a Sith wayfinder . . . or compass. Meanwhile, Rey, Finn, Poe and Chewbacca had to resort to following clues to lead to first a Sith dagger, and later, a Sith wayfinder - traveling from one planet to another at a dizzying speed. This whole search for a wayfinder and Palpatine struck me as unnecessarily rushed. I do not think it is a good thing when a person complains about the fast pacing of a movie with a 142 minutes running time. For me, this exposed the hollow nature of the movie's narrative.
As I had earlier stated, the majority of the film's narrative is centered around the protagonists' determination to find Palpatine. A part of me wonders how did the Resistance and the First Order had planned to kill him, once he was discovered. And yes, the First Order's leader, Kylo Ren, also wanted Palpatine's dead. But how did any of them plan to kill him? The movie never conveyed any of the other characters' plans. Worse, this search for Palpatine had transformed the movie into some space opera version of both the INDIANA JONES and NATIONAL TREASURE movie franchises. Was that why Abrams had decided to expose Palpatine's return or resurrection in the film's opening crawl? So he could have his major characters embark on this "Indiana Jones" style hunt for Palpatine from the get go? Or relive the whole "map to Luke Skywalker" search from "THE FORCE AWAKENS" that proved to be so irrelevant? Well guess what? The "Search for Palpatine" proved to be equally irrelevant. Watching Rey, Finn, Poe and Chewbacca hunt down artifacts that would lead them to Palpatine was one of the more ridiculous aspects of this film. I felt as if I had watched a hybrid STAR WARS/INDIANA JONES/NATIONAL TREASURE movie. It was fucking exhausting.
Returning to Palpatine, I was unpleasantly shocked to learn that during the thirty years he was missing, he had created a new fleet of Star Destroyers, each ship equipped with a planet-killing laser. Thirty years. Is that how long it took Palpatine (or his clone) to create a fleet of planet killing Star Destroyers? Is that why he had taken so long construct these ships? If one Star Destroyer can destroy a planet, why did he bother to wait so long to use any of them to re-take the Galaxy? Three decades? I wish I could say more, but I do not see the point. Is a Star Destroyer strong enough to be used as a "base" for a laser powerful enough to destroy a planet?
I have also noticed that the lightsaber duels featured in "THE RISE OF SKYWALKER" . . . well, they were bad. Quite a travesty, if I must be honest. I have never been that impressed by the lightsaber duels in the Sequel Trilogy, but even I must admit that Kylo Ren's duels with both Finn and Rey in "THE FORCE AWAKENS" were somewhat better than the Obi-Wan Kenobi/Darth Vader duel in "STAR WARS: EPISODE IV - A NEW HOPE". But after the 2015 movie . . . dear God. Rey and Kylo Ren's fight against Snoke's guards in "THE LAST JEDI" struck me as something of a joke. But Rey and Kylo Ren's duels in "THE RISE OF SKYWALKER" were simply abysmal. Dan Mindel's cinematography and the movie's visual effects team could do nothing to hide the laughable nature of the duels. Both Daisy Ridley and Adam Driver seemed to spend a great deal of their time slashing at each with no semblance of swordsmanship whatsoever. Where is Nick Gillard when you need him?
Not surprisingly, "THE RISE OF SKYWALKER" revealed a number of Force abilities that appeared for the first (or second time) in the STAR WARS franchise. The Force bond between Rey and Kylo Ren, which was created by Snoke in the previous film; allowed the First Order leader to snatch a necklace from the Resistance fighter's neck in a violent manner - despite the fact that the pair was thousands of miles from each other. And in another scene, while Rey faced Palpatine and Kylo Ren faced the Knights of the Ren, she was able to hand over a lightsaber to him - despite being miles apart. How did they do this? I have not the foggiest idea. I do not even understand how Abrams and Terrio managed to create this ability in the first place. And frankly, I find it rather stupid and implausible. Force healing. For the first time in the history of the franchise, a Force user has the ability to heal. How did this come about? I have not the foggiest idea. If this had been the case during the events of the Prequel Trilogy, chances are Anakin Skywalker would have never become a Sith Lord. The Force healing ability made its debut in the Disney Plus series, "THE MANDALORIAN" . . . I think. However, Kylo Ren had the ability to use Force healing. So did Rey. I do not know who taught them or how . . . fuck it! I will just treat this as another plot device that came out of Lucasfilm's ass. "THE RISE OF SKYWALKER" also revealed that the "resurrected" Palpatine had the ability to transfer one person's essence into the body of another. How? More contrived writing.
Speaking of contrivance, there is the matter of one Leia Organa. Although a part of me still believes Lucasfilm should have killed off Leia Organa in "THE LAST JEDI", in the wake of Carrie Fisher's death a year before the film's release; I must admit that Abrams did an admirable job in utilizing old footage of the actress from "THE FORCE AWAKENS", digital special effects and Billie Lourd as a body double for some of Leia's scenes. But I hated the way Leia was finally killed off. It was similar to Luke's ludicrous death in "THE LAST JEDI". I HATE how Disney Studios and Lucasfilm portray the Force as some kind of energy that can kill an individual if it was used too long or too hard. As if the Force user was some kind of goddamn battery. I really hate that. And this is why I dislike Leia's death just as much as I disliked Luke's.
In fact, this movie seemed to be filled with contrived writing. As for the Rebel Alli . . . I mean the Resistance, I noticed that their numbers had grown since the end of "THE LAST JEDI". Had Leia managed to recruit new members for the Resistance's cause during the year between the two films? If so, "THE RISE OF SKYWALKER" did not hint one way or the other. I mean there were barely enough Resistance members to crowd the Millennium Falcon in the last film's finale. And the narrative for "THE RISE OF SKYWALKER" seemed to hint that aside from Maz Kanata, hardly anyone new had bothered to join the Resistance during that year between the two films. So . . . if this is true, why did the number of Resistance members seemed to have tripled during that year between the two movies? Among the new members is one Beaumont Kin, portrayed by "LOST" alumni Dominic Monaghan.
Speaking of characters - the arcs for the major characters have proven to be as disastrous as those featured in "THE FORCE AWAKENS" and especially "THE LAST JEDI". I was surprised to see Maz Kanata as a member of the Resistance. Her recruitment into the organization was never seen on screen. Even worse, the former smuggler and tavern owner was basically reduced to a background character with one or two lines. Actress Lupita Nyong'o's time was certainly wasted for this film. Although I thought Rose Tico was a promising character, I never liked how Rian Johnson had used her as a very unnecessary mentor for Finn in "THE LAST JEDI". However, my hopes that J.J. Abrams would do her character justice in "THE RISE OF SKYWALKER" proved to be fruitless. In this film, Rose had been reduced from supporting character to minor character, who spent most of her appearances interacting with Monaghan's Beaumont Kin in three or four scenes. What a damn waste! Speaking of waste . . . poor Domhnall Gleeson. His character, General Armitage Hux, was another character whose presence was wasted in "THE RISE OF SKYWALKER". Audiences learned in the film's second half that he had become a mole for the Resistance, supplying the group information on the First Order's movements. The problem with this scenario is that film had Hux explained that he was simply betraying his leader, Kylo Ren. But his reason for this betrayal was never fully explained, let alone developed. Harrison Ford returned in a brief cameo appearance as the ghost of Han Solo. Wait a minute. Let me re-phrase that. Ford returned as a figment of Kylo Ren's imagination . . . as Han Solo. How was his performance? Unmemorable.
"THE RISE OF SKYWALKER" also featured a good number of new characters. Probably too many. I have already mentioned Resistance fighter Beaumont Kim. Abrams and co-writer Chris Terrio also introduced Jannah, a former stormtrooper who had deserted from the First Order like Finn. When she was introduced, I had assumed that Finn's background would finally be explored. Never happened. Worse, Abrams only allowed Jannah - a new character - to speculate on her background in one line spoken to Lando Calrissian. And nothing else. Next, there was Zorri Bliss, a smuggler and former paramour of Poe Dameron's, who provided the Resistance with information on how to interpret the Sith dagger in their possession. Aside from this task, Bliss managed to miraculously survive the destruction of Kijimi, her homeworld to participate in the final battle against Palpatine and the First Order. Through her, audiences learned that Poe was a former spice smuggler . . . a drug smuggler. More on this, later. And finally, we have Allegiant General Enric Pryde, who came out of no where to become Kylo Ren's top commander. It occurred to me that Pryde turned out to be the Sequel Trilogy's General Grievous. I love the Prequel Trilogy, but I never liked Grievous. He should have been introduced a lot earlier than the Prequel Trilogy's last film. And Enric Pryde should have been introduced earlier than "THE RISE OF SKYWALKER". It would have made his brief conflict with Hux a lot more believable.
I read somewhere that the character of Kylo Ren aka Ben Solo is the most popular in the Sequel Trilogy. I am a firm admirer of actor Adam Driver and I thought he gave a solid performance as Kylo Ren. But . . . the character has never been a favorite of mine. I could complain that Kylo Ren is bad written, but I can honestly say the same about the other major (and minor) characters. Yet for some reason, Lucasfilm, a good number of the STAR WARS and media seemed to think the stars shined on Kylo Ren's ass. I hate it when the glorification of a story or character is unearned and then shoved down the throats of the public. In "THE RISE OF SKYWALKER", Kylo Ren's character arc proved to be just as rushed and full of writing contrivances as his relationship arc in "THE LAST JEDI". Honestly. Unlike Anakin Skywalker in the Original Trilogy, Kylo Ren's redemption was never properly set up in "THE RISE OF SKYWALKER". It merely sprung up in the film's last third act so that Abrams (the unoriginal storyteller that he is) could allow him to mimic his grandfather's arc. Looking back on Kylo Ren's character, he should have continued his arc from the end of "THE LAST JEDI" - as the main villain. Instead, Abrams and Lucasfilm brought back Palpatine so they could have Kylo Ren repeat Anakin's arc and avoid dying as the film's Big Bad. This decision only brought about bad writing. And then we have Poe Dameron. In some ways, Poe proved to be the worst written character in this trilogy. It almost seemed as if Lucasfilm, Abrams and Rian Johnson did not know what to do with him. His death was initially set up in "THE FORCE AWAKENS" and he spent most of that film off-screen, only to make a miraculous re-appearance near the end, with no real explanation how he had survived the crash on Jakku. In "THE LAST JEDI", Johnson had transformed Poe into some hot-headed Latino stereotype, who questioned the decisions of the Resistance's two female leaders - Leia and Admiral Holdo. And "THE RISE OF SKYWALKER" made another revision to Poe's character. The movie revealed that Poe had a past romance with the smuggler Zorri Bliss and was a spice runner (drug smuggler). How quaint. Abrams and Terrio took the only leading character in the Sequel Trilogy portrayed by a Latino actor and transformed him into a drug lord. Where the two writers watching "NARCO" or old reruns of "MIAMI VICE" when they made this decision to Poe's character? God only knows. I do know that in my eyes, this was another mark of racism on Lucasfilm's belt.
Speaking of racism . . . what on earth happened to Finn? Following Rian Johnson's shoddy treatment of his character in "THE LAST JEDI", J.J. Abrams had assured the franchise's fans that he would do justice to Finn. And he failed. Spectacularly. Did Finn even have a character arc in "THE RISE OF SKYWALKER"? The former stormtrooper spent most of the film either participating in the search for Palpatine, while keeping one eye on the constantly distracted Rey, like some lovesick puppy. He seemed to lack his own story in this film. "THE RISE OF SKYWALKER" could have provided the perfect opportunity for Lucasfilm to further explore his background as a former stormtrooper. With the creation of Jannah, I thought it would finally happen. Instead, the movie focused more on Jannah's questions about her origins. And Lucasfilm and Abrams wasted the chance to even consider at subplot regarding Finn and the First Order's stormtroopers. Boyega also spent most of the film hinting that he had something important to tell Rey. Many believe he was trying to confess that he loved her. That is because the movie DID NOT allow him to finally make his confession. Even worse, audiences learned that he wanted to confess his suspicions that he might be Force sensitive. And Lucasfilm confirmed this. Why on earth could they NOT confirm Finn's Force sensitivity on film? Why? What was the point in keeping this a secret until AFTER the film's release?
I also noticed one other disturbing aspect about Finn . . . or John Boyega. I just discovered that John Boyega had been demoted by Disney Studios and Lucasfilm from leading actor to supporting actor. Only this had happened a lot sooner that I thought. In the studio's Academy Awards campaign for "THE FORCE AWAKENS", it pushed Boyega for a Best Actor nomination. But in both "THE LAST JEDI" and "THE RISE OF SKYWALKER", the studio pushed him for a Best Supporting Actor nomination. Yet, for all three movies, Lucasfilm and Disney also pushed a white actor for Best Actor. They pushed Harrison Ford (along with Boyega) "THE FORCE AWAKENS". They pushed Mark Hamill for Best Actor in "THE LAST JEDI". Yet, both Ford and Hamill were clearly part of the supporting cast. And they pushed Adam Driver for Best Actor for "THE RISE OF SKYWALKER". Hmmmm . . . Driver went from supporting actor to lead actor, while Boyega was demoted from lead actor to supporting actor. A few more notches in Lucasfilm/Disney's racist belt. God, I am sick to my stomach. And poor John Boyega. He was poorly misused by Lucasfilm, Disney Studios, Rian Johnson and J.J. Abrams.
As for Rey . . . I am completely over her as a character. Although I found her Mary Sue qualities annoying, I found her arc in "THE RISE OF SKYWALKER" a complete mess. The only good that came from her arc was the fact that Leia had trained her in the ways of the Force for a year. Otherwise, I had to grit my teeth and watch her behave in this chaotic manner throughout the entire film. Every time she and her friends were in the middle of some situation, she would get distracted by Kylo Ren's presence and break away. Why? So she could kill him . . . I guess. Apparently, killing Kylo Ren was more important to her than completing a mission for the Resistance. Why? I have no idea. The movie's narrative never explained this behavior of hers. And it gets worse. Rey eventually learns that she is Palpatine's granddaughter. Granddaughter. Palpatine managed to knock up some woman years ago and conceive a son after he had become Emperor. That son conceived Rey with her mother before dying. Palpatine, who had been alive all of these years, never bothered to get his hands on Rey . . . until this movie. Why? I have no idea.
During Rey and Kylo Ren's final duel, she managed to shove her lightsaber blade into his gut. And then she used the Force to heal him. Why? Perhaps she felt guilty for nearly killing him. Who knows? Later, she is killed by Palpatine (who could not make up his mind on whether he wanted her alive or dead) before Kylo Ren Force healed her. And then she planted a big wet kiss on his pucker. Lucasfilm and Disney claimed that the kiss was an act of gratitude on her part. I did not realize that gratitude could be so sexual. Nevertheless, Lucasfilm and Disney ensured that the only leading male that Rey would exchange bodily fluids with was one who shared her white skin. Despite the fact that this . . . man had more or less abused her - mentally and physically - since "THE FORCE AWAKENS". There was no real development that led to this sexual kiss of gratitude. But I guess Disney and Lucasfilm were determined that Rey would not exchange a kiss with the two non-white men. Another notch on Lucasfilm/Disney's racist belt. Oh . . . and by the way, the film or Lucasfilm had established that Rey and Kylo Ren were part of some Force dyad. What is a Force dyad? Two Force-sensitive people who had created a Force bond, making them one in the Force. And this happened because Rey and Kylo Ren were grandchildren of Sith Lords. I have never heard of anything so ludicrous in my life, especially since it was established in "THE LAST JEDI" that Snoke - a creation of Palpatine, by the way - had created their mental bond. How he did that I have no idea.
You know what? I could go on and on about "STAR WARS: EPISODE IX - THE RISE OF SKYWALKER". But I now realize it would take a goddamn essay to explain why I dislike this movie so much. I should have realized that J.J. Abrams' promises that he would fix the problems of "STAR WARS: EPISODE VIII - THE LAST JEDI" was worth shit in the wind. He, Chris Terrio, Disney Studios and Lucasfilm only made the Sequel Trilogy worse . . . as if that was possible. Not only was "THE RISE OF SKYWALKER" a waste of my time, so was the entire Sequel Trilogy. And it wasted the acting skills of its talented cast led by Daisy Ridley, John Boyega, Oscar Isaac and Adam Driver for so many years.
Thursday, March 12, 2020
"STAR WARS: EPISODE IX - THE RISE OF SKYWALKER" (2019) Photo Gallery

Below are images from "STAR WARS: EPISODE IX - THE RISE OF SKYWALKER", the eleventh film in the "STAR WARS" franchise and the third in the Sequel Trilogy. Directed and co-written by J.J. Abrams, the movie stars Daisy Ridley, John Boyega, Oscar Isaac and Adam Driver:
"STAR WARS: EPISODE IX - THE RISE OF SKYWALKER" (2019) Photo Gallery

























Saturday, August 4, 2018
"BLACK PANTHER" (2018) Review

"BLACK PANTHER" (2018) Review
I am going to be brutally honest. For the past three years, I have harbored mixed feelings about the output from the Marvel Cinematic Universe (MCU). The year 2015 produced one movie that I found entertaining, yet disappointing; and another film that I found entertaining and original, but not exactly mind blowing. But the years 2016 and 2017 proved to be very disappointing, as far as MCU movies were concerned. By the end of 2017, I thought the MCU had finally lost its mojo . . . until I saw "BLACK PANTHER", early in the following year.
I realize many might find my comments something of a head scratcher. What exactly was wrong with the MCU films between 2015-2017? Well . . . I thought "THE AVENGERS: AGE OF ULTRON" was entertaining, yet problematic. I enjoyed "ANT-MAN" very much, but I would never regard it as one of the franchise's best. The movies, starting with 2016's "CAPTAIN AMERICA: CIVIL WAR" and ending with 2017's "THOR: RAGNAROK", struck me as very disappointing and somewhat inferior. Despite the fact that the franchise was raking in millions - or billions - with these films, I personally believed it had reached an artistic abyss . . . until I saw "BLACK PANTHER". Not only did I find the latter film entertaining, I also regard it as one of the better MCU films I have seen in the franchise's ten-year history. With "BLACK PANTHER", it seemed the MCU had not only climbed out of the abyss, but had reached (or nearly reached) a pinnacle.
"BLACK PANTHER" basically told the story about King T'Challa aka Black Panther adjusting to his role as the new sovereign of Wakanda, an isolated and fictional African nation that is the most technically advanced in the world, thanks to the vibranium metal within its borders. Wakanda has spent most of its existence pretending to be a poor, third-world nation in order to protect itself from the world - especially Western nations - and prevent them from learning about its rich source of vibranium. The narrative for "BLACK PANTHER" picked up at least a week after the events of "CAPTAIN AMERICA: CIVIL WAR". T'Challa and his premier bodyguard and leader of the Dora Milaje regiment, Okoye; extract Nakia, T'Challa's ex-lover and a Wakandan spy, from an undercover assignment in Nigeria. All three returned to Wakanda's capital to participate in T'Challa coronation as the new king. During the ceremony, the leaders of Wakanda's five tribes are each given the opportunity to challenge the temporarily de-powered (via a potion that expunges his super strength and speed) T'Challa's role as the new king by ritual combat. One of the leaders, M'Baku of the mountainous Jabari Tribe, challenges T'Challa. After a fierce fight, M'Baku concedes defeat and T'Challa is officially acknowledged as King of Wakanda.
Unfortunately, T'Challa's triumph is short-lived when Wakanda intelligence becomes aware of a robbery committed by a group of thieves led by an old foe of the country's, Ulysses Klaue. The latter had stolen an old Wakanda artifact from a London museum that contains vibranium, a metal substance that has allowed Wakanda to become the most technically advanced nation in the world . . . unbeknownst to other nations. When Wakanda intelligence learns that Klaue plans to sell the vibranium to the C.I.A. at a location in Busan, South Korea; T'Challa, Nakia and Okoye travel there to interrupt the planned sale and arrest the arms dealer. Instead of arresting Klaue, T'Challa stumbles across a family secret involving one of Klaue's fellow thieves, an African-American named Eric Stevens aka Killmonger, which will threaten his position on the Wakanda throne and endanger the country itself.
After being disappointed by five MCU movies in a row, I found myself wondering if I would ever enjoy a movie from the franchise again. Thankfully, "BLACK PANTHER" proved to be a more than pleasant surprise. Thanks to Ryan Coogler's direction and the excellent screenplay that he co-wrote with Joe Robert Cole, "BLACK PANTHER" proved to be a unique film that combined the usual elements of a comic book movie, a family drama and a rare exploration into the political and social aspects of the African diaspora.
Family drama is nothing new to the Marvel Cinematic Universe (MCU). Audiences have seen this played out in movies like the Thor trilogy, 2015's "ANT-MAN", and to a certain extent, 2008's "THE INCREDIBLE HULK". "BLACK PANTHER" is another addition in which a deadly encounter between T'Challa's father and uncle - King T'Chaka and Prince N'Jobu in 1992, led to the new king learning about his cousin and N'Jobu's half-American cousin, Erik "Killmonger" Stevens aka Prince N'Jadaka. That 1992 encounter led to Erik becoming an orphan and abandoned by his isolationist uncle T'Chaka. This, in turn, led Erik to see revenge against the nation of Wakanda. Ironically, Erik never got the chance to exact his revenge on the very person responsible for his loss, namely his uncle, who was killed by Helmut Zemo's bomb in "CIVIL WAR". But for him, T'Challa and Wakanda served as a convenient scapegoat for his vengeance.
What made all of this even more fascinating and a lot more original than the MCU's other family dramas was how Coogler and Cole managed to mix a good deal of political controversy into this family saga. One of the reasons Prince N'Jobu had fallen out of favor with his older brother was his growing disenchantment with Wakanda's isolationist policy with the world - including those of the African diaspora around the world. After his experiences in late 20th century Oakland, N'Jobu decided to reveal Wakanda's existence to Ulysses Klaue and help the latter infiltrate Wakanda to smuggle out more vibranium. N'Jobu had planned to use the vibranium to create weapons and lead a revolution of the African diaspora against the dominating Western nations. With his father dead, Erik planned to not only get his revenge against the Royal House of Wakanda, but also carry out N'Jobu's plans. Watching this, I am reminded of Loki's plans in 2011's "THOR" - namely to keep a powerless Thor stranded on Earth, while he sets up the Frost Giants' destruction and win Odin's favor. As much I had enjoyed that movie, Loki's plans seemed rather lame to me in compare to Erik's. But what made this story arc even more interesting is that in the end . . . Erik's plans to use Wakanda weapons to conquer the world eventually led to T'Challa's decision to finally end Wakanda's isolationist policy.
"BLACK PANTHER" featured some pretty solid action sequences. I enjoyed the sequence featuring T'Challa and M'Baku's fight for the throne; Erik and Klaue's confrontation at an abandoned South Korean airfield; T'Challa and Erik's battle for the throne; and the Battle of Mount Bashenga, in which T'Challa and his forces attempted to prevent Erik and the Border Tribe from sending Wakanda weapons to the outside world. All are pretty good action sequences. But if I had to select my favorite, it would be the confrontation at the Busan casino between T'Challa, Nakia and Okoye against Klaue and his minions. With C.I.A. Agent Everett Ross thrown into the mix, this particular sequence was simply boss, especially since it lead to a wild car chase on the streets of Busan. That once scene featuring Okoye slamming her wig into the face of a Klaue minion will probably remain imprinted in my mind for years to come.
Another aspect of "BLACK PANTHER" that I admired was the film's production designs. Mind you, the film maintained that same flat photography that the MCU has become infamous for. However, I think Rachel Morrison's photography was enhanced by some sharp colors, the movie's visual effects, Hannah Beachler's gorgeous production designs that convey the world of Wakanda, along with the art direction team led by Alan Hook. Aside from Beachler's production designs, I was especially impressed by Oscar and Emmy nominee Ruth E. Carter's costume designs. Someone had compared them to those costumes featured in the 1988 comedy, "COMING TO AMERICA". But honestly . . . I think I prefer Carter's more natural designs, as featured in the images below:


But all of the above would have meant nothing without the talented cast for the film. "BLACK PANTHER" featured some first-rate performances from the likes of Daniel Kaluuya, who portrayed Border Tribe leader W'Kabi, who desires his own personal vengeance against Ulysses Klaue; Sterling K. Brown as the revolutionary Prince N'Jobu; both John Kani and son Atandwa Kani as the older and younger versions of King T'Chaka; Angela Bassett as T'Challa's strong-willed, yet loving mother and advisor, Queen Ramonda; Denzel Whitaker, who gave a solid performance as the younger Zuri; and Martin Freeman as C.I.A. Agent Everett Ross, who proved to me more entertaining and relevant in this film than he was in "CAPTAIN AMERICA: CIVIL WAR".
However, there were those performances that really impressed me. One came from Andy Serkis, who was a hoot as the murderous, yet over-the-top South African arms dealer, Ulysses Klaue. Letitia Wright was equally entertaining as T'Challa's witty and charming sister, the tech-savy Princess Shuri. Another came from Lupita Nyong'o, who gave a passionate and heartfelt portrayal of Wakandan intelligence agent and T'Challa's former girlfriend, Nakia. Forest Whitaker gave a first-rate performance as Wakanda's top courtier and former spy, Zuri. Whitaker was especially impressive in one scene in which his character was forced to confess King T'Chaka's past actions regarding N'Jobu and Erik Killmonger. Winston Duke was very impressive, imposing and at times, rather amusing as M'Baku, leader of the mountainous Jabari Tribe. Also, his first appearance in the film - during T'Challa's coronation ceremony - is one of the most memorable moments I have seen in a movie for quite some time. Danai Gurira was equally impressive and imposing as Okoyo, the traditionalist leader of the king's bodyguards - the Dora Milaje. Although I found her character's conservatism a bit annoying at times, I must admit that Gurira gave one hell of a performance.
However, this movie is really about two characters - King T'Challa of Wakanda aka the Black Panther and his paternal cousin Erik "Killmonger" Stevens aka Prince N'Jadaka. Yes, I know that the movie is called "BLACK PANTHER". But to be honest, this movie is about both cousins and how their conflicting views on Wakanda's role in the world and especially upon the African diaspora.
Chadwick Boseman's second turn as T'Challa proved to be a different kettle of fish from the driven newly ascended king determined to seek revenge for the death of his father, T'Chaka in "CAPTAIN AMERICA: CIVIL WAR". In this film, Boseman gave a more relaxed performance as the happy and more satisfied young king, eagerly anticipating, yet slightly fearing his new role as king. However, Boseman's relaxed performance skillfully transformed into one of disbelief, anger and outrage when T'Challa learned about his father's actions back in Oakland 1992. This was especially apparent in two scenes in which Boseman gave outstanding performances. The first scene featured his confrontation with Zuri, who confessed the true circumstances about Oakland. Boseman gave a very intimidating, yet regal performance in that scene. The other featured T'Challa's second dream in which he expressed anger and disappointment at his father's spirit for what happened to Erik.
Speaking of the latter, Michael B. Jordan has been receiving rave reviews for his performance as Erik "Killmonger". Some have been declaring his character as the best MCU villain ever. I do not know if I agree with that assessment. But I must admit that Jordan gave one of the most skillfully ambiguous performances I have encountered in the franchise. Audiences could easily sympathize with his backstory - the young boy who had lost his parents and abandoned. Also, one cannot help but admired Erik's desire to help those African nations and members of the African diaspora - something that his cousin seemed unwilling to do. And yet, the level of violence Erik seemed willing to utilize in order to achieve his goal or his unwillingness to face that the one person who had truly wronged him was dead justified why the talented Jordan had portrayed him such ambiguity.
As much as I enjoyed "BLACK PANTHER", I did have some problems with the film. One, there is a chance that I may have stumbled across a major writing blooper. In "CIVIL WAR", Avenger Wanda Maximoff aka the Scarlet Witch had accidentally killed a group of Wakanda subjects during a mission in Lagos, Nigeria. The Wakandans had been there on a goodwill mission. This lead King T'Chaka to publicly support the Sokovia Accords - an act that led to his death. And yet, Ryan Coogler and Joe Robert Cole made it clear in the 2018 movie's screenplay that Wakanda has practiced a policy of isolationism for centuries. Although Coogler and Cole remembered T'Chaka's death in the 2016 movie and Bucky Barnes' presence on Wakanda soil, they apparently forgot about this goodwill mission in Nigeria. Also, why did Erik Stevens wait so long to travel to Wakanda and make a bid for the throne? He could have challenged his uncle T'Chaka for the throne and get his revenge against the very man who had wronged him. Instead, he waited until after T'Chaka's death. Why?
Exactly when did Steve Rogers and Bucky Barnes arrive in Wakanda, as shown in one of the post-title scenes in "CIVIL WAR'? The movie opened with T'Challa and Okoye returning to Wakanda for the first time since T'Chaka's death. Were both Steve and Bucky aboard T'Challa's plane? Were they aboard the Avenger jet that Steve had used to fly to Russia in the 2016 movie? Where were they? In fact, there was no scene featuring the pair's arrival in Wakanda for the first time, which I found rather odd. Speaking of arrivals, why was Okoye with T'Challa when he first returned to Wakanda? I realize that she was the leader of the Dora Milaje and that King T'Chaka was in Austria at the time of his death. But Okoye was missing in a scene from "CIVIL WAR" in which Avenger Natasha Romanoff aka Black Widow had sought T'Challa's help to track down Steve, Bucky and Sam Wilson aka the Falcon. As the king's leading bodyguard, she should have been there - whether with T'Chaka or T'Challa. Instead, another Dora Milaje bodyguard named Ayo (portrayed by actress/model Florence Kasumba) was there. Yet, the latter was missing aboard T'Challa's plane upon his return to Wakanda. One last question . . . why did T'Challa's closest friend, W'Kabi of the Border Tribe, seemed so willing to help Erik carry out his anti-isolationist policies? Why? I understand that he might be grateful to Erik for finally killing Klaue, the man who had killed his father years ago. But am I really to believe that his gratitude extended to supporting Erik's decision to end Wakanda's isolationist policy . . . especially since he had made it clear earlier in the film that he fully supported the old policy? Was he really that grateful to fight on Erik's behalf when T'Challa had returned alive to resume the challenge against Erik? I truly found this hard to believe.
And why was the only truly negative black character in this film was the only one of some American ancestry? There was something about the film's portrayal of African-Americans that struck me as rather negative and a bit one-dimensional. In this film, African-Americans seemed to consist solely of poor and slightly thuggish people barely capable of surviving on their own, except through criminal activities. The idea of Wakanda coming to their "rescue" with advanced technology made the latter country seem very similar to the White Savior trope. And if Wakanda was going to share their technology, why did T'Challa do so with the entire international community, instead of simply other African nations and the African diaspora . . . as Nakia had originally suggested? Considering that Erik had pointed out that many countries - especially in the West - were catching up technically with Wakanda, along with the international community's generally negative attitude toward African nations and those of the African diaspora; I cannot help but wonder if T'Challa had ever considered that many of the more wealthier nations would take advantage of his generosity at the first opportunity? Or was this plot twist something that Kevin Feige and the other Marvel/Disney suits had insisted that Coogler and Cole include?
However . . . despite these misgivings I have about "BLACK PANTHER", I cannot deny that I truly enjoyed the movie. I did. I thought Ryan Coogler, along with screenwriter Joe Robert Cole and a talented cast led by Chadwick Boseman, did an exceptional job in bringing comic book hero the Black Panther and the world of Wakanda to life. At this moment, "BLACK PANTHER" has become one of my five favorite movies in the MCU franchise.

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