Below is a list of my favorite Season Two episodes from the CBS series, "ELEMENTARY". Created by Robert Doherty, the series stars Jonny Lee Miller as Sherlock Holmes and Lucy Liu as Joan Watson:
FIVE FAVORITE EPISODES OF "ELEMENTARY" SEASON TWO (2013-2014)
1. (2.10) "Tremors" - During a court hearing to determine whether he and Joan Watson should be kept on as consultants to the NYPD, Sherlock Holmes recalls the events that led to the shooting of Detective Marcus Bell.
2. (2.22) "Paint It Black" - Following Joan's kidnapping by terrorists, Sherlock and his brother Mycroft Holmes race to investigate the connection between her kidnappers and a Swiss bank executive in order to save her life.
3. (2.06) "An Unnatural Arrangement" - Sherlock and Joan investigate the attempted assault of Lieutenant Thomas "Tommy" Gregson's estranged wife, when their home is invaded.
4. (2.01) "Step Nine" - Sherlock and Joan travel to London to help the former's police partner, Inspector Lestrade, who has gone into hiding after threatening a murder suspect with a grenade. The pair also discovers that Sherlock's older brother Mycroft is living at 221B Baker Street, Holmes' former residence.
5. (2.17) "Ears to You" - Sherlock, Joan and the NYPD investigate when a former murder suspect receives a parcel with two severed ears in it, leaving the police to suspect that his "late" wife might still be alive and he might be innocent of murder.
"SNOWDEN" (2016) Review
When I heard that director Oliver Stone was about to release a movie about tech whistleblower, Edward Snowden, I did not know what to expect. I still harbored memories of "THE FIFTH ESTATE", the 2013 movie about Julian Assange. Unlike many others, I did not dislike the film. But I did not find it particularly impressive. But curiosity won in regard to this movie about Snowden and I decided to watch it.
Structured as a flashback, "SNOWDEN" began three years earlier in Hong Kong, where Snowden had agreed to meet with The Guardian and Washington Post journalists and reveal the details leading to his decision to expose the National Security Agency (N.S.A.)'s illegal cyber-snooping on millions of unsuspecting American citizens. The flashbacks began with Snowden's departure from the U.S. Army due to a major injury and covered his years with the C.I.A. and as a contractee for Dell, which manages computer systems for multiple government agencies like the N.S.A. The movie also covered Snowden's profession and growing knowledge of the American government's illegal use of cybertech affected his tumultuous relationship with girlfriend Lindsay Mills and his health for nearly a decade.
Personally, I thought "SNOWDEN" was a pretty damn good movie. It is not the first biopic or movie with a strong historic background that Oliver Stone had directed. And if I must be brutally honest, it is not his best. I cannot put my finger on why "SNOWDEN" failed to rank up there with the likes of "PLATOON", "BORN ON THE FOURTH OF JULY" and especially "JFK". Was it the subject matter? One would think Edward Snowden's actions would generate plenty of controversy. An N.S.A. contractor exposing the U.S. government for illegally spying on the American public would seems controversial. Stone and Kieran Fitzgerald's screenplay even went into details behind Snowden's discoveries - details that left many Americans outraged when news of Snowden's leaks hit the newspapers and the Internet. The screenplay also detailed the emotional consequences that Snowden had suffered from his years with the C.I.A. and his employment as a N.S.A. contractor.
"SNOWDEN" also featured some pretty top notch performances from the cast. Performers like Zachary Quinto, Melissa Leo, Nicholas Cage, Tom Wilkinson, Timothy Olyphant, Scott Eastwood, Keith Stanfield, Ben Schnetzer, Logan Marshall-Green and Joely Richardson gave solid, yet colorful performances. I was very impressed by Rhys Ifan, who have a subtle, yet slightly sinister performance as Snowden's C.I.A. mentor Corbin O'Brian. Shailene Woodley was excellent as Snowden's girlfriend, Lindsay Mills, who nearly became an emotional victim of his profession. And Joseph Gordon-Levitt gave an outstanding performance as the titled character, Edward Snowden. His performance was subtle, emotional and very skillful . . . worthy of an acting nomination.
So, why did "SNOWDEN" fail to impress me? The performances were top-notch. The topic of illegal government surveillance struck me as not only controversial, but also relevant. Or perhaps the topic had ceased to be relevant with American moviegoers. Society's taste in entertainment has grown disturbingly conservative over the past several years. It is possible that many moviegoers were more outraged over Snowden's actions, than the government's. Or perhaps Stone's timing for the movie's production and release was a year or two late.
But if I must be honest, "SNOWDEN" seemed to lack something . . . perhaps some touch of magic or energy that made some of his past films memorable to this day. In fact, the movie reminded me of the 2010 Best Picture winner, "THE KING'S SPEECH". Many recall that movie was a box office and garnered a great deal of accolades. True. But aside from Colin Firth's Best Actor win, I never thought it deserved its accolades. Both movies struck me as entertaining, yet unoriginal biopics. I suspect that the 2010 movie benefited from the public's growing conservative taste in entertainment. And it did not help that "SNOWDEN" ended with an appearance from the actual man himself. I dislike it when a filmmaker does this. For me, it is like tacking on a "behind-the-scenes" featurette at the end of a film, giving the latter a weak ending.
Do not get me wrong. I enjoyed "SNOWDEN". I found its topic very interesting and relevant. I was also impressed by the cast, which was led by the very talented Joseph Gordon-Levitt in the title role. Oliver Stone did a solid job in covering the years that led to Edward Snowden's whistle blowing. And thanks to him, the movie featured some interesting moments from a cinematic point-of-view. But overall, "SNOWDEN" struck me as a not-so-dazzling effort from Stone. It struck me as a bit too typical for a historical drama and biopic.
(This review features spoilers of the 2014 movie, "SERENA" and the Ron Rash 2008 novel from which it is adapted. If you have not seen the movie or read the novel, I suggest you do not read this review.) "SERENA" (2014) ReviewSeven years ago, author Ron Rash wrote a novel about a young socialite's effect upon the lives of her new husband, their North Carolina timber business and the Appalachian community that relied upon it during the early years of the Great Depression. The cinematic adaptation of Rash's novel hung around development for a while, before it finally became the 2014 movie, "SERENA". "SERENA" begins during the late fall of 1929, when the New England-born timber tycoon, George Pemberton, is forced to travel to Boston and secure more funds for his lumber business in western North Carolina. While attending a horse show with his sister, George meets Serena, the daughter of a businessman who had owned his own lumber business in Colorado. After a quick romance, the newlyweds return to Waynesville, North Carolina. There, Serena and George clash with the latter's partner, Mr. Buchanan, who regards the young bride as an interloper in his relationship with George. Serena also discovers that George had conceived a child with a local servant girl named Rachel Hermann. Although George reassures Serena that the infant boy means nothing to him, she discovers otherwise after she suffers a miscarriage. Deadly antics follow as the Pembertons deal with legal threats and grow apart over George's illegitimate child.When "SERENA" first reached the U.S. movie theaters, it sunk at the box office amidst negative reviews from the critics and fans of Rash's novel. I have never read the novel. But I have read its synopsis after seeing the movie. And I have also read the reviews. There seemed to be a mixed reaction to the novel, despite its success. But the reaction to the novel seemed a lot more positive than the reaction to the film. Many have criticized director Suzanne Bier and screenwriter Christopher Kyle's changes from the novel. Serena's point-of-view was reduced in the film. Bier and Kyle added a background in the timber business for the leading character. They removed an early scene featuring a clash between George and Rachel Hermann's father Abe (Harmon in the novel). They removed the Greek chorus of loggers and changed the ending. And you know what today's moviegoers and television viewers are like. If a movie or series is going to adapt a novel, these fans usually insist or demand no changes. This is a very unrealistic or dangerous attitude for any filmmaker or television producer to have. To produce a film or a television movie, series or miniseries takes a great deal of money. And a producer needs to consider so much - especially in creating an adaptation of a literary source.There were some changes made by Bier and Kyle that did not bother me. I felt more than relieved that they had decided to drop that violent encounter between George Pemberton and Abe Hermann (Harmon) at the Waynesville train station. While reading about it, I felt that such a violent encounter happened too soon in the story and it struck me - personally - as ridiculously over-the-top. Perhaps other fans missed it. I did not. According to some criticism of Rash's novel, the Selena Pemberton character came off as a one-note monster with no real depth. Some have lobbied the same charge at George Pemberton. Since I have never read the novel, I do not know whether they are right or wrong. But I am grateful that the movie did portray both characters with some emotional depth. This was apparent in the couple's intense regard for one another and the emotional breakdown that occurred, following Serena's miscarriage. I also have no problems with Kyle's decision to add a background in lumber in Serena's back story. I thought her familiarity with a lumber camp gave credence to her ability to help George deal with the problems that sprang up within his camp. On the other hand, both Bier and Kyle managed to find time to focus on the Pembertons' willingness to exploit the natural beauty around them for business and George's penchant for hunting panthers. I also found the clash between the Pembertons' efforts to maintain their business in the Appalachian Mountains and the local sheriff's desire to preserve the surrounding forests for a national park rather interesting. I had no idea that the clash between those who wanted to exploit the land and those who wanted to preserve it stretched back that far.I was surprised to learn that had been filmed in the Czech Republic and Denmark. However, looking into the background of the film's crew and cast members, I found this not surprising. With the exception of a few, most of them proved to be Europeans. I have no idea which Czech mountain range where "SERENA" was filmed, but I have to give kudos to cinematographer Morten Søborg for his rich and beautiful photography of the country. But thanks to Martin Kurel's art direction, Graeme Purdy's set decorations and Richard Bridgland's production designs did an admirable job of transporting audiences back to early Depression-era western North Carolina. As for the movie's costume designs, I thought Signe Sejlund did a top-notch job. Not only did she managed to re-create the fashions of that period (1929 to the early 1930s), she also took care to match the clothes according to the characters' personality, class and profession. I never read any of the reviews for "SERENA", so I have no idea how other critics felt about the cast's performances. When I first learned about the movie, many bloggers and journalists seemed amazed that Jennifer Lawrence would be cast in the role of the emotional and ruthless Serena Pemberton. Personally, I was not that amazed by the news. The actress has portrayed ruthless characters before and she certainly had no problems portraying Serena. I thought she did a top-notch job in capturing both the character's ruthlessness and the intense emotions that the latter harbored for her husband. There is one scene that truly demonstrated Lawrence's talent as an actress. And it occurred when Serena discovered that George had been secretly keeping an eye on his illegitimate son. I was impressed by how Lawrence took the character from surprise to a sense of betrayal and finally to sheer anger within seconds. Bradley Cooper, who had co-starred with Lawrence in two previous films, portrayed Serena's ruthless, yet passionate husband, George Pemberton. Cooper not only conveyed his character's businesslike ruthlessness, but also the latter's moral conflict over some of his actions. My only complaint is that I found his New England accent (his character is from Boston) slightly exaggerated."SERENA" featured solid performances from the supporting cast. Toby Jones did a good job in portraying the morally righteous sheriff, McDowell. Ana Ularu also gave a solid and warm performance as Rachel Hermann, the young woman with whom George had conceived a child, when he used her as a bed warmer. Sean Harris was very effective as the conniving Pemberton employee, Campbell. The movie also featured brief appearances from the likes of Bruce Davidson, Charity Wakefield, and Blake Ritson. But the best performances amongst the supporting cast came from David Dencik and Rhys Ifans. Dencik gave a surprisingly subtle performance as George's partner, Mr. Buchanan, who resented his partner's marriage to Serena and her increasing impact on their lumber business. In fact, Dencik's performance was so subtle, it left me wondering whether or not his character was secretly infatuated with George. Equally subtle was Rhys Ifans, who portrayed Pemberton employee-turned-Serena's henchman, Galloway. Ifans did an excellent job in infusing both Galloway's emotional ties to Serena and ruthless willingness to commit murder on her behalf.Contrary to what many may believe, "SERENA" has its share of virtues. But it also has its share of flaws. One aspect of"SERENA" that I had a problem with surprisingly turned out to be the cast. Mind you, the cast featured first-rate actors. But I was not that impressed by the supporting cast's Southern accents that ranged from mediocre to terrible. I could blame the film makers for relying upon European (especially British performers). But this could have easily happened with a cast of American actors. Only two actors had decent (if not perfect) upper South accents - Rhys Ifans and Sean Harris. I have no idea how Bruce Davidson, one of the few Americans in the cast, dealt with an Appalachian accent. He barely had any lines. Another problem I had with the movie turned out to be the score written by Johan Soderovist. First of all, it seemed unsuited for the movie's Appalachian setting. Worst, Susanne Bier and the film's producer failed to utilize the score throughout most of the film. There were too many moments in the film where there seemed to be no score to support the narrative. At one point of the film, Kyle's screenplay seemed to throw logic out of the window. When George committed murder to prevent Sheriff McDowell and the Federal authorities from learning about his bribes, a Pemberton employee named Campbell who had witnessed the crime, blackmailed him for a promotion. Yet, later in the film, Campbell decided to tell McDowell about the murder and the bribes. The problem is that Kyle's screenplay never explained why Campbell had this change of heart. It never revealed why he had decided to bite the hand that fed him. And I have to agree with those who complained that the film did not focus upon Serena's point-of-view enough. The movie's title is "SERENA". Yet, most of the film - especially in the first half - seemed to be focused upon George's point-of-view. I have no idea why Bier and Kyle made these changes, but I feel that it nearly undermined the film's narrative.My biggest gripe with "SERENA" proved to be the ending. If I must be honest, I hated it. I also thought that it undermined the Serena Pemberton character, transforming her into a weeping ninny who could not live without her husband. Kyle's screenplay should have adhered a lot closer to Rash's novel. I am aware that both Serena and George loved each other very much. But Serena struck me as the type of woman who would have reacted with anger against George's lies about his illegitimate baby, his emotional withdrawal and his attempt to strangle her. She reminded me of a younger, Depression-era version of the Victoria Grayson character from ABC's "REVENGE". Both women are both very passionate, yet ruthless at the same time. And if the television character was willing to resort to murder or any other kind of chicanery in retaliation to being betrayed, I believe that Serena was capable of the same, as well. Rash allowed Serena to react more violently against George for his betrayal, before sending her off to Brazil in order to start a lumber empire. Yet, both Rash and Kyle seemed determined to kill off Serena. Kyle did it by having Serena commit suicide by fire, after George was killed by a panther. I found this pathetic. Rash did it in his novel by having a mysterious stranger who bore a strong resemblance to George to kill her in Brazil. In other words, after surviving Serena's poisoning attempt and an attack by a panther, George managed to hunt her down in thirty years or so and kill her. I found this ludicrous and frankly, rather stupid. I would have been happier if Serena had killed George and left the U.S. to make her fortune in Brazil. She struck me as the type who would get away with her crimes. If the murderer in"CHINATOWN" could get away with his crimes, why not Serena Pemberton? I feel this would have made a more interesting ending.It is a pity that "SERENA" failed at the box office. Unlike many critics, I do not view it as total crap. I have seen worse films that succeeded at the box office. I suspect that many had simply overreacted to the film's failure to live up to its original hype, considering the cast, the director and the novel upon which it was based. But it was not great. I regard"SERENA" as mediocre. The pity is that it could have been a lot better in the hands of a different director and screenwriter.
