Showing posts with label tessa thompson. Show all posts
Showing posts with label tessa thompson. Show all posts

Thursday, January 30, 2020

"MEN IN BLACK: INTERNATIONAL" (2019) Review





"MEN IN BLACK: INTERNATIONAL" (2019) Review

Last year, Sony Pictures had announced its intentions to add a fourth entry to the MEN IN BLACK" movie franchise. I have to be honest. I did not receive the news with any real enthusiasm. And my feelings had failed to change when I learned the identities of the movie's two main stars.

"MEN IN BLACK: INTERNATIONAL" only shared a few similarities to the franchise's past three films. One of the co-stars proved to be Emma Thompson, who had returned for her second appearance in the franchise as Q, the MIB agency's director. The agency's Manhattan office also appeared in the film. And the MIB agents were up against another deadly alien trying to conquer Earth. Otherwise, there were major differences in this fourth film. Instead of Will Smith and Tommy Lee Jones, "MEN IN BLACK: INTERNATIONAL" starred Chris Hemsworth and Tessa Thompson, who had been co-stars in the 2017 Marvel film, "THOR: RAGNAROK". Most of the "MEN IN BLACK: INTERNATIONAL" locations were set outside of the U.S. in London, Marrakesh, Naples and Paris. The last difference featured the circumstances surrounding the recruitment of Tessa Thompson's character into the agency. Unlike Will Smith's Agent J, Thompson's character had become aware of the Men in Black agency years before she joined it. The biggest difference between this film and the previous three movies involved a potential threat within the internal affairs of the Men in Black.

In 1996 Brooklyn, a young girl named Molly Wright witnesses her parents being neuralysed by Men in Black agents, while she helps an alien escape. Twenty years later, Agents H and High T of the MiB London office travel to Paris to stop an invasion of the Hive – a parasitic race who invade planets by merging with the DNA of the conquered species – at the Eiffel Tower using a wormhole included in the original migration to Earth. After being rejected from the F.B.I. and the C.I.A., due to her "delusions" regarding alien life, Molly tracks down an alien landing and follows MiB agents to their New York City headquarters. Caught entering the agency, Molly makes an impression on the agency's director, Agent O and becomes probationary agent status as "Agent M". She is eventually assigned to the London branch.

Agent M's new supervisor is High T, who has become head of the London office. The latter assigns her to become Agent H's new partner, who has developed a God complex, unconcerned with his duties and only keeping his job due to High T covering for him. Both M and H are assigned to guard a royal alien named Vungus the Ugly, during the latter's visit to Earth. A pair of alien twins manage to fatally injure Vungus. The latter gives M a strange crystal before he dies. And the agents of the London office realizes that a MiB agent may have betrayed Vungus to the alien assassins. Due to his lackadaisical behavior, H has become the main suspect. However, this does not last long and M eventually becomes tagged as the agency's traitor. M and H take matters into their hands and decide to conduct their own investigation - an act that leads them to become fugitives from the Men in Black agency.

Following the release of "MEN IN BLACK: INTERNATIONAL", many critics and fans of the franchise had rained criticism and scorn upon it. Needless to say, the movie proved to be a box office failure, despite making a small profit. It is considered to be the worst film in the franchise. While many blamed the movie's narrative; the majority of the film's negative press seemed to stem from the fact that the movie had not been directed by Barry Sonnenfeld, who was responsible for the franchise's first three films. And there were a handful of disgruntled fans who seemed to resent the presence of Tessa Thompson as one of the film's leads, due to her gender.

How do I feel about all of this? I do have a few problems with "MEN IN BLACK: INTERNATIONAL". One, this movie is not funny. What I meant is . . . it lacked the twisted and sardonic humor of Barry Sonnenfeld. If I have to be more specific, the film's humor barely generated any real laughs from me. I merely found myself feeling amused by some of the more comic moments. My second problem with "MEN IN BLACK: INTERNATIONAL" was Agent H's fate near the end of the movie. I did not like it. Considering his age and recent mental condition, I thought he was unnecessarily rewarded for his actions in stopping the main villain. My final problem with the film is basically minor. "MEN IN BLACK: INTERNATIONAL" featured the character of Agent O from the 2012 film, "MEN IN BLACK 3". To me, this was an indication that "MEN IN BLACK: INTERNATIONAL" was a continuation of the previous three films. If so, I thought screenwriters Art Marcum and Matt Holloway could have hinted on the fates of Agents J and K from the first three movies. What happened to them?

Despite my complaints about the film, I did not dislike "MEN IN BLACK: INTERNATIONAL". In fact, I enjoyed it very much. And this was due to certain aspects of the film. One, I found some of the movie's special effects rather impressive, thanks to the visual effects team, Stuart Dryburgh's cinematography and Thomas Brown's art direction team. I was especially impressed by those scenes featuring Vungus' death in London, H, M and Pawny's escape from Marrakesh and especially their final showdown against the Big Bad at the Eiffel Tower in Paris.

Another aspect of "MEN IN BLACK: INTERNATIONAL" that I enjoyed was its cast. Personally, I thought it was first-rate. The movie benefitted from a solid supporting cast that included Laurent and Larry Nicolas Bourgeois (aka Les Twins), who did an excellent job of conveying the silent, yet physical menace of the shape-shifting aliens known as "the Twins"; Tim Blaney, who returned to voice Frank the Pug; Kayvan Novak, who voiced the royal alien Vungus the Ugly; and Spencer Wilding. I found Rafe Spall's portrayal of Agent C of the UK branch rather sardonic, yet entertaining. Emma Thompson was excellent as usual as the Men in Black director, Agent O. Rebecca Ferguson gave an eccentric, yet funny performance as an alien intergalactic arms dealer and H's ex-girlfriend Riza Stavros. Liam Neeson's portrayal of High T, the head of the MIB UK branch, struck as equally off-beat and funny. And I felt that Kumail Nanjiani gave the best voice performance of all as Pawny, the small alien warrior that Agents M and H befriend.

And of course, we have the movie's two leads - Chris Hemsworth and Tessa Thompson. Many crtics had been impressed by their screen dynamic in the Marvel film, "THOR: RAGNAROK". This led the producers of this film to cast them together as Agents H and M. And they did not fail. Thompson did a wonderful job as the uber observant and clever Molly Wright, who becomes the agency's newest recruit, Agent M. Hemsworth did an equally fantastic job in portraying Agent H, one of the agency's best agents who seemed to be suffering from some kind of post traumatic stress disorder (PTSD), following his and Agent High T's defeat of the Hive, three years earlier. Not only did the two leads gave great performances, they also proved that their on-screen dynamic had not dimmed one bit. If I must be brutally honest, I was more impressed by their screen chemistry in this film than I was in "THOR: RAGNAROK".

I realize that many people may not agree with me on this next topic. But if there is one thing that truly impressed me about "MEN IN BLACK: INTERNATIONAL", it was the screenplay written by Art Marcum and Matt Holloway. I found it very original for a movie from the MEN IN BLACK movie franchise. The previous three movies usually introduced the Big Bad either in the opening scene or not long after the opening. I cannot say the same for this film. Both Marcum and Holloway had not only created a mystery surrounding the Big Bad, they also included a possible traitor or mole within the Men in Black agency that might be assisting the main villain. Now this might be normal in a MISSION: IMPOSSIBLE movie or some other spy thriller. But in a MEN IN BLACK film? For the first time, this franchise had created a combination of a science-fiction movie and an espionage flick. It is a pity that many critics and film goers could not appreciate this. Perhaps it would have been easier if the film had followed the franchise's usual formula.

In the end, I realized that I would not waste my time lamenting on the box office failure of "MEN IN BLACK: INTERNATIONAL". It was not the first box office bomb that I ended up enjoying. And I doubt that it will be the last. Although I found the film's humor rather lukewarm - worthy more of a small chuckle instead of a belly laugh - I cannot deny that I truly enjoyed the film's narrative, along with the exciting action sequences and the talented cast led by Chris Hemsworth and Tessa Thompson, thanks to director F. Gary Gray. Many others may have been disappointed by this film. But I was not.

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Post-Script - I recently viewed the movie on DVD. I enjoyed it even more than I did the first time I saw it. And I realized it was funnier than I had originally believed.



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Thursday, December 12, 2019

"MEN IN BLACK: INTERNATIONAL" (2019) Photo Gallery



Below are images from "MEN IN BLACK: INTERNATIONAL", the 2019 entry in the "MEN IN BLACK" movie franchise. Directed by F. Gary Gray, the movie starred Chris Hemsworth and Tessa Thompson:




"MEN IN BLACK: INTERNATIONAL" (2019) Photo Gallery























































Sunday, February 11, 2018

"COPPER": Top Five Favorite Season Two (2013) Episodes

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Below is a list of my top five favorite episodes from Season Two of the BBC America series "COPPER". Created by Tom Fontana and Will Rokos, the series starred Tom Weston-Jones, Kyle Schmid and Ato Essandoh: 


"COPPER": TOP FIVE FAVORITE SEASON TWO (2013) Episodes

1 - 2.05 A Morning Song

1. (2.05) "A Morning Song" - Major counterfeiter Philomen Keating takes over the Sixth Ward precinct and hold hostages in an effort to retrieve his confiscated counterfeiting plates back.





2. (2.10) "The Fine Ould Irish Gintleman" - Detective Kevin Corcoran begins to question General Brendan Donovan's stronghold in the Five Points community, and solicits coppers of the Sixth Precinct to suss out the truth. Meanwhile, Dr. Matthew Freeman and his wife Sarah deal with bigots in the community.



3 - 2.03 The Children of the Battlefield

3. (2.03) "The Children of the Battlefield" - While Kevin searches for the person responsible for the kidnapping and murder of young Five Points men, Robert Morehouse and the widowed Elizabeth Haverford exchange wedding vows before the latter reveals an unpleasant surprise.



4 - 2.07 The Hope Too Bright to Last

4. (2.07) "The Hope Too Bright to Last" - Kevin becomes so embroiled in a double that he ends up ignoring his estranged wife Ellen. Meanwhile, Matthew investigates an epidemic among Five Points' poor. 



5 - 2.11 Good Heart and Willing Hand

5. (2.11) "Good Heart and Willing Hand" - Looming devastation to Five Points forces Detective Kevin Corcoran to confront the man behind it.

Thursday, February 8, 2018

"THOR: RAGNAROK" (2017) Review




“THOR: RAGNAROK” (2017) Review

Until last fall, the Marvel Cinematic Universe (MCU) has released three films each for only two of the franchise’s characters - Iron Man and (allegedly) Captain America. With the release of “THOR: RAGNAROK”, the God of Thunder became the third character to end up with three solo films. 

Directed by Taika Waititi, “THOR: RAGNAROK” told the story of Asgardian prince Thor’s efforts to prevent the destruction of his world, Asgard, from his aggressive and more powerful sister, Hela. The movie is the franchise’s version of a similar story featured in one of the Marvel Comics titles for the Thor character. Screenwriters Eric Pearson, Craig Kyle and Christopher Yost also used elements from the 2006 Marvel story, “Planet Hulk” to include the Dr. Bruce Banner aka the Hulk into the movie’s plot.

Set four years after the events of “THOR: THE DARK WORLD” and two-and-half years after the events of “THE AVENGERS: AGE OF ULTRON”, this film begins with Thor as a prisoner of the fire demon Surtur in Muspelheim. Thor had went there to search for the remaining Infinity Stones. Surtur reveals that Thor’s father Odin is no longer on Asgard, and that the Asgardian realm will soon be destroyed in the prophesied Ragnarök, once Surtur unites his crown with the Eternal Flame that burns in Odin’s vault. However, Thor frees himsel, defeats Surtur and claims the latter’s crown, believing he has prevented Ragnarök aka the Asgardian version of the Apocalypse. Upon his return to Asgard, Thor discovers that his adoptive brother Loki has been posing as Odin. He also finds that a warrior named Skurge has replaced the all-seeing Heimdall as the Bifröst Bridge’s sentry. Thor forces Loki to help him find Odin on Earth.

With assistance from the sorcerer Dr. Stephen Strange, the pair finds Odin Norway. The latter explains that he is dying and that his passing will free his ambitious firstborn child, Hela the Goddess of Death, out of a prison in which she had been sealed. When he finally dies, Hela appears on Earth, destroys Thor’s hammer Mjolnir and demands loyalty from him and Loki. Instead, the two brothers attempt to flee via the Bifröst Bridge. Unfortunately, Hela pursues them and forces them out into space to die. Hela ends up in Asgard and violently assume control of the throne. Thor crash lands on a garbage planet called Sakaar. There, he is captured by a bounty hunter, whom recognizes as a Valkryrie named Brünnhilde, and forced to participate as a gladiator for the planet’s “Contest of Champions”. He also discovers that Loki has become a companion of Sakaar’s leader, the Grandmaster. And that Bruce Banner aka the Hulk has been a champion gladiator on Sakaar ever since his disappearance, following the Sokovia battle over two years ago. Thor not only needs to survive a match against the Hulk, but also escape from Sakaar and prevent his sister’s complete control over Asgard and her plans for expanding the realm’s empire.

“THOR: RAGNAROK” had received a great deal of praise from film critics upon its release. In fact, the movie went on to become a box office hit. In a way, I could see why. The basic narrative for “THOR: RAGNAROK” struck me as a rare thing for a MCU solo film - an epic in the making. Thor facing a possible apocalypse for Asgard, a gladiator match against a fellow ex-Avenger, and more family drama from the Asgard Royal Family. “THOR: RAGNAROK” had the potential to be another “CAPTAIN AMERICA: THE WINTER SOLDIER”.

There was a good number of things I really enjoyed about “THOR: RAGNAROK”. One, I enjoyed director Taika Waititi’s use of the Led Zeppelin tune, “Immigrant Song” around the film’s beginning and near the end rather effective. I was also impressed by Joel Negron and Zene Baker’s editing for the film. Their work seemed especially impressive in the scenes that featured Thor’s chaotic arrival on Sakaar and his gladiator match with the Hulk. I also found Javier Aguirresarobe’s cinematography very colorful … almost outstanding. Hell, there was one scene featuring Hela’s past conflict with the Valkyries that reminded me of Larry Fong’s work with director Zack Snyder: 



Much has been said about the humor that permeated "THOR: RAGNAROK", thanks to the screenwriters and especially Taika Waititi's direction. I cannot say that I had enjoyed all the humor featured in the film. But there were a few scenes that I found particularly funny. One included Loki's play about Odin's grief over his fake death. This scene featured Matt Damon, Luke Hemsworth and Sam Neill portraying Loki, Thor and Odin respectively. Brünnhilde's first appearance in the movie, in which she is drunk as a skunk, struck me as rather funny, thanks to Tessa Thompson's performance. Another scene I found hilarious was Thor and the Hulk's first meeting inside the Sakaar arena, along with Loki's fearful reaction to seeing the latter again. But the funniest scene - at least for me - featured Thor forcing a reluctant Loki to play a "Get Help!"trick (something from their childhood) on one of the Grandmaster's minions.

The movie featured some first-rate performances. Chris Hemsworth gave his usual first-rate performance as Asgard's crown prince, Thor. Tom Hiddleston was equally impressive as the mischievous and self-absorbed Loki. Cate Blanchett chewed the scenery in grand style as Thor and Loki's power hungry sister, Hela. Tessa Thompson gave a skillful performance as the ambiguous former Valkyrie, Brünnhilde, who used alcohol to runaway from painful memories. Mark Ruffalo was excellent as both the mild-mannered Dr. Bruce Banner and his alter ego, the Hulk; who seemed more happy as a worshiped gladiator on Sakaar than as a wanted fugitive/Avenger on Earth. Jeff Goldblum was his colorful self as the Grandmaster; the gregarious, yet tyrannical and self-absorbed leader of Sakaar. Idris Elba provided much needed gravitas as Asgard's former gatekeeper, Heimdall, who found himself the leader of the realm's refugees from Hela's reign. Karl Urban was surprisingly entertaining as the boastful warrior Skurge, who would do anything to survive Hela's reign. The movie featured two cameos. Benedict Cumberbatch made a solid cameo appearance as the arrogant sorcerer, Dr. Stephen Strange. However, Anthony Hopkins' cameo as the dying Odin struck me as poignant and a lot more effective. 

Despite all of the above, despite the critical acclaim, "THOR: RAGNAROK" proved to be rather disappointing for me in the end. What went wrong?

One problem I had with this film was its treatment of certain characters. Remember Lady Sif and the Warriors Three? Thor's closest friends who had traveled all the way to Earth to find him in "THOR"? And who helped him defy Odin and leave Asgard with Loki and Dr. Jane Foster in order to remove one of the Infinity Stones - the Aether - from the realm and the Dark Elves? Well . . . Lady Sif never made an appearance in this film. One would assume that actress Jamie Alexander had scheduling conflicts with her TV series, "BLINDSPOT". Then why not hire another actress to portray Lady Sif . . . as they had did with Fandral? But not only was Lady Sif missing, she was not even mentioned in this film. That was quite a head shaker for me. Another head shaker were the fates of the Warrior Three - Fandral, Volstagg and Hogun. Both Fandral and Volstagg were immediately killed by Hela upon her arrival on Asgard. I found that so disappointing and a waste of both Zachary Levi and Ray Stevenson's time. At least Tadanobu Asano's Hogun was able to speak more than one line and engage in a brief fight with Hela before she eventually dispatched him. But what made this so damn annoying was that Thor was never told about his friends' deaths on screen. Audiences never got a chance to see him react to their deaths. 

Believe it or not, I also had a problem with the Hulk. Well . . . I had a problem with his ability to form near complete sentences. How did that happened? Aside from uttering the phrase "Hulk smash!" in the 2008 movie, "THE INCREDIBLE HULK", I do not recall him ever speaking any sentences - complete or not. Not when he was portrayed by Eric Bana, Edward Norton or Mark Ruffalo. What I found even more puzzling was Thor's lack of surprise over the Hulk's conversational skills. Odin's death was handled in an equally questionable manner. First of all, from what did he died? What caused Odin's death? Being away from Asgard for so long? If so, the movie's screenplay was very vague in conveying this. And why did Odin's death lead to Hela's appearance on Earth? If she was in a prison, why did she not appear in Asgard upon her father's death? That made no sense to me. Movie audiences learned that Thor and Dr. Jane Foster finally had their breakup, following his departure from Earth two years earlier. I am already annoyed at Kevin Feige for hinting that Jane was not worthy of being Thor's love interest. Not worthy? Why? Because she was not a skilled fighter with or without super strength who wielded a sword or gun? Fuck Kevin Feige and his sexist bullshit. What made the news of the breakup even worse is that the news of Thor and Jane's breakup was treated as comic relief. Thor's breakup with a woman with whom he was in love for four years . . . was treated as a joke? Natalie Portman was right to dump this franchise.

If "THOR: RAGNAROK" was about the God of Thunder's attempt to prevent Asgard from experiencing Ragnarok (or an apocalypse), why in the hell did it focus on Thor's activities in Sakaar for so damn long? Why did the movie stay on that damn planet for so long? Once Thor and the Hulk's gladiator's match had ended, I figured it would not be long before Thor would have left Sakaar with the Hulk, Loki and Brünnhilde. Instead, it nearly took them FOREVER to get off that planet. It was sheer torture watching Thor trying to convince the Hulk and Brünnhilde to help him get off the planet. And I found Loki's backstabbing shenanigans not only unoriginal, but lame. Come to think of it, I found Loki's presence in this film rather lame . . . except in the movie's last twenty minutes or so. He more or less became a punching bag for Thor and everyone else, than the dangerous and tricky villain he used to be. Once "the Revengers", as Thor called himself and the others, arrived on Asgard, it was . . . eh. I just did not care at that point. Their final conflict with Hela and Thor's decision to kick star Ragnarok (using Surtur's crown and the Eternal Flame) just could not lift me from my apathy toward this film. 

But what really sank "THOR: RAGNAROK" for me was the humor. I do not mind the occasional use of humor in an action film like this. I do not even mind when there is more humor than usual - especially in films like "GUARDIANS OF THE GALAXY" and "ANT-MAN". But what I could not deal with was a barrage of humor in a narrative that featured the possible apocalypse of Asgard, the deaths of familiar characters and the further drama of the Asgardian Royal Family. Nearly everything was transformed into a joke - from Thor's discovery of Loki's impersonation of Odin, Brünnhilde's post-traumatic stress disorder (PTS) over the deaths of her fellow Valkyries, the reason behind the Hulk's longing to remain on Sakaar, the revelation over Thor and Jane's breakup, the Sakaarians' decision to rebel against the Grandmaster, and Hela's revelations to Skurge about hers and Odin's murderous creation of the Asgardian Empire. These were all plot points that should have been treated with a good deal more gravitas. And I could not believe that Waititi forced moviegoers to watch Thor argue with the Hulk's S.H.I.E.L.D. Quinjet over who was the most powerful Avenger. I mean . . . really? The Hulk actually went out of his way to program the jet's computer to acknowledge him as the most powerful Avenger? That scene was so unfunny that in the end, it became sheer torture to watch.

Hela's constant complaints about her father's failure to appreciate her only reminded me of Loki's petulant man pain in "THOR". Only her carping was punctuated by jokes and witty comments. Worse, this barrage of humor prevented the screenplay from exploring Hela's revelations about Asgard's imperial past. The overuse of humor also transformed Thor's character. Everyone made such a big deal about Chris Hemsworth's comedic talents in recent years that I suspect that Marvel had decided to exploit it in this third Thor movie. Well, it turned out to be too much, as far as I was concerned. I have been aware of Hemsworth's comedic talents since "THOR" back in 2011. But Marvel picked the wrong movie and the wrong director to exploit that talent to an excessive degree. Hemsworth came off as some semi-witty California surfer than the Asgardian God of Thunder. Between the characterizations, the dramatic moments robbed for the sake of humor and the barrage of jokes, it was just too much. 

Unlike many film critics and MCU fans, I have always enjoyed the franchise's Thor films. Well, I certainly did enjoy the first two featuring Chris Hemsworth. But I cannot say the same about this third film, "THOR: RAGNAROK". It both annoyed and disappointed me on so many levels. Although I found the cast led by Hemsworth rather first-rate, I was disappointed by some of the film's characterizations and the plot holes. But I was especially disappointed by the film's use of humor. In the end, Kevin Feige, Marvel Films, the movie's screenwriters and Taika Waititi took a potentially epic comic book movie and transformed it into a long, goddamn joke fest. By the time I left the movie theater, I felt disgusted.

Friday, January 12, 2018

"COPPER" Season Two (2013) Photo Gallery


Below are images from Season Two of the BBC America series "COPPER". Created by Tom Fontana and Will Rokos, the series starred Tom Weston-Jones, Kyle Schmid and Ato Essandoh:



"COPPER" SEASON TWO (2013) Photo Gallery