Friday, August 12, 2011

"PIRATES OF THE CARIBBEAN: On Stranger's Tide" (2011) Photo Gallery



Below are images from "PIRATES OF THE CARIBBEAN: On Stranger's Tide", the fourth entry in the PIRATES OF THE CARIBBEAN franchise. Directed by Rob Marshall, the movie stars Johnny Depp, Geoffrey Rush, Penelope Cruz and Ian McShane:



"PIRATES OF THE CARIBBEAN: On Stranger's Tide" (2011) Photo Gallery































"THOSE MAGNIFICENT MEN IN THEIR FLYING MACHINES" (1965) Screenshots Gallery



Nine months ago, I had posted a REVIEW on the 1965 blockbuster comedy called "THOSE MAGNIFICENT MEN IN THEIR FLYING MACHINES". Below are screenshots from the movie:


"THOSE MAGNIFICENT MEN IN THEIR FLYING MACHINES" (1965) Screenshots Gallery





































If you are interested in more screenshots from this movie, you can find them HERE.

Monday, August 8, 2011

"X-MEN: FIRST CLASS" (2011) Review




"X-MEN: FIRST CLASS" (2011) Review

Recently, I came across a comment that the last "X-MEN" movie, 2009's "X-MEN ORIGINS: WOLVERINE", had been a failure. I found this opinion surprising, considering that it actually made a profit at the box office. Failure or not, Marvel Studios decided to continue the movie franchise with a fifth entry called "X-MEN: FIRST CLASS".

Directed by Matthew Vaughn, "X-MEN: FIRST CLASS" is, like the 2009 movie, another origins tale. Only it traced the beginnings of the two friends-turned-adversaries, Charles "Professor X" Xavier and Erik "Magneto" Lensherr. The movie began in a scene straight out of 2000's "X-MEN" - at a concentration camp in 1944 Poland. While young Erik Lensherr was being separated from his parents by Nazi guards, he displayed an ability for magnetism manipulation by tearing at one of the camp's gates. This ability attracted the attention of the camp's scientist, Dr. Klaus Schmidt, who tried to coerce Erik into using his ability again by threatening his mother with death. Unfortunately, Erik failed and Dr. Schmidt killed Mrs. Lensherr. At an estate in Westchester, New York of the same year, young Charles Xavier awakened from a deep sleep by a noise from the kitchen. He investigated and found his mother searching for something to eat. However, being a telepath, Charles was able to discover that he was facing a stranger. The stranger turned out to be a young, blue-skinned shapeshifter named Raven "Mystique" Darkhölme. Charles invited the young stranger to stay at the Xavier mansion and the two became close friends.

"X-MEN: FIRST CLASS" jumped another eighteen years forward to 1962. Charles Xavier has become an instructor on genetics at Oxford University. Raven has remained his close companion in a sibling-like capacity. Erik Lensherr has spent the last decade or so, hunting down Nazis that escaped prosecution by the Allies - especially those who had served at the concentration camp where he had been imprisoned. He has especially become interested in finding and killing Dr. Schmidt out of revenge for his mother's death. The story shifted to Las Vegas, Nevada; where one Moira MacTaggart and other CIA agents are investigating the Hellfire Club, a social organization led by Sebastian Shaw (aka Dr. Schmidt). After infiltrating the club as an "escort", Moira discovered that Shaw and his mutant followers - Emma Frost, Azazel, and Riptide - are intimidating a high ranking Army officer into relocating military missiles to Turkey. Moira sought help from Charles and Raven to provide information to her CIA bosses about mutants. They also met Erik, during a trip to Miami to track down Shaw. After preventing Erik from drowning during an attempt to kill Shaw, Charles became close friends with the Holocaust survivor; as they work with Moira and the CIA to bring down Shaw.

Personally, I do not believe that "X-MEN ORIGINS: WOLVERINE" deserved its low reputation. I thought it was a pretty damn good movie - not perfect, but entertaining. However, I do believe I could say the same about "X-MEN: FIRST CLASS". I would add that it might be better than the 2009 film. Despite its flaws. In fact, "X-MEN: FIRST CLASS" turned out to be a cleverly written movie that managed to weave two historical events - the Holocaust and the Cuban Missile Crisis - into its plot. Director Matthew Vaughn did an excellent job in maintaining an even pace for a movie not only filled with exciting and occasionally exaggerated action sequences and dramatic scenes. But aside from the director, the movie's main virtue proved to be its first-rate cast.

Someone once pointed out that the X-MEN movie franchise did an excellent job of using the topic of "mutation" or psychic abilities to reflect upon the themes of bigotry and tolerance in our society. This theme became even more relevant, considering the movie's setting of 1962 - a period that reflected the height of the Civil Rights Movement. I can go further and commend screenwriters Ashley Edward Miller, Zack Stentz, Jane Goldman and Vaughn for daring to explore all aspects of the bigotry experienced and engaged by the characters.

Some of the movie's main characters experienced intolerance at the hands of others. Holocaust survivor Erik Lensherr not only suffered under the Nazi regime as a Jew, but also endured the U.S. government's (in the form of C.I.A. officials) wariness and contempt toward mutants, as did fellow mutants such as Charles Xavier, Raven Darkhölme, Hank McCoy and the group of young mutants they had recruited. C.I.A. officials Director McCone and William Stryker Sr. (father of the villain from the second and fourth movies) were ready to imprison Charles and Raven upon discovering their mutations. Fortunately, one C.I.A. man in particular - the nameless Man in Black - prevented this from happening. The script also focused upon the two mutants regarded as "odd men out" because their mutations were reflected physically. Raven's natural blue skin led her to maintain a "human" form that allowed her to blend with other humans and mutants. And C.I.A. scientist who constantly wore shoes to hide his mutation - animal-like feet. Their desperation to blend with the others on a regular basis led Hand to create a formula that eventually backfired.

Finally, the movie also focused on those mutants that viewed their mutation as signs of their superiority over non-mutant humans. Characters such as villain Sebastian Shaw and his Hellfire Club followers, and eventually Erik and Raven allowed their dislike toward humans to manifest into a bigotry that encouraged them to engage in plots of genocide that made the Nazis, North Americans of the 18th and 19th centuries and other bigoted societies look like amateurs. One such plot served as the background of "X-MEN: FIRST CLASS". The movie revolved around Sebastian Shaw's efforts to use his connections to the U.S. and Soviet military to start a third world war between the superpowers. Such a war would bring humanity to the brink of extinction, allowing mutants (with Shaw as the leader) to dominate the world. This plot eventually resulted in the Cuban Missile Crisis.

The producers of "X-MEN: FIRST CLASS" chose the right actors to portray the younger versions of Charles Xavier and Erik Lensherr. James McAvoy perfectly captured all of Charles' intelligence, talent for leadership and subtle wit. He also delved deeper into the character's idealism and occasional naivety. And McAvoy gave audiences an audacious peek into Charles' penchant for little seduction with pick-up lines that were both charming and wince-inducing. Michael Fassbender portrayed all of the intensity and anger of the vengeance-seeking Erik Lensherr. Every once in a while, an actor comes along with the ability to perfectly walk the fine line between heroism and villainy. Fassbender certainly achieved this in his portrayal of Erik. And looking at the screen chemistry between McAvoy and Fassbender, it seemed a pity that they had never shared a scene when they appeared in the 2001 miniseries, "BAND OF BROTHERS". Because they were dynamite together.

The supporting cast also proved to be top-notch. The X-MEN movieverse has always provided first-rate villains. Kevin Bacon's portrayal of the villainous Sebastian Shaw/Dr. Schmidt was no exception. If I must be honest, his Shaw may prove to be my favorite "X-MEN" villain. Aside from intelligence, wit and a taste for grandiose plotting and gadgets that rivaled a Bond villain, Bacon injected a joie de vivre into Shaw's character that I found very entertaining. Some critics and fans have criticized January Jones' portrayal of Shaw's consort, Emma Frost, accusing her of being "wooden". I am sorry, but I do not agree with this opinion. Yes, Jones portrayed Emma as Miss 'Cool Hand Luke'. But she also did a first rate job of conveying the character's strong attraction to Shaw and dislike of his occasional sexist attitudes. And thanks to her subtle comic timing, she provided the movie's funniest moment in a scene that featured Emma having 'telepathic' sex with a Soviet general. Her reaction to being caught had me laughing in the aisle. Instead of Rebecca Romijn, the film's producers chose Jennifer Lawrence to portray the younger Raven Darkhölme aka Mystique. And I thought she did a pretty damn good job. I have nothing against Romijn's portrayal of Mystique, but I believe that Lawrence was given a better opportunity for a deeper exploration of the character . . . and she made the best of it. The movie also featured fine support from the likes of Rose Byrne as C.I.A. agent and ally Moira MacTaggart, Nicholas Hoult as the young Hank McCoy, Jason Flemyng as the frightening teleporter Azazel, Oliver Platt as the C.I.A. 'Man in Black', and Zoë Kravitz's subtle and passionate performance as mutant Angel Salvadore.

As I had earlier hinted, "X-MEN: FIRST CLASS" is not perfect. I believe it has two major flaws that prevented it from potentially becoming the best film in the franchise. The movie's biggest flaw proved to be its lack of continuity with the other four films. "X-MEN: FIRST CLASS" included the beginning of Charles Xavier's paralysis and the end of his partnership with Erik Lensherr. Yet, Charles was still walking and working with Erik in a flashback set around the beginning of the 1980s in 2006's "X-MEN: THE LAST STAND". I am aware that Raven's cells allowed her to mature very slowly. But did the same happen to Dr. Hank McCoy? He was in his early-to-mid 20s in "X-MEN: FIRST CLASS". Yet, he looked somewhere in his 40s in the third "X-MEN", which was set some 40 years later. And the Emma Frost portrayed by actress Tahyna Tozzi in "X-MEN ORIGINS: WOLVERINE" looked at least five to ten years younger than January Jones' Emma in this latest film. And "X-MEN: FIRST CLASS" is supposed to be set 17 years before the 2009 film. Charles began his school for young mutants in this movie. However, he told Wolverine in 2000's "X-MEN" that Scott "Cyclops" Summers and Jean Grey were his first students. They are no where to be seen and quite frankly, I could have done without this early edition of the Xavier School of Mutants. I found it annoying.

Another major problem proved to be the film's costumes - especially for women. The movie is set mainly in 1962. Yet, Sammy Sheldon's costumes reflected the late 1960s, not the early years of that decade. Just to prove my point, look at the following photographs:

1962 Fashions For Women




January Jones in "MAD MEN" Season Two (set in 1962)




January Jones in "X-MEN: FIRST CLASS" (set in 1962)



In fact, the costumes and hairstyles for other female characters DO NOT reflect the year 1962, as well:



Both actresses Rose Byrne and Zoë Kravitz are wearing knee-high boots, which WERE NOT in fashion in 1962.

Yes, "X-MEN: FIRST-CLASS" had some major flaws. But I cannot deny that I still managed to enjoy the movie very much. Screenwriters Ashley Edward Miller, Zack Stentz, Jane Goldman and Matthew Vaughn wrote a flawed, but very entertaining and epic story. The movie also boasted first-rate performances from a cast led by James McAvoy and Michael Fassbender. And Vaughn brought all of these factors together with some fine direction. "X-MEN: FIRST CLASS" has made me an even bigger fan of the franchise and I would heartily recommend it for anyone's viewing pleasure.

Sunday, August 7, 2011

"LOST" Fans and Kate Austen's Crimes




"LOST" FANS AND KATE AUSTEN'S CRIMES

I have been reading a good number of articles about past "LOST" episodes - especially those that relate to the character of Kate Austen. This has led me to realize that a good number of fans tend to make excuses regarding her two worst crimes - the murder of her father, Wayne Jensen and her claim that Aaron Littleton was her son.

Many fans of the series have claimed that Kate had committed both of these actions out of some sense of non-existent selflessness. They claimed that Kate murdered her father, Wayne Jensen, to protect her abused mother from him. And they also claimed that she lied about Aaron being her son and kept him from his grandmother, Carole Littleton, for nearly three years in order to protect him and the island from the likes of the wealthy former island leader, Charles Widmore. And yet . . . the series has proven otherwise.

In a flashback featured in the Season Three episode, (3.15) "Left Behind", Kate told her mother, Diane Jensen that she had killed Wayne to protect her from further spousal abuse. Diane immediately sensed that Kate was lying and said so:

[In the bathroom, Diane cleans her apron and sees someone enter in the mirror.]
KATE: Hi, Mom.

DIANE: What are you doing here, Katherine?

KATE: You look good.

DIANE: I asked you what you are doing here.

KATE: I wanna know why you told them what I did to Wayne.

DIANE: I thought maybe you came cause you wanted to say you were sorry.

KATE: I'm not sorry. He hit you, he treated you like a dog, and you...

DIANE: You can't help who you love, Katherine. And for good or bad, I loved him. And you burnt him alive. You turned on the gas, and you lit a match. You murdered him in cold blood!

KATE: I did it for you.

DIANE: No. What you did, you did for yourself.
[Shrugs off her tears] I have to go back to work. Because you are my daughter, I'm not going to tell the two men sitting at the table who've been following me for the last month that you are here. But I swear to God, Katie, if I ever see you again, the first thing I will do is yell for help. Goodbye.

[Diane leaves, and Kate bursts into tears.]


It turned out that Diane was right. Kate had lied about her reason for killing Wayne. In fact, Kate finally admitted to herself the true reason why she had murdered Wayne in Season Two's (2.09) "What Kate Did"(island time):

[On-Island - Kate and Sawyer in the hatch.]
KATE: Can you hear me? Sawyer? -- Wayne? [Sawyer stirs.] I'm probably crazy and this doesn't matter, but maybe you're in there somehow. But you asked me a question. You asked me why I -- why I did it. It wasn't because you drove my father away, or the way you looked at me, or because you beat her. It's because I hated that you were a part of me -- that I would never be good. That I would never have anything good. And every time that I look at Sawyer -- every time I feel something for him -- I see you, Wayne. It makes me sick.



In other words, Kate had murdered Wayne, because she could not stand the idea of him being her father. I suspect that his abuse of Diane, the breakup of the Austen marriage and his occasional leers played a part in her hatred of him. But Kate harbored such a low opinion of Wayne that the idea of him being her father repulsed her. And she killed him because she could not face the idea of the both of them sharing the same blood. Or that she might be a lot like him. Ironically, many of Kate's actions - beginning with Wayne's murder - proved that she and Wayne shared a lot more than simply blood. Many fans, especially female fans, continue to cling to Kate's lie about protecting her mother as an excuse. Why?

Many of these same fans continued to see nothing wrong with Kate claiming Aaron Littleton as her son. Aaron was the son of a fellow castaway, Australian-born Claire Littleton. Claire had mysteriously disappeared in the Season Four episode, (4.10) "Something Nice Back Home", leaving Aaron behind. In a flashback featured in the Season Five episode, (5.04) "The Little Prince", Kate convinced the castaways' leader, Jack Shephard, to accept this lie, because she wanted to use Aaron as an emotion blanket after the traumas of leaving the island in the Season Four finale, (4.12-4.14) "There's No Place Like Home":

KATE: It's gonna take more than two nights for me to get used to sleeping in a normal bed. What are we gonna do about him? About Aaron.

JACK: I don't know.

KATE: I've been thinking a lot about him. Did you know that Claire was flying to L.A. to give him up for adoption?

JACK: No. No, I didn't.

KATE: I think we should say he's mine.

JACK: What?

KATE: We could say that I was six months pregnant when I was arrested and that I gave birth to him on the Island. No one would ever know.

JACK: Kate, no. You don't have to... [sighs] There's other ways too this.

KATE: After everyone we've lost--Michael, Jin, Sawyer... I can't lose him, too.

JACK: Sawyer's not dead.

KATE: No. But he's gone. Good night, Jack.


JACK: Kate... If we're gonna be safe, if we're gonna protect the people that we left behind, tomorrow morning, I'm gonna have to convince everyone to lie. If it's just me, they're never gonna go for it. So I'm gonna turn to you first. Are you with me?

KATE: I have always been with you.



"There's No Place Like Home" also revealed that Claire's mother, Carole Littleton, was alive and well . . . and unaware that she was a grandmother.

When Kate's plan to keep Aaron was revealed in "The Little Prince", most fans either ignored this revelation or expressed outrage over Ben manipulating Kate's fear of losing Aaron in order to convince her to return to the island. They preferred criticizing Ben for his con job and Jack for going along with Ben, than critizing Kate for selfishly keeping Aaron for herself and keeping him from his grandmother. Upon her return to the island, Kate eventually confessed to Claire that she had no business raising Aaron in the Season Six episode, (6.13) "The Last Recruit". Instead of accepting her act of redemption, a lot of fans expressed annoyance that Kate would make such a confession in the first place.

I find these fans' continuing refusal to accept the immorality of Kate's actions in regard to her father and Aaron rather curious. Does this refusal have to do with a high regard for the character . . . or Evangeline Lilly, the actress that portrayed her? My favorite character in the series was and still is Ana-Lucia Cortez. But unlike many other Ana-Lucia fans, I never made any excuses for her crimes. I have remained critical of her actions to this day. Even if the man she had murdered was responsible for the death of her unborn baby. But many fans use Wayne's abuse of Diane Jensen as an excuse for Kate to murder him . . . despite the fact that she made it clear that his abuse of Diane did not drive Kate to murder.

Recently, I engaged in a debate over Kate's reasons for murdering Wayne. When I pointed out that Wayne's abuse of Diane DID NOT drive Kate to the act of murder, I was accused of supporting the idea of Wayne's continued abuse of Diane. It was the most sickening and insulting excuse any "LOST" fan had contrived to defend Kate's actions. Are many of these fans so intent upon believing that Kate had every right to murder Wayne that they would resort to such arguments? Especially when the true reason that led her to murder had nothing to do with her mother? And what about Aaron? Why is it they feel that other than Claire, only Kate had the right to raise the toddler . . . instead of his grandmother? This inclination to make excuses for Kate's crimes continues to baffle me, even after "LOST" had been off the air for an entire year.

Saturday, August 6, 2011

"HARRY POTTER AND THE DEATHLY HALLOWS - Part II" (2011) Photo Gallery



Below are images from the last HARRY POTTER movie directed by David Yates called "HARRY POTTER AND THE DEATHLY HALLOWS - Part II". The movie stars Daniel Radcliffe, Rupert Grint and Emma Watson:


"HARRY POTTER AND THE DEATHLY HALLOWS - Part II" (2011) Photo Gallery

















































Friday, August 5, 2011

"Defense of the Realm" [PG-13] - 9/14




"DEFENSE OF THE REALM"

CHAPTER 9

Natalia stared at the wastebasket in one corner of Beltha . . . Cole's kitchen. It seemed dangerously close to being filled up.

"I'll try to be home at least by five o'clock," Cole said, as he entered the kitchen. "Marbus said that he would also drop by with some clothes." He stared at Natalia's white, long-sleeved blouse and long blue skirt, making her aware that she has not changed her outfit since her arrival, yesterday. "Or he might send someone from the Order to deliver some clothes to you." A wry smile curved Cole's mouth. "Unless you don't mind wearing mine."

At that moment, Natalia forgot that the notorious Belthazor now faced her. Instead, she saw a tall and extremely handsome man with vivid blue eyes, standing before her and wearing a smile that seemed to make her shiver with pleasure. "I . . . uh . . . I mean . . ."

Cole's smile became more understanding. "Don't worry. You should be receiving your new clothes before lunch." He grabbed the last of his orange juice from the kitchen table and drained the glass. "Oh, and don't . . ."

"Do not leave the flat," Natalia finished. She sighed. "I suppose I should find something to do. Perhaps meditate, or work on that novel I've been writing. Speaking of which . . . do you have any writing paper?"

Cole pointed at a desk in the living room. "Top drawer. You should find some writing tablets and pens, as well." With Natalia close behind him, he returned to the other room. "When I return, perhaps I can help you learn who is killing the Elders. If you don't mind my help."

Natalia smiled at the half-daemon. "I would more than welcome it. Thank you. For everything."

"My pleasure." Cole flashed one last smile at the whitelighter and teleported out of the room.

A sigh left Natalia's mouth, as she stared at the spot left empty by her host. After three years, she finally understood how two witches had ended up falling in love with the notorious half-daemon. Who could resist that handsome face, the blue eyes and charming manners? A woman would have to be half dead not to be affected by his presence.

Then her eyes returned to the kitchen's trashcan. Hmmm. Sooner or later, she would have to get rid of it. Before an odor overwhelms the penthouse. Too bad the Elders were the only whitelighters that could teleport other objects.

-----------

Olivia glanced up from her computer screen, as Scott Yi entered the squad room. The moment he had settled behind his desk, she stood up and sauntered over toward him. "Hi Scott!" she greeted cheerfully.

The slightly younger inspector smiled at the redhead. "Olivia. You seem pretty cheerful. Having a good morning?"

"Oh, my morning is just fine." Olivia settled in the chair, next to Scott's desk.

He stared at her. "Uh, do you want something?"

"Yeah. Some information. Have you found Lin Bryant, yet?"

Various emotions flitted across Scott's face. Surprise, wariness and suspicion. "What makes you think I . . .?"

Darryl appeared by Scott's desk. "What's going on?" he asked.

Olivia's gaze remained fixed upon Scott. "I was about to ask. You've heard of this Lin Bryant, haven't you, Scott?"

"I . . ." A slightly resentful expression appeared on the young officer's face. "What's this? The third degree? What makes you think that I know her?"

"Your reaction, yesterday, when Gerry Gallagher had mentioned Ms. Bryant's name," Olivia continued. "You've heard of her, haven't you?"

Scott hesitated, before his shoulders finally sagged in defeat. "Okay. Yeah, I've heard of Lin Bryant. She's . . ." He hesitated. "She's a well-known antiquity dealer in Chinatown."

"Legitimate?" Darryl asked.

Scott shrugged his shoulders. "Somewhat. She used to own an auction house on Grant."

Olivia frowned. "Used to?"

"I had checked it out, yesterday. It's closed. I think she's gone. Relocated."

Darryl asked, "Then why the big secret? Why didn't you just tell us about her?"

Again, Scott hesitated. Olivia's eyes fell upon an object on her colleague's desk. A small medallion with Chinese characters on it that hung from a desk lamp. The medallion looked very familiar. "Goddess," she murmured. Then Olivia stared at Scott. "Are you a Taoist monk or disciple?"

Scott stared at her with stunned eyes. "How . . . how did you know . . .? I mean . . ." He paused and bit his lower lip. "What do you know about the Taoist Order?" he finally asked.

"My godfather, Chan Wei Ku, is a priest with the Order," Olivia replied. Scott gasped out loud. She peered at him. "You know him?"

Scott nodded his head. "Master Chan is the head of our local temple. I'm not a monk or anything like that. But I do belong to the Order."

Olivia paused, as she considered her next question. "Scott," she finally began, "are you . . . uh, do you . . . practice the same - you know - as Uncle Wei? I mean . . ."

"If you're referring to the Tai Chi Chuan fighting style, yeah."

"I'm not talking about kung fu," Olivia said pointedly. "You had noticed something about that medallion that Gallagher had stolen from Kostopulos' store." She heaved an impatient sigh. "Okay, enough stalling! Scott, do you by any chance, practice magic?"

A horrified Darryl cried out, "Olivia!" He glanced anxiously around the squad room.

Scott hesitated before he finally responded. "How did you know?"

Darryl murmured, "Oh man! Not you too!"

Ignoring her partner, Olivia continued, "I figured as much, when you had admitted that Uncle Wei was the head of your local temple. So what are you exactly?"

"A sorcerer," Scott admitted with a shrug. "I'm not powerful like Master Chan. Well, maybe not as experienced. But I'm pretty good." He hesitated. "Are you into . . .?"

Olivia quickly replied, "I'm a witch. Wiccan priestess. Like the rest of my family."

"And she's also pretty good," Darryl added.

Scott stared at the older man. "What about you, Lieutenant? Do you also practice magic?"

Darryl replied firmly, "No! But I know about Olivia and her family. And I know three other witches." He paused. "Now, about Lin Bryant . . ."

"Like I said, she's an antiquity dealer," Scott continued. "She's also a known sorceress. A few friends and myself had checked out her old auction house on Grant. It was empty. Looked like it had been abandoned for quite some time. I had planned to see if I could track down her new location."

Olivia asked, "What kind of . . . antiquities does Ms. Bryant deal in?"

A smirk appeared on Scott's face. "What do you think?"

---------

Noon appeared and Paige stopped working for her lunch break. She immediately orbed out of Ostera's and materialized in the middle of an empty corridor of one of the BAY-MIRROR's floors. From there, she made her way to Phoebe's office.

"Hey there," she greeted her older sister, after poking her head into the latter's doorway. "Ready to leave?"

Phoebe stood up and grabbed her purse. "Let's go." The two sisters headed for the same empty corridor, where Paige had arrived and orbed to the Halliwell living room. "We're here!" Phoebe announced.

Piper and Chris emerged from the kitchen to greet the newcomers. "And we're ready," Chris declared.

Paige frowned. "Where's Leo?"

"In the Realm. At work."

"And what about Wyatt?"

This time, Piper answered, "Chris dropped him off with Mrs. McNeill. The elder. She was the only person I could think of to take care of Wyatt. So . . ." She ended the conversation with a shrug. "Let's go."

Paige turned to Chris. "Where do we go?"

"Link hands. I'll take you there." The young whitelighter grabbed Piper's hands. She grabbed Paige's, who grabbed Phoebe's. All four orbed out of the living room. A second later, they reappeared in an alley in Sausalito. "This is it," Chris declared. "Just around the corner is the theater where Elder James saw a movie."

Paige watched Phoebe glance around the alley. "Found something, Pheebs?"

"Like what?" the other witch demanded. "There's nothing for me to find. No clue or anything." Her eyes fell upon the ground.

Piper added, "Can't you pick up on any strong psychic aura or something? Like you did, when Prue was empathic?"

"That was a once-in-a-lifetime moment, Piper. I was never able to do that again. Besides," Phoebe sighed, "that so-called psychic aura was probably strong, because we were dealing with empathic powers. I can't sense any . . ."

Chris interrupted. "What's this?" He knelt to the ground.

The three sisters crowded around their whitelighter. Paige pointed at an object on the ground. A broken end of a thin stick, with feathers protruding from it. "Is that an arrow?" she asked, reaching for the object.

Phoebe slapped the younger woman's hand. "Paige! Don't touch that! It's probably part of a darklighter's arrow." She picked up the broken shaft. And a gasp left her mouth.

Paige frowned. "Phoebe?"

"I saw it!" the middle Charmed One cried. "I saw what happened to Kevin."

"What?"

According to Phoebe, she saw a dark-haired woman dressed in black, shoot the young Elder. "Twice," she added. "After the first time, Kevin tried to pull the arrow out of his back and broke off the end."

Piper placed a reassuring hand on Phoebe's shoulder. "Oh honey! Are you okay?"

"I also had another vision," Phoebe added. "I saw the dark-haired woman and a man - also with dark hair and a thin face - talking to another woman . . . in the Whitelighter Realm."

Both Paige and Piper exchanged uneasy glances. Chris said, "Describe her. The other woman."

"Uh . . . she's in her early forties. Light brown hair." Phoebe paused. "It's styled in a shoulder-length bob. Like Kathryn Janeway on "STAR TREK VOYAGER". The later years."

Chris' face turned pale. "Ohmigod! You and Paige were right!"

"Huh? Right about what?" Paige demanded.

After a brief pause, Chris added dramatically, "Mathilda. Phoebe had just described Mathilda, the one who had been kicked off the Elders' Council. She's the one behind their deaths."


END OF CHAPTER 9

Tuesday, August 2, 2011

"Guidance and Estrangement"




"GUIDANCE AND ESTRANGEMENT"

During its seven seasons run, the television series, "BUFFY THE VAMPIRE SLAYER" has generated a good number of controversy amongst its fans, other viewers and the media in its approach to several subjects regarding its main character, Buffy Summers, and its supporting characters. Many of those subjects have included sex, violence, addiction, and discrimination – both gender and racial. But there seemed to be one topic that fans of the series seemed to be in conflict over – namely authority figures and how it pertained to Buffy’s relationship with her Watcher, Rupert Giles.

When the series first began in January 1997, Buffy and her mother, Joyce Summers, had recently moved from Los Angeles to Sunnydale; following the latter’s divorce from Buffy’s father, Hank. The Summers’ marriage had buckled under the strain of his infidelity and Buffy’s early activities as a Slayer in Los Angeles. The move to Sunnydale also meant the eventual erosion of daughter and father’s relationship. Since Buffy’s first Watcher, Merrick, had killed by a vampire named Lothos; the young Slayer found herself with a new Watcher – the English-born Rupert Giles.

The relationship between Buffy and Giles went through many stages and emotional upheavals. Due to her father’s declining presence in her life, the Slayer began to regard her Watcher as a new father figure. Yet, at the same time, she struggled to maintain a private life of her own – one that involved school and a social life – despite Giles’ insistence upon her focusing upon her training and duties as a Slayer. One such incident occurred when Buffy wanted to forego another training session to attend a fraternity party at Sunnydale’s University of California campus in (2.05) “Reptile Boy”. Despite their occasional bouts of conflict and the crisis surrounding the re-emergence of Angelus in late Season Two, Buffy’s view of Giles as a replacement for her father had grown stronger by mid-Season Three. Then came the Cruciamentum in the episode, (3.12) “Helpless”

The Cruciamentum was a test that senior members of the Watchers Council put each Slayer through on her eighteenth birthday. She must be weakened (namely stripped of her Slayer abilities) and left alone with a vampire to test her skills and resourcefulness. The weakened Slayer rarely survives such a test. As I had stated earlier, Buffy had truly began to regard Giles as a second father, especially since her own father failed to appear and take her to an ice show for her 18th birthday. Unfortunately for Buffy, the Cruciamentum test proved to be the first time that Giles would betray her. Showing more loyalty to the Council than the Slayer, he placed Buffy under hypnosis before stripping away her Slayer abilities with a drug. However, guilt over his betrayal and the danger of a psychotic vampire loose upon Sunnydale led Giles to confess his actions and help her deal with the vampire. Because of his actions, the leader of the Watchers Council – Quintin Travers – accused Giles of being too emotionally close to Buffy and fired him. However, Buffy severed her ties with the Watchers Council and continued to regard Giles as her Watcher. However, the Cruciamentum did not prove to be the last time that Buffy and Giles would clash.

Season Five provided more heartaches and crisis for Buffy than any previous season. Buffy’s relationship with her college boyfriend, Riley Finn, crashed and burned. She discovered that her old nemesis, the vampire Spike, had fallen in love with her. Joyce became seriously ill. And a new member joined the Summers household – a younger sister named Dawn. However, Buffy and the Scoobies eventually learned in (5.05) “No Place Like Home” that Dawn was originally a mystical object known as the Key, which can be used to open portals to alternate dimensions; a group of monks transformed the Key into human form and sent it to the Slayer for protection from the villainous hellgod, Glory. The hellgod wanted to use the Key (Dawn) to return to her home dimension. The memories of Buffy and her associates were altered, along with relevant records, so that they believed Dawn had always existed as Buffy’s sister. Once Glory discovered that Dawn was the Key, her presence became a threat to human existence. Giles certainly believed so and insisted that Buffy kill Dawn before Glory can use her blood in (5.22) “The Gift”. Fearful for Dawn’s life, Buffy asked Spike to protect the teenager from any threat. I can only wonder if she had viewed Giles as a possible threat.

Eventually, Buffy sacrificed her life to stop the threat of Glory and to close the portal that the hellgod had used Dawn’s blood to open. Several months following Buffy’s death, Giles decided to return home to England in (6.01) “Bargaining”. Following her resurrection, he returned to Sunnydale. However, he noticed that Buffy had begun a disturbing trend of depending upon him for everything – including matters in her non-Slayer life. In the episode, (6.07) “Tabula Rasa”, Giles decided to return to England in order for Buffy to gain independence. He did not return, until the crisis over Willow’s turn to evil evolved, following the death of her lover, Tara Maclay.

Giles’ return to England during Season Six proved to have a major impact upon his relationship with Buffy during the show’s seventh and final season. The impact of his disappearance would not be realized, until the two clashed over the status of a chip-free Spike in the episode, (7.17) "Lies My Parents Told Me". After acquiring his soul in Africa, during the Season Six finale, (6.22) “Grave”, Spike returned to Sunnydale, racked with guilt over his past as a vampire and his attempted rape of Buffy in (6.19) “Seeing Red”. And unbeknownst to himself and others, he was being mentally tormented and controlled by the season’s Big Bad – the non-corporeal being known as the First Evil. Spike’s troubles did not end there. By (7.13) “The Killer in Me”, the chip was slowly killing Spike and Buffy had to request help from her old flame, Army officer, Riley Finn, to remove the chip for good. Spike was finally free from the dangers of the chip, but not from the First Evil.

Buffy and Giles’ clash over Spike first spilled over in an amusing exchange featured in the beginning of the following episode, (7.14) “First Date”. However, Giles’ anxieties over Spike’s chip-free and First Evil-influenced state continued unabated. He continued to insist that Spike be contained or slayed, for the safety of the Potentials and the Scoobies, now residing inside the Summers house. Giles disappeared for two episodes and returned at the beginning of ”Lies My Parents Told Me” with a magical artifact called a Prokaryote stone. Willow used the stone and a spell to penetrate Spike's mind and make him more conscious of how the First Evil’s trigger worked. Needless to say, the session ended in disaster, with Spike unintentionally hurting Dawn (why Buffy allowed her to hang around, I do not know). Following the failure to break the First Evil’s hold on Spike, Giles conspired with Robin Wood – the son of a Slayer that Spike had killed back in 1977 – to kill the blond vampire behind Buffy’s back. Buffy eventually realized what Giles and Wood had conspired and coldly ended their Watcher-Slayer relationship . . . and friendship.

I am not really surprised that Buffy turned his back on him, following the incidents of ”Lies My Parents Told Me”. As I had earlier pointed out, it was not the first time he had betrayed her. He betrayed her in Season 3's "Helpless". But he realized his error and made amends in the end. In late Season 5's "The Gift", he continuously pressured Buffy to kill Dawn in order to save the world. Not only did she refuse, but she asked Spike to kill him or anyone else who made a move toward Dawn. Even if Dawn's death would have saved the world, I do not think that Buffy could have lived with herself if she had killed her younger sister. Her slide into catatonia in (5.21) “The Weight of the World”, following Glory’s abduction of Dawn, struck me as proof that Buffy would have serious problems with anything happening to her younger sister.

But Giles’ betrayal in "Lies My Parents Told Me" proved to be the last straw. Not only did Giles plotted behind her back, he never expressed any remorse for his actions. Worse, he only gave Spike once chance to deal with the First Evil’s trigger before he began plotting with Robin Wood behind Buffy's back. Giles never took into account that triggered or not, Spike was not the only dangerous person in that house. There was Willow, who was not only a very powerful witch, but still emotionally unsure about herself. And I suspect that if the First Evil had triggered Spike, he would have to deal with Willow, a powerful and experienced Slayer in the form Buffy, and a house full of potential Slayers. Giles never considered all of this or that Wood’s plotting centered on an emotional desire for revenge against Spike. Instead, he allowed his fears and his dislike of the vampire to rule his emotions. And he never expressed any remorse for his actions.

Buffy had been slowly maturing as a person throughout the series' run. By late Season Seven, it was time for her to realize that Giles did not always have the answers or that he was not always right. It was also time for her to realize that sometimes, every individual has to question authority figures . . . or rely upon him or herself and not a parent or a surrogate parent. Back in early Season Six, Giles realized that Buffy could not always depend upon him and that sooner or later, she would have to learn to stand on her own. Unfortunately, the destruction of the Watchers Council triggered a great deal of fear within Giles. He forgot about his resolve about Buffy becoming an adult, and tried to overcome this fear by resurrecting his old relationship with Buffy. By ”Lies My Parents Told Me” he failed to realize that she had matured too much for him to recapture it.

Buffy and Giles had failed to resolve their conflict over his final betrayal by the end of the series . . . despite their willingness to fight together in the final battle against the First Evil’s plans in (7.22) “Chosen”. Their relationship grew worse over Giles’ failure to inform Buffy about his and Faith Lehune’s dealings with a rogue Slayer named in one of the Season Eight stories featured in a series of comic books based upon the series. It was not until their dealings with the being known as Twilight (aka Angel) that Buffy and Giles finally reconciled. Unfortunately, their reconciliation did not last very long. While still under the guise of Twilight, Angel murdered Giles. Pity. It would have been nice to see Buffy and Giles develop an equal relationship between two friends and colleagues.