Showing posts with label john terry. Show all posts
Showing posts with label john terry. Show all posts

Friday, June 20, 2014

"LOST" RETROSPECT: (2.11) "The Hunting Party"

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"LOST" RETROSPECT: (2.11) "The Hunting Party"

I may be a bit picky about my tastes in television viewing. But I must admit there have been a few television episodes either dismissed or lambasted by critics and fans alike, but which I have come to like. One of those episodes is the Season Two episode of "LOST" called (2.11) "The Hunting Party"

This eleventh episode from the series' second season picks up not long after the previous episode, (2.10) "The 23rd Psalms" left off. In the previous episode, Michael Dawson believed he had managed to contact his kidnapped son Walt Lloyd, while using the twenty year-old computer inside the DHARMA Swan Station. He also recruited the help of fellow castaway, John Locke, to teach him how to use a rifle. When "The Hunting Party" began, Dr. Jack Shephard found an unconscious Locke on the floor of the station's armory. Before he could do anything, Michael appeared with a gun trained on Jack and in a desperate tone, revealed his intentions to find Walt. Michael forced Jack to remain by Locke's side, before locking both of them inside the armory. When other castaways Kate Austen and James "Sawyer" Ford go to the station to have the latter's bandages changed, they free both Jack and Locke. Jack immediately reaches for a rifle and state his intentions to find Michael and bring him back. Both Locke and Sawyer volunteer to join him. Kate also volunteers, but Jack curtly orders her to remain behind and be ready to punch in the numbers for the station's computer. The three men leave without her. Despite Jack's refusal of her help, Kate recruits Hugo "Hurley" Reyes and Charlie Pace to monitor the station's computer for her, while she heads out into the jungle to join the hunting party.

The episode's flashbacks start with Jack and his father, Dr. Christian Shephard, diagnose a middle-aged Italian man with a spinal tumor named Angelo Busconi. The two Shephard surgeons inform Signor Busconi and his daughter, Gabriela that his tumor is too far gone and that he is not eligible for surgery. However, Signor Busconi and Gabriela insist that they are interested in recruiting Jack's help. They had learned of the miracle he had achieved after performing surgery on his wife, Sarah Shephard, before their marriage. Much to Christian's dismay, Jack agrees to perform the surgery on Signor Busconi. The older surgeon also notices the attraction between Jack and Gabriela. And Jack also continues spending more time at the hospital, either ignoring or evading Sarah's company at home.

Despite the opinions of other "LOST" fans and critics, I have always liked "The Hunting Party". I found the plot regarding the Losties' hunt for Michael very interesting. And believe it or not, I rather enjoyed the flashbacks regarding Jack's attempt to save Angelo Busconi and his troubling marriage to Sarah. But for the likes of me, I have always had difficulty making the connection between the on-island plot and the flashbacks. Exactly what is the connection? Was Jack's difficulties in his relationship with Kate and her attraction to Sawyer a reminder of Sarah's infidelity and the end of his marriage? Was his decision to embark upon a near impossible task - finding Michael and bringing him back - similar to his decision to accept Signor Busconi as a patient? Did I hit the mark regarding the episode's main plot . . . or what? After eight years, I am still confused.

But I still like "The Hunting Party" . . . very much. It is one of my favorite Jack-centric episodes. The hunt for Michael showcased an aspect of Jack's personality that has been problematic - his inability to let go. The problem with Jack was he lacked a real instinct on whether to give up on an impossible task, or to continue it. On one hand, he never realized that Locke was right about letting Michael go. The choice to leave the Losties' camp and go after Walt was up to Michael, not Jack or any of the other castaways. I think Jack took his "live together, die alone" mantra a bit too far in his determination to get Michael back. However, it seemed a pity that he and the other Losties never extended that mantra to Walt. In the case of the flashbacks, I suspect that the Busconis' stroking of Jack's ego led him to accept Angelo Busconi as a patient. Even though the Italian father and daughter were grateful toward Jack's willingness to take a chance on the former, I cannot help but wonder if that was a chance Jack should have ignored.

Both the on-island plot and the flashbacks also featured Jack's problematic relationships with the two women in his life. Two episodes ago in (2.09) "What Kate Did", Sawyer unconsciously expressed his love for Kate, while Jack was tending him. This bedside confession conjured feelings of jealousy within Jack, who must have recalled the kiss that Sawyer and Kate had exchanged in the Season One episode, (1.08) "Confidence Man". In "What Kate Did", Kate kissed Jack in a confusing moment and ran off into the jungle in tears. Between her action and Sawyer's confession, I suspect Jack found himself wondering if Kate ever loved him. This so-called "love triangle" must have reminded him of his previous marriage. The problems in Jack's relationship with Sarah proved to be more straightforward. Flashbacks in an earlier Season Two episode called (2.01) "Man of Faith, Man of Science" revealed how Jack and Sarah first met - she was a victim of a car accident that eventually killed Shannon Rutherford's father, and Jack was the surgeon that prevented her from becoming physically disabled. In the Season One episode,(1.20) "Do No Harm", flashbacks revealed that some time after Jack's successful surgery on Sarah, they got married. I never understood why those two had married. Was it gratitude on Sarah's part? Had Jack been caught up in the emotional relief over saving her? Who knows. But the flashbacks in this episode revealed that their marriage had slowly deteriorated to the point that it led to Jack spending most of his time at the hospital . . . and Sarah committing adultery and later, leaving him. Some fans had complained about the quiet manner in which their marriage had ended, despite the erotic moment between Jack and Gabriela Busconi. Actually, I found it very realistic . . . and very common among relationships.

There were other aspects of the episode I found interesting. Locke revealed to Sawyer and television viewers, the latter's real name - James Ford. This revelation proved to be a mild shock, considering that viewers had already learned back in Season One that Sawyer was an alias. This episode also saw the return of the "Bearded Man" aka Tom Friendly, who had kidnapped Walt in(1.24-1.25) "Exodus". Tom and his fellow Others had trapped the hunting party before convincing them (actually through coercion) to return to their camp. Not only did the Losties' encounter with Tom provided another bump in the road for Jack and Kate's relationship; it also reminded viewers that Sawyer blamed Tom for shooting him (one of the members of Tom's party had shot him, when he reached for his gun). For the first time, Sawyer declared his intentions to seek revenge for what happened to him, proving that of all the series' characters, he was a master at combining revenge with murder in order to alleviate his pain. There was one aspect of this episode that I found . . . perplexing. Throughout most of the episode, Locke questioned Jack's decision to go after Michael, spouting free will as an excuse. And yet . . . he had decided to accompany Jack on this expedition, anyway. Locke was also not above enforcing his own will upon others. So, why did he join this hunting party in the first place? Even the state of the Kwons' marriage ended up affected by Jack's hunting party. When Jin learned about Michael's flight into the jungle, he considered joining the hunting party, until Sun stopped him. For the first time, Sun truly got her way since the beginning of the series. In a marvelous scene, she put her foot down and revealed her opposition to Jin's intentions. She also revealed how she had felt about his past controlling behavior toward her. The Kwons' marriage took a new step above the resentments, anger and lies that marred their relationship in the past.

"The Hunting Party" featured some solid performances from cast members such as Terry O'Quinn, Josh Holloway, Evangeline Lilly and Naveen Andrews; and guest stars that included Julie Bowen, Ronald Guttman, Monica Dean and M.C. Gainey. But in my opinion, the best performances came from guest star John Terry, Harold Perrineau, and especially, Matthew Fox. It seemed a pity that Perrineau never received any nominations for his outstanding work. And I find it laughable that Fox had to wait another four seasons before the Hollywood community was even willing to nominate him for his work on "LOST". But if many of us are truly honest with ourselves, acting and production awards are usually based upon popularity contests, not upon any worthy endeavors.

I wish I could say that I consider "The Hunting Party" to be one of the best episodes that aired on "LOST". The narrative written by Elizabeth Saranoff and Christina M. Kim allowed for strong characterizations and some interesting subplots. Unfortunately, I found the connection between the on-island plot and the flashbacks rather weak. Even worse, the episode ended with Jack proposing Tail Section survivor Ana-Lucia Cortez that they create an army to deal with the Others. And this potential subplot never went anywhere, in the end.

Sunday, June 30, 2013

"LOST" RETROSPECT: (4.10) "Something Nice Back Home"

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Five years ago, (4.10) "Something Nice Back Home", a Season Four episode of "LOST" aired for the first time and I wrote a review of the episode a year later. After a new, recent viewing, I decided to write another article on the episode: 


"LOST" RETROSPECT: (4.10) "Something Nice Back Home"

I am beginning to wonder if (4.10) "Something Nice Back Home", a Season Four episode from "LOST", might be one of the most misunderstood episodes of the series. When I recently viewed it for a third time after four years, I came to a realization that I may have misunderstood it.

"Something Nice Back Home" is basically a Jack Shephard episode that featured three main subplots - two of them about the very intense Dr. Shephard. One of them centered on James "Sawyer" Ford, Claire Littleton and Miles Straume's efforts to reach the Oceanic 815 survivors' beach camp, after surviving the near massacre at the Others' compound by mercenary Martin Keamy and his merry band of killers. The second subplot was about Dr. Juliet Burke's efforts to save Jack's life after he had been struck down by appendicitis. And the final subplot turned out to be a flash forward about Jack's time with fellow castaways Kate Austen and Aaron Littleton in Los Angeles, three years in the future.

During the first subplot, Sawyer, Claire and Miles' jungle trek to the beach camp proved to be a tense little adventure that obviously appealed to many viewers. Ever since Sawyer had rescued Claire during Keamy's attack upon the Others' compound in (4.09) "The Shape of Things to Come", fans began labeling him as the series' "hero". After my second viewing of the two episodes, I found this odd. Aside from his rescue of Claire, I cannot recall Sawyer doing anything worth noticing. Former Others leader Ben Linus had saved the survivors of Keamy's attack and the Smoke Monster by leading them out of the besieged compound in "The Shape of Things to Come". And in "Something Nice Back Home", pilot Frank Lapidus saved Sawyer, Claire, Miles and Aaron with a warning and prevented them from encountering a very angry Keamy and his surviving men. Frank also convinced Keamy to use another jungle trail in order to distract the latter from the castaways' hiding place.

One might view Sawyer's protective attitude toward Claire as an example of his heroism. People are entitled to do so . . . even if I have trouble accepting this. Mind you, I found the exchanges between Sawyer and Miles rather amusing. But when Sawyer caught Miles shooting odd stares at Claire, the former decided to go into a belligerent protective mode and warn Miles to keep his distance. This incident, along with Miles' detection of Danielle Rousseau and Karl's bodies were signs of Miles' psychic ability, but Sawyer was unaware of it. Eventually, Sawyer regretted his warning, when Claire disappeared into the jungle with the Smoke Monster, who was in the form of Christian Shephard - hers and Jack's father. Like I said, this subplot provided plenty of suspense, adventure and snark. But "LOST" never answered some of the questions that it raised. Why did Claire leave with the Man in Black (Smoke Monster)? Why did she leave Aaron behind? What happened to her during those three years before her reunion with her fellow castaways in Season Six? And was Claire's disappearance nothing more than a plot device for Kate's story line featuring those years with baby Aaron?

The second plot line focused on Jack's appendicitis. In fact, this episode began with this subplot, using the trademark shot of Jack's eye opening. Not much came from this particular subplot. While gathering surgical instruments and medical supplies at the Staff Station, both Jin and Sun Kwon discovered that one of the freighter newcomers, Charlotte Lewis, spoke Korean. Jin informed Charlotte that he will harm her fellow freighter passenger, Daniel Faraday, if she did not secure a place for the pregnant Sun aboard the Kahuna freighter. The subplot also revealed Juliet's talent for leadership. She also realized that Jack still loved Kate and that her romantic friendship with him was nothing more than an illusion.

In the end, Charlotte did not ensure Sun's departure from the island. Juliet did in the Season Four finale, (4.12) "There's No Place Like Home, Part I". Knowledge of Charlotte's ability to speak Korean only allowed her to issue a warning to Jin about the dangers of the island before her death in Season Five's (5.05) "This Place is Death". And Juliet's leadership abilities were never explored in future episodes. Adhering to Hollywood's sexist codes, John Locke ended up acting as leader of the castaways left behind during the island's time jumps. Sawyer assumed the role of "leader" following Locke's departure from the island, via the Orchid Station's donkey wheel.

And to this day, "LOST fans have no idea on what led to Jack's attack of appendicitis. Many have speculated, claiming that either it was a sign of the Island's displeasure over Jack's eagerness to leave or a symbol of his subconscious reacting to Jack's desire. Who knows? Fellow castaway Rose Nadler expressed her belief to husband Bernard that Jack's illness was an ominous warning. In her view, everyone "gets better" on the Island. Naturally, she could only speak from her personal experiences and knowledge of what happened to Locke's legs. I have decided not to view Jack's appendicitis from any metaphoric point of view and see it as nothing more than an opportunity for "LOST" writers to end the burgeoning Jack/Juliet romance. When Jack made it clear that he wanted Kate to participate in his operation, Juliet realized that Jack was not in love with her and told Kate. What made this whole mystery surrounding Jack's infirmity ridiculous is that three years and two seasons later, island guru Jacob told Jack and a few others that staying or leaving the island (and accepting the role as island leader) was a matter of choice.

The episode's last episode - the 2007 flash forward featuring Jack and Kate's romance in Los Angeles - seemed to have generated the greatest amount of contempt from the fans and the media. Many fans blamed Jack's personal flaws for his meltdown and break-up with Kate, complaining about his alcohol and drug dependence, his jealousy toward Kate's feelings for Sawyer (who had remained on the island), and his controlling nature. They believed if Jack had kept these flaws in check, he could have enjoyed a happy life with Kate and Aaron. Others believed that Jack's visit to Hurley at the Santa Rosa Mental Health Institute triggered a realization that he needed to return to the Island in order to meet his "destiny".

I have a different views on the subplot featuring Jack's meltdown. One, I believe it was the best subplot in "Something Nice Back Home". It was the only subplot that helped drive the series' main narrative. And unlike the Sawyer/Claire/Miles and the appendicitis subplots, it did not end with unanswered questions. More importantly, the episode raised a question that many fans, including myself, had failed to notice. What really led to Jack's post-Island meltdown and break-up with Kate? In my previous review, I had expressed an opinion that Jack's perfect life with Kate and Aaron was too superficial to last. I never realized the extent of how shallow and false his life was. After viewing"Something Nice Back Home" for the second time, I realized that this question was answered in (4.04) "Eggtown" and in future episodes such as (4.12) "There's No Place Like Home"(5.02) "The Lie"(5.04) "The Little Prince" and (5.11) "Whatever Happened, Happened".

What am I trying to say? Simple. Jack and the other members of the Oceanic Six had created lives filled with unnecessary and/or selfish lies, deceit, illusions and grief. Audiences had already experienced Hugo "Hurley" Reyes' crash and burn in flashbacks featured in the Season Four premiere, (4.01) "The Beginning of the End". In this episode, audiences finally witnessed Jack's future meltdown. In a flash forward from "Eggtown", Jack revealed the Oceanic Six's major lie about the crash of Oceanic Flight 815 during Kate's criminal trial:

DUNCAN: Were you aware that Ms. Austen was a fugitive being transported by a United States marshal on that flight to Los Angeles for trial?

JACK: I did learn that eventually, yes.

DUNCAN: From the U.S. Marshal?

JACK: No, the marshal died in the crash. I never spoke to him. Ms. Austen told me.

DUNCAN: Did you ever ask her if she was guilty?

JACK: No. Never.

DUNCAN: Well, that seems like a reasonable question. Why not?

JACK: I just assumed that there had been some kind of mistake.

DUNCAN: And why would you think that?

JACK: Only eight of us survived the crash. We landed in the water. I was hurt, pretty badly. In fact, if it weren't for her, I would have never made it to the shore. She took care of me. She took care of all of us. She — she gave us first aid, water, found food, made shelter. She tried to save the other two, but they didn't—


As we all know, this is a load of horseshit. But what led Jack to tell all of these lies. The episode (4.14) "There's No Place Like Home" featured a scene in which Locke asked Jack to lie about the Island and their their experiences during the past three months . . . to protect the Island. Jack had announced his intentions to follow Locke's instructions in(5.02) "The Lie". Kate, Sun and Sayid agreed to support his lies. Hurley did not, claiming that they were unnecessary. Eventually, Hurley capitulated to Jack's demands. I never understood why Jack had created such unnecessary lies about the island. It had disappeared after Ben had pushed the Orchid Station's donkey wheel. By the time the Oceanic Six were "rescued", they had traveled many miles away from the island, thanks to Kahuna freighter's helicopter, floating in the ocean for several days and Penny Widmore's yacht, which conveyed them to the Java Trench, where a fake Oceanic 815 airplane was planted by Penny's father, Charles Widmore and near the island of Sumba. The only person who could have found the Island was Widmore. Being a former resident of the Island, he knew how to acquire information on the Island's locations. And once he did, Widmore dispatched Martin Keamy and his thugs there to collect Ben Linus. The authorities would have never found the Island, and the lie did not prevente Widmore from finding it again, as Season Six eventually proved. Leaving behind so many castaways and pretending they were dead did not serve a damn thing.

There was another lie that proved to be even more destructive . . . namely the lie about fugitive Kate Austen being the mother of Aaron Littleton, Claire's son. When "Something Nice Back Home" first aired, many viewers believed that Jack had coerced Kate into pretending to be Aaron's mother in order to protect him from the foster care system or Charles Widmore. In "There's No Place Like Home, Part I", both Jack and Kate learned that Claire's mother, Carole Littleton, was alive and well. Both realized they were keeping Aaron from his grandmother via the lie, but both continued the deception. A flashback in "The Little Prince" revealed that it was Kate who had suggested she pretend to be Aaron's mother, due to her selfish desire to use Aaron as an emotional comfort blanket:

KATE: I've been thinking a lot about him. Did you know that Claire was flying to L.A. to give him up for adoption?

JACK: No. No, I didn't.

KATE: I think we should say he's mine.

JACK: What?

KATE: We could say that I was six months pregnant when I was arrested and that I gave birth to him on the Island. No one would ever know.

JACK: Kate, no. You don't have to... [sighs] There's other ways too this.

KATE: After everyone we've lost--Michael, Jin, Sawyer... I can't lose him, too.

JACK: Sawyer's not dead.

KATE: No. But he's gone. Good night, Jack.

JACK: Kate... If we're gonna be safe, if we're gonna protect the people that we left behind, tomorrow morning, I'm gonna have to convince everyone to lie. If it's just me, they're never gonna go for it. So I'm gonna turn to you first. Are you with me?

KATE: I have always been with you.


Wow. I find it interesting that so many fans have complained about Jack's controlling nature. Yet, it is also easy to see that he can be very susceptible to Kate's manipulations. Yet, very few people have commented on this. By the way, Kate's suggestion was confirmed in a confession that she had made to Cassidy Phillips, Sawyer's ex-girlfriend and fellow grifter, in "Whatever Happened, Happened". And Jack . . . due to his selfish desire to earn or maintain Kate's love, agreed to support her lie. I suspect his encounter with Carole Littleton at his father's funeral service dealt two major blows to Jack's psyche. He learned that Claire Littleton was his half-sister, due to an affair between Christian Shephard and Carole. And two, he had allowed Kate to use his nephew as an emotional blanket, while keeping said nephew from the latter's very healthy grandmother. I suspect that this discovery had led Jack to stay away from Kate for a while. But after seeing her at her trial, he realized he could not stay away and caved in to her demand that he need to accept Aaron as hers in order for them to have a relationship.

But Jack's conversation with Hurley at the mental hospital only proved something that Jack could not face - he was living a life based upon lies about the Island, the survivors of the crash and especially Aaron. And I also suspect that his discovery of Kate's deception about the favor she did for Sawyer made him realized that he was maintaining lies for the love of a woman who was lying to him. No wonder he freaked out in the end with booze, pills and anger. I suspect that Jack's outburst about Kate not being related to Aaron was a hint of her own meltdown and realization, a few months later.

"Something Nice Back Home" was not perfect. The episode featured one entertaining and suspenseful subplot that brought up questions behind Claire Littleton's disappearance - questions that were never really explored after Claire's reappearance in Season Six. It featured another subplot regarding Jack's appendicitis that raised both questions and minor subplots that were never dealt with any satisfaction. The only subplot I believe that had any meat or merit was the flash forward featuring Jack Shephard's meltdown regarding the Island, Kate Austen and his nephew Aaron Littleton. So in the end, all was not lost for "Something Nice Back Home".

Tuesday, March 5, 2013

"LOST" RETROSPECT: (5.09) Namaste"


Below is an article I had written about the Season Five episode of "LOST" (2004-2010) called (5.09) "Namaste":


"LOST" RETROSPECT: (5.09) Namaste"

"Namaste" is a term used commonly on the Indian subcontinent that is used as a greeting and a parting valediction between individuals. I suppose that this word might be the proper title for this ninth episode from Season Five from ABC's "LOST"(5.09) "Namaste" served as a crossroad for the series' fifth season. It served as a closure for some of the season's story arcs and a beginning for others.

The episode opened where the sixth episode, (5.06) "316" ended, with former castaways Dr. Jack Shephard, Kate Austen and Hugo "Hurley" Reyes disappearing from Ajira Flight 316 (destination - Guam) and reappearing on the Island. Following their harrowing reappearance, they are spotted by one their former castaways, who had remained on the island, Jin-Soo Kwon. The season's eighth episode, (5.08) "La Fleur", revealed that Jin; along with James "Sawyer" Ford ("Jim La Fleur"), Dr. Juliet Burke, Miles Straume, and Daniel Faraday; had ceased their time skipping and landed in the year 1974. They spent the next three years as members of the Dharma Initiative. When Jin informed Sawyer of Jack, Kate and Hurley's arrival in 1977, Saywer races from the Dharma compound to greet his former castaways.

Sawyer explains to the three newcomers that they had ended up in the 1970s. And in order to remain at the Dharma compound, he lied to the organization's leaders that he was captain of a research vessel, whose crew was searching the wrecked slave ship, the Black Rock. He then arranges for the trio to join the Dharma Initiative as new recruits. Jack becomes a janitor, Kate joins the motor pool, where Juliet works. And Hurley becomes a cook. Sawyer manages to achieve this after Juliet forges their necessary documentation.

Back in the 21st century, pilot Frank Lapidus manages to land the Ajira 316 airliner on the runway constructed by members of the Others, Kate and Sawyer (who were prisoners) back on Season Three, on the Hydra Station island. Along with Frank, Sun-Kwa Kwon and Benjamin Linus (former Others leader), other survivors include a man named Caesar, who assumes leadership of the surviving Ajira passengers and a bounty hunter named Ilana Verdansky, who had been escorting former Oceanic castaway Sayid Jarrah into custody. Ben sets out for the main island to reunite with the Others. Sun decides to join him in order to find Jin. And Frank accompanies them in order to protect Sun from Ben. However, she knocks Ben out, leaving him behind on the Hydra island. Sun and Frank encounter a figure in Christian Shephard's image, who informs them that Jack, Kate and Hurley have time traveled back to 1977. He also informs Sun that Jin is with them.

I found nothing particularly unique about "Namaste". But I must admit that I still found it interesting and solid entertainment. I found the present day sequences featuring Sun, Ben and Frank less interesting. Ben's intention to leave the Hydra island in order to reunite with Richard Alpert and the rest of the Others did not seem very interesting to me. Even Ben's attitude regarding his intention seemed like the logical conclusion. Which is why I found Sun's reaction to him rather over-the-top. One, she did not have insist upon joining him. If she really wanted to leave Hydra island for the main one, she could have made the trip on her own. Instead, she insisted upon joining Ben, before whacking him over the head with a paddle. Many "LOST" fans cheered. I simply rolled my eyes at the ridiculousness of it all and a confirmation of her vindictive nature. When she and Frank later discovered that Jack, Kate, Hurley and Jin were all in 1977, I found the scene . . . well, uninteresting. The only interesting aspect of this story line was that it explained the finale of (3.07) "The Life and Death of Jeremy Bentham" - with the Man in Black (in John Locke's form) looking down at his unconscious form.

The scenes set in 1977 managed to rouse my interest. The interactions between the main characters seemed filled with a great deal of emotions - overt or otherwise. Much of that emotion was centered around James "Sawyer" Ford. Ever since the Season Four episode, (4.09) "The Shape of Things to Come", many "LOST" fans have been pushing him as the series' hero. Sawyer's "hero" status was solidified - as far as many were concerned - in "La Fleur", when he found a way to ensure that he and his fellow castaways would become part of the Dharma Initiative and became romantically involved with Juliet Burke. Within three years, Sawyer became the Dharma Initiative's Head of Security. In a way, I can see why many fans had put Sawyer on a pedestal by mid-Season Five. Yet, I found some of his interactions with the other characters and his own decisions rather questionable. I am not accusing screenwriters Paul Zbyszewski and Brian K. Vaughan of bad writing. On the contrary, I thought they handled Sawyer's role in this episode very well. But I suspect that so many fans were viewing Sawyer through rose-colored glasses that they failed to see the warts behind the heroic image. Not even Jack Shephard during the series' first season was regarded in such a high light.

Many fans anticipated the reunion between Sawyer and his former bed partner, Kate Austen; believing that the latter was over Jack. Mind you, not all fans believed this, but a good number did. The episode's last five to ten minutes featured a moment in which the two exchanged subtle looks. That look would prove to be the beginning of the end of Sawyer's romance with Juliet . . . but in a way he did not anticipate or liked. Even worse, Kate's little moment of flirtation was a return to an old habit of hers - using Sawyer to erase her romantic problems with Jack. Fans marveled at how he and Juliet had arranged for Jack, Kate and Hurley's initiation into the Dharma Initiative. And many cheered at his criticism, near the end of the episode, of Jack's earlier leadership of the Oceanic 815 castaways. I felt impressed by the former and unimpressed by the latter. My recent viewing of this episode led me to realize a few things. One, three years as the "Sheriff of Dharma Land" had allowed Sawyer to develop an ego the size of a basketball. Note some of his criticism directed at Jack:

SAWYER: [Chuckles] I heard once Winston Churchill read a book every night, even during the Blitz. He said it made him think better. It's how I like to run things. I think. I'm sure that doesn't mean that much to you, 'cause back when you were calling the shots, you pretty much just reacted. See, you didn't think, Jack, and as I recall, a lot of people ended up dead.

JACK: I got us off the Island.

SAWYER: But here you are... [sighs] right back where you started. So I'm gonna go back to reading my book, and I'm gonna think, 'cause that's how I saved your ass today. And that's how I'm gonna save Sayid's tomorrow. All you gotta do is go home, get a good night's rest. Let me do what I do.


One, Sawyer had forgotten that not all of Jack's decisions were bad . . . and not all of his decisions were good. He also seemed unaware that his decision to include himself, Miles, Juliet, Jin and Daniel into the Dharma Initiative was a bad idea. And he should have never given Jack, Kate and Hurley the opportunity to become part of the Dharma Initiative. Sawyer did not save Jack, Kate and Hurley's lives. He merely dragged them into his own deception. And his decisions will prove to be bad ones by the end of Season Five. His belief in his own leadership skills proved to be nothing more than a reflection of his skills as a con artist. Like the Oceanic Six, he and his four companions had been living a lie for the past three years . . . a lie that would eventually catch up to them. I also suspect that Sawyer (and Juliet) were responsible for the newcomers' new positions. Sawyer's rant and his arrangement of Jack's new position as a janitor only convinced me that despite his words, his insecurities regarding the spinal surgeon have not abated.

However, Sawyer was not the only one who made bad decisions. Hurley decided that he wanted the comforts of the Dharma Initiative, instead of the discomforts of the jungle. It was a bad decision on his part. And both Jack and Kate made the mistake of agreeing with Hurley's decision. I could not help but wonder if Juliet had regretted assisting Amy Goodspeed through a difficult birth. The Goodspeeds' new child turned out to be Ethan Rom, a future follower of Ben Linus in 2004. I feel that Juliet had made the right choice. But . . . I have great difficulty in believing that Ethan was 27 years old in 2004 (the first season), especially since the actor who had portrayed him, William Mapother, was 39 to 40 years old during the series' first season . . . and looked it.

The episode ended with the revelation of Sayid Jarrah's whereabouts. He did not appear on the island with Jack, Hurley and Kate. And he was not seen among the Ajira survivors in 2007. Instead, he also ended up in 1977, discovered by Jin Kwon seconds before they encountered the Dharma Initiative's borderline psychotic head researcher, Stuart Radzinsky. Jin had no choice but to place Sayid under arrest for being a possible Hostile (the Others), the enemies of the Dharma Initiative and longtime island residents. At the end of the episode, Sayid met the 14 year-old version of Benjamin Linus, the man who manipulated him into becoming a hired gun in the latter's war against rival Charles Widmore. This meeting will prove to have grave consequences for the Losties. So much for Sawyer saving Sayid's ass. "Ain't life a bitch?"

Thanks to screenwriters Paul Zbyszewski and Brian K. Vaughan, "Namaste" is a pretty good episode that brought a great deal of closure to the first half of Season Five and initiated the story arcs for the rest of that season and the sixth and final season. The emotional complexities - especially in regard to James "Sawyer" Ford - proved to be very interesting in the 1977 sequences. But I was not that particularly impressed by the 2007 scenes. Despite my disappointment in the latter, I managed to enjoy the episode in the end.

Monday, December 10, 2012

"LOST" RETROSPECT: (4.01) "The Beginning of the End"




"LOST" RETROSPECT: (4.01) "The Beginning of the End"

Looking back on six seasons of "LOST", it occurred to me that my opinion of the series' season premieres have been decidedly mixed. I have enjoyed at least two of them. I have found two of them mildly entertaining. And the last two have struck me as somewhat unmemorable.

The Season Four season premiere, (4.01) "The Beginning of the End", served as a follow-up to the superb Season Three finale, (3.22-3.23) "Through the Looking Glass". In that episode, the Oceanic 815 castaways had managed to contact a freighter called the Kahana that recently appeared offshore the island. Its first passenger, one Naomi Dorrit, was killed by castaway John Locke in an effort to prevent her from making that contact. His actions proved to be in vain, thanks to the determination of castaways' leader Jack Shephard and the efforts of Charlie Pace, who died after switching off a device that blocked the island's communication transmissions inside an old underwater station. The finale also featured the Others' failure to kidnap some of the female castaways for fertility tests. Their failure ended in death by the hands of Sayid Jarrah, Jin Kwon, Bernard Nadler, Hugo "Hurley" Reyes and James "Sawyer" Ford.

More importantly, "Through the Looking Glass" established the use of flash forwards to allow viewers glimpses into the lives of those castaways who would end up leaving the island by the end of Season Four. Jack's future off-island life - one of substance abuse, a suicide attempt and despair - was featured in that episode. It also established that fellow castaway Kate Austen also made it off the island. "The Beginning of the End" featured scenes of Hurley's post-island life.

When he experienced a vision of the now dead Charlie at a Los Angeles convenience store, Hurley flipped out and found himself being pursued by the Los Angeles Police in a car chase. The police detective who interrogated him following his arrest proved to be Mike Walton, the former partner of the late castaway Ana-Lucia Cortez. Upset over the idea of another connection to the island, Hurley pretended he never knew Ana-Lucia. He also immediately accepted Detective Walton's suggestion that he be placed inside a mental home. There, Hurley receives another visit from Charlie's ghost, who reminds him that he has to return to the island. Hurley later receives a visit from Jack, informing the latter about Charlie's ghost. He also apologizes to Jack for abandoning his leadership in favor of Locke . . . and points out the latter had been right about the threat from the freighter.

Hurley's words to Jack in the flash forward not only set the tone of how "The Beginning of the End" and the rest of Season Four unfolded. Before any of the castaways met with other passengers from the Kahana, they dealt with the news of Charlie's death, his discovery of Naomi's lies about the freighter and their rescue; and more importantly, the on-going conflict between Jack and Locke. All three crises resulted in a break-up of the Oceanic 815 survivors. Those determined to believe that the freighter's crew and other passengers will rescue them, stayed with Jack on the beach. And those who took Charlie's last message to heart, joined Locke on a trek to the Others' abandoned compound . . . including the Others' leader, Ben Linus.

"The Beginning of the End" ranks as one of my favorite "LOST" premieres. Thanks to Jack Bender's direction and a first-rate script written by Damon Lindelof and Carlton Cuse; the episode did a great job in setting the tone for the rest of Season Four and the second half of the series. It also marked the first of many times that the castaways would be divided - a situation that last will last until late Season Six. The title struck me as very relevant and an apt description of the beginning of the series' second half.

The ugliness conveyed by some of the characters in "Through the Looking Glass" continued in this episode. The groups from the beach and near the tower reunited near the Oceanic 815 cockpit section. And another ugly conflict flared up. The moment Jack clapped eyes on Locke, he lost his temper and attacked. Even worse, he tried to murder the older man, but his revolver lacked the bullets to complete the job. I suspect that Jack and some of the castaways believed he was justified in his attempt to kill Locke. After all, the latter had murdered Naomi Dorrit with a machete in the back. I suspect that Jack was simply angry at Locke for nearly preventing any kind of rescue from those aboard the Kahana. Hell, Jack had been angry at Locke for a long time and for many things. Naomi's death proved to be the last straw. I suspect that Jack's attempt to murder Locke had been sprung from his own selfishness and desire for revenge . . . the very same emotions that led Sawyer to murder Tom Friendly in cold blood in "Through the Looking Glass".

Most of the castaways may have shared Jack's feelings. Before Naomi died, Kate informed her that Locke was crazy and that all of the castaways hated him. Her comments about Locke struck me as slightly infantile, if I must be honest. It occurred to me that Kate may have harbored a strong dislike or hatred toward Locke longer than anyone - including Jack. And Sayid continued to question Locke about the latter's destruction of the Others' submarine in (3.13) "The Man From Tallahassee". Even Rose Nadler, who wanted to remain on the island to maintain her health, expressed disgust at Locke's murder of Naomi . . . after witnessing Jack's own murder attempt. I found Rose's judgment of Locke rather ugly and even worse, hypocritical.

Unfortunately for Jack, Hurley turned out to be the one who pulled the rug from underneath him. Recalling Charlie's sacrifice and dire warning, he loudly declared his decision to follow Locke. Claire, Ben, Sawyer (much to Kate's distress), Danielle Rousseau, her daughter Alex, a young Other named Karl and several other Oceanic 815 castaways did the same. I found this scene brimming with first-rate performances and great drama that still impresses me after nearly four years. The episode ended with another dramatic moment - Jack and Kate's meeting with Daniel Farraday, the first of four new main characters introduced to the series.

I believe that Jorge Garcia is a first-rate actor who has always managed to handle both comedy and drama with great ease. This seemed especially apparent in scenes that featured Desmond Hume's revelation about Charlie's death and Hurley's decision to join Locke to Otherville. Mind you, I have never been a major fan of the Hurley Reyes character. I found his man-child persona a little difficult to stomach at times. But I cannot deny that I found Garcia's performance to be outstanding. I can also say the same about Matthew Fox and Terry O'Quinn, who both continued their superb work in a tense-filled scene between Jack and Locke. The episode also featured brief, yet memorable moments from Michael Emerson, L. Scott Caldwell, Emilie de Ravin and Lance Reddick, who made his introduction as the wonderfully creepy Matthew Abbadon. I was also impressed by Michael Cudlitz, who gave a poignant performance as Ana-Lucia's former partner. And Marsha Thomason, who has never impressed me in the past, certainly did as the dying Naomi Dorrit.

The quality of the season premieres for "LOST" has always been a mixed bag for me. I could say the same about the series, overall. But I cannot deny that Jack Bender's direction, along with Lindelof and Cuse's script and a great performance by Jorge Garcia; "The Beginning of the End" struck me as one of the better season premieres.

Monday, September 5, 2011

"INTO THE WEST" (2005) - Jacob Wheeler and the Awareness of Self




"INTO THE WEST" (2005) – Jacob Wheeler and the Awareness of Self

Many people would usually consider the topic of Self Awareness when discussing New Age religions or Eastern mysticism. Characters from a Western television miniseries seems like the last thing anyone would think of when discussing the meaning of Self. Yet, a major character led me to consider this very topic, while re-watching Steven Spielberg’s 2005 miniseries about two families – Lakota and western Virginia - called "INTO THE WEST".

"Self" has been described as the essential self or the core of an individual. A person who has learned to live one’s life with a strong sense of Self is considered as someone who has achieved or come close to a level of self-actualization - namely, achieving personal growth through accepting the true core of oneself. If there is one character in "INTO THE WEST" who seemed to personify self-actualization, it was Thunder Heart Woman (Tonazin Carmelo and later Sheila Tousey), the Lakota woman who had married into the Wheeler family. I am not saying that Thunder Heart Woman was a person with no insecurities, personal demons or anything of the sort. But of all the major characters, she seemed to be more in tune of what and more importantly, who she was.

In the miniseries’ second episode titled, "Manifest Destiny", Thunder Heart Woman had seemed impervious to the Wheeler family's attitude toward her, during her immediate family’s short stay with her in-laws in Virginia. Even when faced with the disapproval of a German minister and fellow wagon immigrant called Preacher Hobbes (Derek de Lint), she remained impervious to his bigotry. At least according to her husband’s narrative. But this essay is not about Thunder Heart Woman. It is about one of the men in her life – the one love in her life, who managed to catch my attention. Namely one Jacob Wheeler (Matthew Settle and later John Terry).

The third of four brothers from a Virginia wheelwright family, Jacob Wheeler seemed very similar to his Lakota wife – the type of person that seemed to know his own mind. The miniseries’ first episode, ”Wheel to the Stars” revealed that Jacob’s Virginia family seemed to view him as a non-conformist . . . or oddball. He, in turn, regarded his hometown of Wheelerton, Virginia; his family and its profession with mild contempt. In short, this young Virginian was a fish out of water in 1825 America and he knew it. This would explain Jacob’s longing to see the world beyond his hometown and the eastern United States. He did not hesitate to express his enthusiasm for the West. After meeting mountain man James Fletcher (Will Patton), he immediately set out to achieve his desire to leave Wheelerton.

Possessing a talent for persuasion, Jacob managed to convince two of his brothers – Nathan (Alan Tudyk) and Jethro (Skeet Ulrich) – into joining his trek to the West. Jethro turned back at the last minute and Nathan ended up accompanying him. After Jacob and Nathan parted ways in St. Louis, the former caught up with Fletcher and famed mountain man, Jedediah Smith (Josh Brolin) and convinced the latter to allow him to accompany Smith’s expedition to California. I could probably list a number of examples of Jacob’s talent for persuasion, along with his exuberant and non-conformist nature. What I had failed to mention was that he possessed a strong and stubborn will to achieve what he desired. A perfect example of this was his determination to return to California after he, Smith and their fellow mountain men had been kicked out of the province by Mexican authorities. Not only did Jacob manage to achieve this goal, he did so at a great price. And yet . . . one of the interesting aspects of the Jacob Wheeler character is that despite possessing a strong will and extroverted nature, he also had certain vulnerable characteristics and insecurities. Especially insecurities. In both ”Wheel to the Stars” and ”Manifest Destiny”, Jacob’s relationships with his Wheelerton family and Thunder Heart Woman revealed just how insecure he could be.

Jacob seemed to have a rather peculiar relationship with his Virginia family. Despite regarding them with contempt for their provincial attitudes, he had also allowed their attitudes to bring out his own insecurities. His grandfather Abraham (Ken Pogue), his father Enoch (Serge Houde) and his three brothers – Nathan, Ezra (Joshua Kalef) and Jethro – either derided or teased him about his lack of interest in the family’s wheelwright business. And all of them viewed Jacob as a daydreamer with no sense of family duty or any common sense. The Wheelers have never hesitated to express their low opinion of Jacob’s desire to experience life beyond Wheelerton. I cannot help but wonder if the Wheelers’ contempt toward Jacob’s non-conformist ways had bred a sense of insecurity within him. Or if this insecurity was one of the reasons behind his desire to escape Wheelerton for the west.

It is possible that I may have stumbled across one result from Jacob’s less-than-ideal relationship with his Virginia family. I do not know if anyone else had noticed, but it seemed to me that whenever any of the other Wheelers teased, ranted or expressed contempt toward Jacob or his views on the West, he rarely bothered to defend himself. Jacob did not defend himself whenever his brothers mocked him at the dinner table.; when Jethro made the ”tail tucked between your legs” comment, following Jacob’s return to Wheelerton in ”Manifest Destiny”; and when Enoch accused him of luring both Nathan and later, Jacob to the West. Instead of defending himself, Jacob merely remained silent in an effort to ignore the hurtful comments.

However, there have also been moments when he did defend himself. Jacob made a snarky comment about his grandfather Abraham’s penchant for rambling on about his past as Revolutionary War veteran and the family’s business. And the elderly man reacted in such a vitriolic manner that I found myself wondering if Jacob had ended up with a new hole in his backside. When Nathan raged against him for helping an escaped slave named Ben Franklin (Sean Blakemore) in Tennessee, Jacob insisted they had done the right thing considering that Ben had earlier released Nathan after holding him hostage with a knife. And when Nathan lost his temper over Jacob’s refusal to follow him to Texas, the younger brother merely insisted upon continuing his intention to join Jedidiah Smith’s expedition.

One could only wonder why Jacob had rarely bothered to defend himself against his family’s scorn. Did he share Thunder Heart Woman’s talent for imperviously ignoring the scorn and prejudices of others? I rather doubt it. Whereas Thunder Heart Woman had seemed unconcerned by others, Jacob’s face tends to express his pain or embarrassment caused by his family’s attitudes. I suspect that deep down, Jacob longed for not only his family’s respect, but their acceptance of his true self. But unlike many people, he was not willing to change his nature for the Wheelers or anyone else’s acceptance.

Why did Jacob decide to return to Wheelerton with his pregnant wife and daughter after eleven years in the West? In his narration, Jacob claimed that he wanted Thunder Heart Woman and his daughter Margaret Light Shines (Elizabeth Sage, later Irene Bedard) to meet his Virginia family. Perhaps he was telling the truth. Yet, a part of me found that hard to believe. The moment Jacob began to enjoy his Lakota in-laws’ hospitality, he felt certain that his own family extend the same kind of warmth to his wife. And yet . . . he had insisted upon returning to Virginia. Why? Had Jethro hinted the truth in his ”tail tuckered between his legs” comment – that Jacob encountered nothing but failure in the West and returned back to Virginia for a livelihood? Or was it something deeper? Perhaps a last chance for Jacob to seek final acceptance from his family? Who knows.

Whatever Jacob had sought in 1836 Virginia, he did not find it. His father Enoch revealed that the family’s wheelwright business had suffered a setback, due to the economic depression that struck the United States in the mid and late 1830s. And the Wheelers seemed no more closer in accepting Jacob for himself or his Western family. His cousin, Naomi Wheeler (Keri Russell) viewed Indians as non-human. His brother Ezra regarded Thunder Heart Woman as a mere ”squaw”. Naomi’s sister, Rachel (Jessica Capshaw), viewed young Margaret’s hand as a piece of dung. And Enoch seemed to act as if his new daughter-in-law and grandchildren did not exist. No wonder Jacob ended up complaining about the Wheelers’ treatment of his Lakota family.

Eventually, Jacob decided to take his wife and children and return to the West permanently – preferably Californa. It seemed the Wheelers’ continuing disregard toward them – along with news of his idol Jedediah Smith’s death – led to this decision. He almost seemed cold and distant toward his parents and Ezra. But he did not count on Jethro and his three female cousins’ decision to accompany him to California. Apparently, not all of the Wheelers viewed him as an oddball for his preference for the West. Jacob seemed heartened by Jethro’s decision to join him. And although Naomi, Rachel and Leah’s (Emily Holmes) decision to join the trek West took him by surprise, Jacob readily accepted their company. In the following narration, he came to this conclusion:

”I hope that I would prove equal to the responsibility I had undertaken.”

I found this comment rather odd. Jethro and the three cousins had been determined to follow Jacob and Thunder Heart Woman on the trek to California, regardless of anything he would have done or said. Even Jethro had later pointed this out.

The next three years (1837-1840) must have been the best Jacob had ever experienced with any of the Virginia Wheelers. The three cousins – Naomi, Rachel and Leah – finally began to view Thunder Heart Woman as a member of the family and cherished her and Jacob’s three children (Abraham had been born in Wheelerton in 1836 and Jacob Jr. was born in Missouri sometime in late 1840). Jacob’s close relationship with Jethro seemed like a far cry from the conflicts with Nathan that marred his trip to the west back in the 1820s. One would begin to think that Jacob no longer suffered from any insecurity by this point. And yet . . . they only remained buried inside him, waiting for the right moment to manifest.

In the end, it took the wagon train journey to California (dubbed ”the Wagon Train of Doom” by me) featured in ”Manifest Destiny” for Jacob’s insecurities to get the best of him. Upon their arrival in Independence, Missouri in the fall of 1840, the Wheeler family remained there during the winter before joining a California-bound wagon train led by one Stephen Hoxie (Beau Bridges) in the spring of 1841. Surprisingly, only Thunder Heart Woman seemed reluctant to leave Missouri. I suspect she had enough of being constantly on the move for the past several years. But the rest of the Wheelers, especially Jacob, seemed determined to head for California.

Once the Hoxie wagon company began their westward trek, everything seemed to be faring well. The weather seemed beautiful. Everyone seemed to be in good spirits – including the black family from Illinois named Jones that managed to join the wagon train without any opposition. Both Naomi and Rachel attracted the romantic attention of the train’s two scouts – ‘Skate’ Guthrie and James ‘Jim’ Ebbets (Ryan Robbins and Christopher Heyerdahl). This contentment finally ended when Thunder Heart Woman spotted wolves feeding off the corpse of a buffalo and when the train later crossed what I believe was the Big Blue River. The incident proved to be the first of two disagreements between the couple. Thunder Heart Woman viewed the wolves as a sign that the wagon train would come to a bad end. She insisted that the Wheeler family return to Missouri. Jacob dismissed her worries as superstition on her part. But the expression on his face clearly indicated his doubts on the wisdom of the trip.

Then the first disaster struck. One of the emigrants, a German-born minister named Preacher Hobbes (Derek de Lint), lost control of his wagon during the crossing. Distracted by the Hobbes family’s situation, Jethro nearly lost control of his wagon. Leah fell out of the wagon and drowned in the river’s fast flowing water. Although Hobbes received an angry response for his carelessness from Captain Hoxie, the Wheeler women’s anger seemed to be directed at Jacob for leading them to this western trek. The expression of guilt seemed very palpable on Jacob’s face, as Naomi demanded that he take the family back to Missouri. Leah’s death proved to be just the beginning.

The further west the wagon train traveled, more disasters followed. The emigrants were forced to deal with a severe thunderstorm and a cattle stampede that left the only son of a black emigrant named Absalom Jones (Neville Edwards) dead. Not long after the storm and the stampede, both Naomi and Rachel married two of the wagon train’s scouts, Skate and Jim. But that brief period of happiness failed to last when the wagon train attempted to travel through a pass. While traversing a pass, a wagon broke free, knocked Rachel down and ran over her leg, causing a severe compound fracture. The leg eventually became infected. Hobbes, the closest thing to a doctor available, tried to amputate Rachel’s leg; but his efforts turned out to be clumsy and Rachel died before he could finish. Although no family member angrily demanded that return to Missouri, the expression on Jacob’s face obviously conveyed his feelings of guilt.

The final blow to Jacob’s disastrous return to the west occurred when Mrs. Jones died from cholera. Since the Wheelers’ wagons had been traveling with the Jones’ wagon at the back of the train, they had been exposed to the disease. Hoxie and the scouts forced the Wheelers and the remaining members of the Jones family (Mr. Jones and Sally Jones) to remain behind under quarantine while the main body of the wagon train carries on. Only Naomi was able to continue with the train, since she had been with her new husband. Jethro became afflicted with symptoms of cholera but recovered. Both Jacob and Thunder Heart Woman drifted into a serious quarrel, when he suggested that she take their children and attempt to find her Lakota family. Needless to say, Thunder Heart Woman took the suggestion badly and reminded Jacob that he should have listened to her warnings about the journey.

No new outbreaks occurred after Jacob ordered that all drinking water be boiled. The Wheelers and the Jones rushed to catch up with the wagon train, but discovered that it had been attacked by Cheyenne warriors. All of the emigrants had been wiped out, aside from Naomi, who first became a captive and later, a wife of a Cheyenne chief Prairie Fire (Jay Tavare). The Wheelers and the Jones families were also attacked by Cheyenne warriors. They managed to repulse the attack, but Jacob ended up seriously wounded by an arrow in his chest. The surviving emigrants tried to move on with a wounded Jacob, but the juts and bumps of the trail made it impossible for him to endure the pain. Instead, he insisted that Thunder Heart Woman, Jethro, Mr. Jones and the children continue west to California without him, since he would only prevent them from crossing the Sierra Nevada Mountains before winter. They left him behind with great reluctance.

The period that Jacob spent east of the Sierra Nevada Mountains allowed him to wallow in loneliness and grief over the separation from his family. But he remained determined to find them. And it took him another four to five years before he finally did. Becoming a member of John Charles Frémont’s California Volunteer Militia during the Mexican-American War allowed Jacob to scour the region for signs or news of his remaining family. Five years passed before he finally came upon the ranch that Jethro and Thunder Heart Woman had settled. Jacob also discovered that in the intervening years, his brother and wife had considered him dead, began a relationship and had a child – a little girl named Cornflower. Devastated by this turn of events, Jacob decided not to reveal himself to his family. At least not openly. Instead, he left the wooden medicine wheel necklace that Thunder Heart Woman had given him when they first met to his youngest child, Jacob High Cloud. Another five years passed before Jacob finally reconciled with his family, due to the efforts of his daughter, Margaret Light Shines.

Ever since I first saw ”INTO THE WEST” and especially the above mentioned scene from ”Manifest Destiny”, I have found myself wondering about Jacob’s actions. I understood why he decided not to intrude upon the family that Jethro and Thunder Heart Woman had formed upon their arrival in California. But why did he leave the medicine wheel necklace to young Jacob? Surely, he knew that his family would be aware that he was alive . . . and knew about their situation? Looking back on his action, it struck me as a very passive-aggressive on his part. He lacked the courage to face Jethro and Thunder Heart Woman. And yet, he seemed determined to thwart the happiness they had created . . . as if he was punishing them for continuing their lives without him. Or perhaps Jacob felt a great deal of envy toward Jethro because the latter turned out to be the one who successfully led the family to California, and not him.

Perhaps Jacob had always a passively-aggressive personality from the beginning. His relationship with his Virginia family struck me as being marked by a great deal of passive-aggressive behavior from the start. Jacob seemed determined to be his own man, whether in his enthusiasm for the West, his decision to leave Wheeler or join Jedediah Smith’s expedition over following his brother Nathan to Texas. And yet . . . he never defended himself in the face of their criticism. Instead, he resorted to resentful silence. Why did he constantly fail to defend himself? Was he merely trying to keep the peace? Or did some small part of him fear that his family may have been right about him? It seemed strange than many fans and critics of "INTO THE WEST" seemed to adore Jacob for his seemingly self-assurance and outgoing personality. At the same time, they derided Jethro for being an insecure loser in their eyes. I got the feeling that they were so busy either scorning Jethro or adulating Jacob that they failed to detect the latter’s personal insecurities and darker traits. And Jacob certainly had them by the bucketful.

Did Jacob ever overcome his insecurities? Perhaps. Perhaps not. I wonder if many are aware of this, but it usually takes an individual to overcome his or her faults during an entire lifetime. A good number of people never succeed in overcoming all of their faults. And since "INTO THE WEST" focused more on his and Thunder Heart Woman’s children in the last three episodes, audiences never discovered if he had overcome all of his faults and insecurities. Jacob certainly seemed more at peace in his old age than he did during his first forty years. Perhaps those years of solitude near the Sierra Mountains foothills helped him finally achieve some inner peace.