"LOST" RETROSPECT: (4.08) "Meet Kevin Johnson"

 

"LOST" RETROSPECT: (4.08) "Meet Kevin Johnson"

Years ago, I had written an ARTICLE about the "LOST" Season Four episode, (4.08) "Meet Kevin Johnson". Instead of discussing the episode itself, my article focused on the media and fandom's reactions to it and especially their reactions to the Michael Dawson character, portrayed by Harold Perrineau. But after my recent rewatch, I decided to focus on the episode itself.

"Meet Kevin Johnson", in my personal opinion, was a very good episode. In fact, I consider it one of the better episodes from the series' fourth season and the second-best one that focused on Michael. Like Season Two's (2.07) "The Other 48 Days" and Season Six's (6.15) "Across the Sea", "Meet Kevin Johnson" featured a continuous flashback - the third longest in the show's history. Yet, screenwriters Elizabeth Sarnoff and Brian K. Vaughan had created something interesting with the episode's narrative. The continuous flashback was book-ended with present day scenes aboard Charles Widmore's freighter, the Kahana and on the island. I found this very original. But more importantly, I believe this episode featured one of Perrineau's best performances in the series, good enough for an Emmy nomination that sadly, never materialized.

My only complaint regarding "Meet Kevin Johnson" focused on its timeline. It had occurred to me that Benjamin Linus, the Others' leader, had sent Tom Friendly to New York City to recruit Michael, between the events of Season Three episodes, (3.13) "The Man from Tallahassee" and (3.19) "The Brig". Not only did I find this time period rather slim for Tom to travel to the United States and return in time for Season Three's last four or five episodes, I found myself wondering how Tom had left the island . . . following John Locke's destruction of the Others' submarine in "The Man from Tallahassee". Hmmm. It also occurred to me that roughly a month had passed between Michael and Walt's departure in the Season Two finale, (2.23-2.24) "Live Together, Die Alone" and Michael's return aboard the Kahana in (3.17) "Catch-22". I cannot help but feel that the episode's timeline may have been sketchy at best.

But I want to discuss something else about "Meet Kevin Johnson". In my previous article about the episode, I had discussed what I felt were the hypocritical reactions to Michael's character in this episode and throughout the series. After viewing "Meet Kevin Johnson", I recognized numerous instances of hypocrisy from the characters. In fact, the level of hypocrisy featured in the episode struck me as amazing.

I had a good deal of issues regarding Ben and Tom's exploitation of Michael’s guilt for killing Ana-Lucia and Libby. I realize both men had wanted to recruit him to help deal with those traveling aboard the Kahana. But every time Michael had brought up the kidnapping of his son Walt Lloyd, both men had failed to express any remorse for it. Tom had responded to Michael's accusation by gaslighting the latter over Ana-Lucia and Libby's deaths. I guess exploiting Michael's guilt was more important to him than acknowledging his own over the kidnapping. I also believe that recruiting Michael to serve as Ben's spy would have been easier for Tom if he had simply acknowledged the kidnapping and expressed remorse for it.

Ben had also gaslighted Michael. First, he had ordered Tom to instruct Michael to kill the Kahana crew. Ben even provided a package for the deed - a bomb - to Michael. Upon meeting the murderous Martin Keamy and his mercenaries, Michael had programmed the bomb to set it off. The bomb proved to be fake. Apparently, Ben wanted to prove to Michael that he was a good guy and incapable of killing others. I found this incredibly hypocritical, considering by this point, Ben already had already murdered his father years ago and God only knows how many others. And why on earth did he order Tom to instruct Michael to kill the Kahana crew in the first place? Why deliver a bomb - namely a fake one - to Michael? What made this whole situation so ironic is that in the end, Ben (with Keamy's help) proved to be the one responsible for the Kahana's destruction, along with the deaths of the remaining Kahana crew and Michael, when he killed Keamy inside the island’s Orchid Station. Hell, it took Ben another six years to finally express any remorse over Walt’s kidnapping.

Then we have Oceanic survivors Sayid Jarrah and James "Sawyer" Ford. Both men had condemned Michael for his actions in late Season Two, when they discovered he was among the Kahana crew. When Ben had informed some of the Oceanic castaways at the Others' abandoned barracks that Michael was serving as his spy aboard the Kahana, Sawyer had accused Michael of killing Libby and Ana-Lucia in order to free Ben and get off the island. Period. Nothing else. Upon discovering Michael's presence aboard the Kahana and that he was serving as Ben's spy, Sayid condemned Michael for being a traitor to the Oceanic castaways, when the latter led Sawyer, Jack Shephard, Hugo "Hurley" Reyes, and Kate Austen into a trap set by the Others in "Live Together, Die Alone". Sayid even turned Michael over to the freighter’s captain.

And yet . . . not once did Sawyer or Sayid ever mention Walt. Not . . . fucking . . . once. I found it odd that Sawyer had forgotten that Michael's actions had stemmed from his desire to rescue Walt from the Others’ clutches. I find this odd and very hypocritical, considering he had called himself killing Tom in retaliation for Walt's kidnapping. What made this reasoning dubious to me is that Sawyer never went after Ben for the kidnapping . . . the very man who had ordered the kidnapping in the first place. As for Sayid . . . he had learned about Naomi Dorrit's lies, witnessed Daniel Faraday's lies and Miles Strume's hostility on the island. Aboard the Kahana, Sayid had witnessed Captain Gault and other crewmen engaged in strange behavior. He also met Keamy and his fellow mercenaries aboard the Kahana. This should have made Sayid more leery of the Kahana crew. Instead, he became outraged over Michael working for Ben and exposed his fellow Oceanic castaway to the Kahana’s captain. He and accused Michael of not only working for Ben, but also for being a traitor to his fellow castaways. It finally occurred to me that ever since Shannon Rutherford's death in early Season Two, Sayid had developed a toxic obsession and hostility toward Ben Linus - which finally spilled over in late Season Five. It also occurred to me that neither Sawyer or Sayid had ever mentioned Walt or the kidnapping. Nor did either of them ever expressed concern or curiosity about his post-island life. Come to think of it, even Michael had his own hypocritical moment, when he accused Ben of being responsible for Ana-Lucia and Libby's deaths. I believe he wanted to blame Ben for driving him into committing his crimes in (2.20) "Two for the Road".

As I had stated earlier, I believe "Meet Kevin Johnson" was a pretty good episode and probably one of the better ones from Season Four of "LOST". I also noticed the episode reeked with hypocrisy - especially from characters like Benjamin Linus, Tom Friendly, Sayid Jarrah and James "Sawyer" Ford. I do not know if anyone else would regard their behavior and comments as hypocritical or view this all as the screenwriters' questionable writing. Oh well . . . I know how I feel.

"LOST" Retrospect: "Who Ordered the Dharma Initiative Purge?"

 

"LOST" RETROSPECTIVE: "WHO ORDERED THE DHARMA INITIATIVE PURGE?"

Eight years ago, I had written this article about a major incident on the ABC television series, "LOST". This incident happened to focus on the murders or "Purge" of the scientific research organization known as the Dharma Initiative. It happened on December 19, 1992; nearly twelve years before the series began and before the crash of Oceanic Airlines 815 flight.

In the Season Five episode, (5.10) "He's Our You", Oceanic Flight 815 survivor and later, time traveler Sayid Jarrah tried to murder young Ben Linus in 1977. In the following episode, another Oceanic time traveler, Dr. Jack Shephard, refused to treat the badly wounded Ben, who was near death. Eventually, two other time traveling castaways, James "Sawyer" Ford and Kate Austen, had taken Ben to the Others aka the Hostiles aka the Natives, a group of island inhabitants who served as its protectors on the behalf of the main protector Jacob, for treatment via Dr. Juliet Burke's instructions. Within a decade-and-a-half, Ben ended up ousting future billionaire Charles Widmore as leader of the Others.

Ever since the series had first aired, many fans had been uncertain of when Ben's tenure as the Others' leader had began - before or after the Purge. As I had stated earlier, the Purge occurred in December 1992, on the same day as Ben's birthday and during the same month as the Others' rejection of Widmore as their leader. Many fans and television critics had automatically assumed Ben had ordered the Purge. I have heard comments that compared Ben to Adolf Hitler. I have also heard comments that compared Ben’s younger self to a "young Hitler". Many people have claimed that it was Ben who had ordered the deaths of the Dharma Initiative members. However, I have my doubts.

During Seasons Three and Four, Ben had offered contradicting comments on whether or not he had ordered the Dharma Initiative Purge. In (3.23) "Through the Looking Glass", he had claimed responsibility of the Purge to Jack:

"Not so long ago, Jack. I made a decision that took the lives of over forty people in a single day"

Unfortunately, Ben had contradicted this claim in two other episodes. In the Season Three episode, (3.20) "The Man Behind the Curtain", he had said this to Oceanic survivor John Locke, while he displayed the remains of Dharma members at a mass grave:

"This is where I came from, John. These are my people. The Dharma Initiative. They came here seeking harmony, but they couldn't even co-exist with the Island's original inhabitants. And when it became clear that one side had to go, one side had to be purged, I did what I had to do. I was one of the people that was smart enough to make sure that I didn't end up in that ditch. Which makes me considerably smarter than you, John."

Ben never claimed responsibility for ordering the Purge to Locke. He had confessed to participating in the Purge. That same episode made it clear that his participation involved killing his abusive father, Dharma Initiative worker, Roger Linus. In fact, Ben also made the same thing clear in the Season Four episode, (4.11) "Cabin Fever", when he had the following conversation with another Oceanic castaway, Hugo "Hurley" Reyes:

HURLEY: So... This is where you shot Locke and left him for dead, huh?
BEN: Yes, Hugo, I was standing right where you are now when I pulled the trigger. Should have realized at the time that it was pointless, but... I really wasn't thinking clearly.
[Hurley steps back a little]
HURLEY: Is that why you killed all these people, too?
BEN: I didn't kill them.
HURLEY: Well, if the Others didn't wipe out the Dharma Initiative --
BEN: They did wipe them out, Hugo, but it wasn't my decision.
HURLEY: Then whose was it?
BEN: Their leader's.
HURLEY: But I thought you were their leader.
BEN: Not always.

Interesting. He had admitted to trying to kill Locke in "The Man Behind the Curtain". But he denied being the one who had ordered the Purge. Also, Ben had been truthful when he told Hurley that he had not always been the Others' leader. The series had featured three other leaders - the ageless Richard Alpert (who eventually became the future leaders' advisor), Eloise Hawking and Widmore. Although some fans remain convinced that Ben had ordered the Purge, there are a good number of fans who hold Widmore responsible.

Thanks to a flashback in the Season Five episode called (5.12) "Dead Is Dead" - viewers learned that Widmore had definitely been the leader of the Others back in 1988. And in another Season Four episode called (4.09) "The Shape of Things to Come", viewers learned in a flash forward scene set in London that Ben had taken the leadership of the Others away from Widmore:

WIDMORE: I know who you are, boy. What you are. I know that everything you have you took from me. So... Once again I ask you: Why are you here?
BEN: I'm here, Charles, to tell you that I'm going to kill your daughter. Penelope, is it? And once she's gone... once she's dead... then you'll understand how I feel. And you'll wish you hadn't changed the rules.
[Widmore shifts in his bed.]
WIDMORE: You'll never find her.
[Ben turns to leave.]
WIDMORE: That island's mine, Benjamin. It always was. It will be again.

I found it interesting that Widmore had regarded the island as "his". And there were other aspects of Widmore that I found interesting. The Season Five episode, (5.03) "Jughead", had revealed Widmore as a member of the Others, as far back as 1954 (when he was seventeen years-old). As one of the Others, Widmore (along with Richard and Hawking) had participated in a previous purge - that of U.S. Army personnel, who had brought a hydrogen bomb nicknamed "Jughead" with them to the island. On other occasions, Widmore had this inclination to kill anyone he deemed a threat to the island's secrecy. He killed a fellow Other to prevent the latter from leading Locke, Sawyer and Juliet to Richard's location in 1954. The 1988 flashback from "Dead Is Dead" revealed Ben's refusal to kill Danielle Rousseau and her baby, Alex. Instead, he claimed Alex as his child and threatened Danielle to stay away. This decision had angered Widmore, who had expected Ben to kill both. Why were Danielle and Alex's deaths that important to Widmore? Ironically, Widmore finally got his way regarding Danielle and Alex, thanks to Martin Keamy, the mercenary he had sent to the island to snatch Ben in Season Four.

So, when did Ben Linus replace Charles Widmore as leader of the Others? Before December 19, 1992? Or after? The photograph below from "The Man Behind the Curtain" hints that Ben had remained a worker for the DHARMA Initiative during that period, despite joining the Others sometime in the 1980s:



But had Ben assumed leadership of the Others by then? If not, does that mean Charles Widmore was still leading the Others in December 1992? Both the LOSTPEDIA and the WIKIPEDIA sites claimed that Richard Alpert had led the Others' purge against the Dharma Initiative in 1992. But neither site made it clear who had ordered the Purge. And "Dead Is Dead" never gave a clear date on Widmore's exile.

One would assume my choice for the man responsible for ordering the Purge would be Widmore. And you would be right. There seemed a good deal of evidence making him responsible. He had already participated in an earlier purge back in 1954. Ben had revealed time and again his willingness to use violence - even kill those he deemed a threat to himself or for emotional reasons. But the series had also revealed Widmore's willingness to do the same and especially kill in the name of protecting the island. And that included ordering Ben to kill an emotionally unstable Danielle Rousseau and her infant child. Widmore had also sent the murderous Martin Keamy to the island in late Season Three-Season Four to snatch Ben. He had claimed to Locke in (5.07) "The Life and Death of Jeremy Bentham" that he had done so to give Locke the opportunity to become the Others' new leader. Yet, his words to Locke contradicted his words to Ben in London, when he had claimed the island as "his". This scene had occurred nearly a year or more after the events of Season Four.

There is also the matter of whether Keamy had another agenda - namely to kill any of the Oceanic survivors that remained. In "Cabin Fever" he had demanded Sayid reveal the number of other Oceanic survivors and their location. Fortunately, the latter had refused. In a confrontation with the freighter's Captain Gault, Keamy revealed his intentions to "torch" the island. Some claimed that this had been Keamy's angry reaction to his men being attacked by the Smoke Monster. Yet, in (4.08) "Meet Kevin Johnson", Ben had accused the freighter crew of plans to snatch him and kill the island's inhabitants. The only freighter personnel in the room - spiritualist Miles Straume - had remained unusually silent. In the following episode, (4.09) "The Shape of Things to Come", Miles claimed that Keamy and his men were around to serve as security guards for a captured Ben. But there was the revelation that Widmore had set up a false location for the missing Oceanic 815 plane - with a plane wreck and dead bodies included. This is merely an assumption of mine, but I believe Widmore had sent Keamy to not only snatch Ben, but to kill the remaining Oceanic survivors as well to maintain the narrative. I found a good deal of clues that led me to suspect Widmore had ordered the Dharma Purge.

After watching the series more than once, I find it increasingly difficult to hold Ben responsible for the Purge. His actions against the Oceanic castaways had featured spying, kidnapping, harassment, threats and manipulation. He rarely resorted to murder - aside from his attempt to kill Locke and his order to kill Sayid, Jin Kwon and Bernard Nader during the events in the Season Three finale, (3.23) "Through the Looking Glass, Part 2". If Ben had been truly capable of ordering the Purge, he would have wiped out the Oceanic survivors (or tried to) after getting Jack to remove the tumor from his spine. The man had proved incapable of following Widmore's orders to kill Danielle and Alex.

In the end, viewers know that Charles Widmore had been the leader of the Others in 1988-89, when he had ordered Ben Linus to kill Danielle Rosseau and her infant daughter. Viewers know that Ben had refused. Viewers also know that Richard Alpert had led a group of Others in the Purge against the U.S. Army in 1954. He also led the Others' purge against the Dharma Initiative on December 19, 1992. On that same date, Ben killed his father, Roger Linus, in a similar manner – by toxic gas. And viewers know that Ben had eventually replaced Widmore and exiled the latter off the island. Personally, I suspect Widmore had ordered the Purge against Dharma. But I suspect it was an order he had not issued lightly, given the number of years the Others had been in conflict with the Dharma Initiative and the dangerous nature of latter's experiments regarding the island's electromagnetic energy.

But I cannot say with any authority that Widmore had ordered the Dharma Initiative Purge. If we only knew exactly when Widmore had been exiled, perhaps this mystery of the Purge will finally be cleared.

"STAR WARS: EPISODE VII - THE FORCE AWAKENS" (2015) Review

"STAR WARS: EPISODE VII - THE FORCE AWAKENS" (2015) Review

During the fall of 2012, the media and many film fans were stunned by news of filmmaker George Lucas' sale of his production company, Lucasfilm, to the Walt Disney Company. I was flabbergasted. However, this sale led to Disney's plans to continue Lucas' "STAR WARS" movie saga with future releases, television shows, novels and comic stories. 

One result of this sale proved to be Disney's new film, "STAR WARS: EPISODE VII - THE FORCE AWAKENS". The first of three movies for the franchise' "Sequel Trilogy","THE FORCE AWAKENS" is set some thirty years after the 1983 film, "STAR WARS: EPISODE VI - RETURN OF THE JEDI". Some time after the Galactic Empire's major defeat at the Battle of Endor, remnants of this political force formed a new galactic power known as the First Order under the mysterious leadership of Snoke, a Force user. Within less than thirty years, the First Order has managed to take possession of new worlds and become a powerful force within the galaxy. Although appalled by the First Order's development, the New Republic government decided to do nothing. 

Former Rebel Alliance leader, Leia Organa, managed to form a military organization from the rank and file of the New Republic's armed forces called the Resistance. Believing that the Resistance need more help, Leia recruited a pilot named Commander Poe Dameron to acquire find a segment of a star map that was in the possession of the legendary explorer Lor San Tekka on Jakku. This map would lead to the whereabouts of her brother, Jedi Master Luke Skywalker, who had disappeared into exile following the destruction of a new generation of Jedi under his tutelage. Unfortunately, the village where Tekka lived was captured by a force of First Order stormtroopers under the command of one of Supreme Leader Snoke's enforcers, a Force user named Kylo Ren. Ren ordered his troops to kill Tekka and the other villagers, while he took Dameron captive. Fortunately, the Resistance pilot had hidden the map inside his astromech droid, BB-8, which managed to escape. Even more fortunately, Dameron was rescued by a stormtrooper designated FN-2187, who wanted to use Dameron to help him defect from the First Order. 

Finn and Dameron stole a TIE fighter plane and returned to Jakku to find BB-8. However, the plane crashed. FN-2187 - renamed "Finn" - by the pilot, encountered a desert scavenger named Rey, who had already found BB-8. Realizing that the First Order was after the droid, the pair made their escape from Jakku aboard the old freighter, the Millenium Falcon, and set out to find the Resistance forces. Along the way, Finn and Rey attempted to evade the pursuing Kylo Ren and met the Falcon's former owner, Han Solo and the latter's companion Chewbacca; who ended up helping them with their goal.

Many critics and moviegoers hailed "THE FORCE AWAKENS" as a return to what the franchise used to be back in the late 1970s and early 1980s. And not surprisingly, it became the top earning movie released in 2015. Lucasfilm, now headed by producer Kathleen Kennedy (who had worked with Lucas and Steven Spielberg for years), turned to producer-director J.J. Abrams to helm this first film. Screenwriter Michael Arndt was originally hired to write the movie's script, following Lucas' treatment. But Lucasfilm and Abrams decided to scrap both him and the treatment. Then Abrams and filmmaker Lawrence Kasdan created their own screenplay . . . one that obviously pleased a lot of people. How do I feel about the movie? Well, like many films, "THE FORCE AWAKENS" has both good and bad qualities. I am going to start what I liked about it.

For me, the stars of "STAR WARS: EPISODE VII - THE FORCE AWAKENS" are actors John Boyega, who portrayed Finn; and Harrison Ford, who reprised his role as Han Solo. Their performances gave this movie an energy that could not be matched by the rest of cast. In the case of Ford, this movie featured his best performance in the four "STAR WARS" he has appeared in. And of the new cast members for the Sequel Trilogy, I feel that Boyega has quickly emerged as the best of the bunch, thanks to his energetic and humorous portrayal of a very complex character. Actually, Finn reminded me of a younger Han Solo. Perhaps that is why he clicked so well with the veteran actor. Come to think of it, he also managed to click well with the other two new leads - Daisy Ridley and Oscar Isaac. My only problem with Finn is that his character sometimes came off as some doofus who seemed to stumble his way through life. Two other performances in "THE FORCE AWAKENS" that really impressed me came from Oscar winner Lupita Nyong'o, who served as the voice and movements behind a new character called Maz Kanata. And Peter Mayhew, like Ford, was marvelous as always as the aging Wookie, Chewbacca. In a way, I found this miraculous for both Ford and Mayhew, considering that both suffered health issues during the movie's production. What else did I like about "THE FORCE AWAKENS"? Well to my utter surprise, I enjoyed the new astromech droid, BB-8. When I had first saw it in some of the movie's trailers, I had dismissed it as a second-rate version of R2-D2 and C3-P0. I was very surprised at how quickly I grew fond of the character.

There were other aspects of "THE FORCE AWAKENS" that I enjoyed, as well. If I have to brutally frank, I did not find most of Dan Mindel's photography that impressive. But there were a few scenes that did impress me. I found Britain's Lake District, which served as Takodana, very beautiful, thanks to Mindel's photography. I was also impressed by his photography of United Arab Emirates and New Mexico, which served as the planet of Jakku. Mandel even managed to include an iconic shot, as shown below:

<

One last aspect of the movie that impressed me was Maryann Brandon and Mary Jo Markey's editing. I thought they did a pretty damn good job in the sequence that featured Finn and Rey's escape from Jakku aboard the stolen Millennium Falcon. But I found their work in the sequence in which the pair, Han Solo and Chewbacca get into conflict with pirates gangs who want to settle a score with Han, while three Rathtar creatures run rampant throughout the Falcon and Han's other ship . . . to be very impressive. And it lacked the taint of confusion which has hampered many action scenes in the past.

Did I have any problems with "THE FORCE AWAKENS"? Unfortunately, yes. A lot of problems. I read somewhere that Lucasfilm/Disney had originally hired Michael Arndt to write the movie's screenplay, but in the end, Kathleen Kennedy and J.J. Abrams rejected it. Abrams recruited Lawrence Kasdan, an old Lucasfilm veteran to rewrite the script and the result is what ended on the movie screens. And honestly . . . I was not impressed. Not by a long shot. The main problem I had with "THE FORCE AWAKENS" is that it shared too many plot points and characterizations with the first film in the franchise, 1977's "STAR WARS: EPISODE IV - A NEW HOPE". Hell, Abrams and Kasdan managed to borrow a bit from 1980's "STAR WARS: EPISODE V - THE EMPIRE STRIKES BACK" and the Prequel movies. It is one thing to lift certain aspects of from other works of art and even history - especially in the science-fiction/fantasy genre. It is another to literally borrow from another movie . . . within the same movie franchise. Just to verify my complaint, I had come across anEntertainment Weekly article that listed eighteen similarties between "THE FORCE AWAKENS" and "A NEW HOPE" that included:

*A droid carrying valuable information who finds himself on a desolate desert planet
*A Force-sensitive, masked, and darkly clothed antagonist who arrives on the scene shortly after the information is handed off, looking for the droid
*A lonely, Force-strong desert dweller who dreams of more
*A cruel military officer who holds a comparable level of authority to his Force-sensitive, masked, and darkly clothed colleague
*A massive spherical weapon that’s used to destroy a planet
*A coordinated aerial attack on the massive spherical weapon that’s monitored from a control room by Leia

Six similarities between the two movies strike me as disturbing. Eighteen similarities seem utterly ridiculous to me. Even worse, I managed to come up with four similarities between this movie and "THE EMPIRE STRIKES BACK". The masked enforcer is revealed to be a member of the Skywalker family, the heroes end up on an ice planet, the roguish protagonist is left in dire straits by the end of the movie and the potential Force user meets an aging Jedi master for new lessons. J.J. Abrams, Kathleen Kennedy and the Disney Studios might as well stop protesting and admit that their new blockbuster reeks of unoriginality and plagiarism.

Another problem I had with "THE FORCE AWAKENS" proved to be characterization. I had no problem with the idea of characters from the saga's previous trilogies making an appearance. I had a problem with the new characters being a rehash of other characters - like our desert future acolyte Rey being a remake of the young Luke Skywalker; the First One enforcer Kylo Ren aka Ben Solo being another Anakin Skywalker; Resistance pilot Poe Dameron being another Leia Organa (but without the caustic wit); former stormtrooper Finn being another Han Solo; Supreme Leader Snoke is another Chancellor/Emperor Palpatine; and General Hux is another Grand Moff Wilhuff Tarkin (without the presence). Actually, this video clip from You Tube/Dorkly.com pretty much said it all. The similarities between the saga's characters strikes me as another example of the lack of originality in this movie.

But some of the characters proved to be very problematic for the movie's plot. One of the biggest problems proved to be the character of Rey. As a woman, I found it satisfying that a leading STAR WARS character is not only a Force user, but a young woman. Unfortunately, Abrams and Kasdan took this too far by nearly portraying Rey as a borderline Mary Sue. Well, Lucas nearly transformed Luke Skywalker into a Gary Stu (same thing, male version) - especially in the last half hour of "A NEW HOPE" and the first hour of "RETURN OF THE JEDI". But with Rey, Abrams and Kasdan took it too far. Using her strong connection to the Force as an excuse, they allowed Rey to become a talented pilot who could rival Han Solo and Anakin Skywalker, easily learn how to utilize the Jedi Mind Trick and defeat an experienced Force user with a lightsaber without any training. Without real any experience or training whatsoever. By the way, that last achievement really rubbed me the wrong way. I mean . . . what the hell? What is she going to do in the franchise's next movie? Walk on water? Now . . . Daisy Ridley gave a nice performance as Rey. But she failed to knock my socks off. Her performance was not enough for me to overlook the ridiculous level of skills that her character had accomplished.

Equally problematic for me proved to be the Kylo Ren character, who turned out to be Han and Leia's only son, Ben Solo. According to the movie, he was one of Luke's padawan learners, before he made the decision to embrace evil, kill of Luke's other padawans and become an enforcer for the First Order. Why? I have not the foggiest idea. "THE FORCE AWAKENS" made it clear that he seemed to worship his grandfather's role as a Sith Lord. I can only assume that either the next movie or"EPISODE IX" will reveal the reason behind young Ben's embrace of evil. I hope so. Because the reasoning presented in this film really sucks. It sucks just as much as Ren's man child behavior. You know, I could have stomach this behavior if he had been around the same age as his grandfather in the Prequel Trilogy's second and third movies. But Kylo Ren is pushing thirty in this film. He strikes me as too old to be engaging in childish temper tantrums. I can only assume that contrary to Han's "He has a bit of Vader in him" comment, Kylo Ren is more a chip off the old block - namely his dad, who had behaved like a man child in the 1977-83 films. And why did Han and Leia name their son after Obi-Wan Kenobi, who used the name "Ben" during his years of exile on Tatooine? Leia never knew him . . . not personally. And Han never really clicked with Obi-Wan on an emotional level. So, why did they name him after the long deceased Jedi Master? As for Adam Driver, he gave a decent performance, but honestly . . . it was not enough for me to be fascinated by his character. It was just . . . decent.

Leia Organa seemed to be a ghost of her former self, thanks to Carrie Fisher. God bless Fisher, she tried. She really did. Abrams and Kasdan even gave her a few witty lines. But . . . Fisher's performance reminded me of the one she gave in "RETURN OF THE JEDI" . . . lacking in any real fire. And I was disturbed by one scene in which Leia rushed forward to hug Rey, following the latter's return from the First One's Starkiller Base. Why did Leia ignore Chewbacca, who must have been torn up over Han's death? Why did Chewie ignore her? Poe Dameron proved to be a real problem. One, he was not an interesting character to me. Frankly, I found him rather bland. And considering that Oscar Isaac portrayed the character, I found myself feeling very disappointed. A talented actor like him deserved a better role than this. Also, why did Poe leave Jakku and returned to the Resistance's base? His mission was to acquire information leading to Luke Skywalker's whereabouts . . . information that he had stored in his BB-8 droid before the First Force appeared at that Jakku village. After Finn had rescued him from Kylo Ren and the First Force warship, Poe insisted that they return to Jakku, so he could find BB-8. What did he do after his and Finn's TIE fighter crashed on the planet? Poe walked away from the crash, found transport off the planet and returned to his Resistance base. Not once did he bother to finish his mission by searching for BB-8. What the fuck? He went through all that bother to drag Finn back to Jakku and failed to hang around long enough to find BB-8? SLOPPY!! As for Mark Hamill . . . why was he even in this movie? He appeared in the movie's last scene without speaking one word of dialogue. What a waste of time!

There were other scenes that rubbed me the wrong way. Critics made a big deal over the Nazi-like speech that General Hux gave the First Order troops on the Starkiller Base, swooning over the idea of Nazi metaphors in a "STAR WARS" movie. Big deal. There have been Nazi metaphors in the franchise's movies since the first movie in 1977. Only Lucas did not resort to a ham fisted speech, similar to the one given by actor Domhnall Gleeson. I also found Leia's little military conference rather laughable. She did not confer with a handful of military leaders. Instead, she seemed to be conferring with anyone - commanders, pilots, etc. - who seemed to have made their way to her table. It was like watching a STAR WARS version of a town meeting. What the hell? And what was the big deal over the First Order's search for Luke Skywalker? So what if he was the last Jedi? According to the Lor San Tekka character portrayed by Max von Sydow, there can be no balance in the Force without the Jedi. Really? Since when is the balance of the Force depended on the presence of a religious order that had not been in its prime for over half a century? With Tekka's comment, Abrams and Kasdan regressed the saga back to the Sunday School morality of "A NEW HOPE". And could someone please tell me how the lightsaber that Anakin had first constructed following the loss of his first on Geonosis and which Luke had lost during his duel against the former on Bespin, end up in the possession of Maz Kanata on Takodona? How? And why on earth did Abrams and Kasdan thought it necessary to re-introduce it into the saga? Why? It was nothing more than a lightsaber . . . a weapon. There was no need to transform it into some kind of mythologized artifact.

Aside from the colorful photography and editing, I was not that impressed by the movie's other technical aspects. One, Lucasfilm and Disney allowed both the Resistance and the First Order to use military technology that was last scene in the 1977-83 trilogy. Why? Why did the Resistance and First Order characters wear the uniforms that members of the Rebel Alliance and the Imperial Fleet wore? How cheap is that? And why have the Resistance and the First Order use technology from the same groups? The only new technology I had spotted was the two-seater TIE fighter for the First Order and the lumbering desert vehicle that Rey used on Jakka. Were Kathleen Kennedy and the Disney Studios too cheap to hire someone to create new designs for the military in this film? Or was this another over-the-top attempt to re-create the past of the first trilogy? As for John Williams' score . . . uh . . . not really impressed. Mind you, I had nothing against it. The score served the movie's plot rather well. But there was nothing memorable or iconic about it. 

I can see why many critics and moviegoers praised "STAR WARS: EPISODE VII - THE FORCE AWAKENS" as a return to the "magic" of the Original Trilogy. The movie not only utilized many technical aspects of that first trilogy, but also characterization and plot. To be brutally honest, I believe that this new movie had more or less plagiarized the first trilogy - especially "STAR WARS: EPISODE IV - A NEW HOPE". Many might regard this as something to celebrate. I do not. I regard this "celebration" of the first trilogy as an artistic travesty and a sign of the lack of originality that now seemed to plague Hollywood. From an artistic point of view, I do not believe the Force was with this movie.

"STAR WARS: EPISODE VII - THE FORCE AWAKENS" (2015) Photo Gallery

Below are images from "STAR WARS: EPISODE VII - THE FORCE AWAKENS", the seventh film in the "STAR WARS"franchise, now controlled by the Disney Studios and Lucasfilm president, Kathleen Kennedy. Directed and co-written by J.J. Abrams, the movie stars John Boyega, Daisy Ridley, Oscar Isaac and Harrison Ford: 


"STAR WARS: EPISODE VII - THE FORCE AWAKENS" (2015) Photo Gallery

"LOST" RETROSPECT: (5.02) "The Lie"

"LOST" RETROSPECT: (5.02) "The Lie"

Season Five of ABC's "LOST" has always struck me as the series' Odd Man Out. It is not the first season to break the rules of the series' format. Season Four not only featured flashbacks, but also flash forwards. But Season Five seemed to be all over the place. And I believe this was due to the cast being split up for the first half of its season. 

Before I talk about the season's second episode, (5.02) "The Lie", I feel I should do a recap of what led to its events. As many of the show's fans know, at least five of the original Oceanic Flight 815 survivors made it off the island. They were Dr. Jack Shephard, Kate Austen, Sayid Jarrah, Sun-Hwa Kwon, and Hugo "Hurley" Reyes. Five others inhabitants also managed to leave - including Claire Littleton's son Aaron, who was born on the island; Desmond Hume, who had been stranded on the island for three years; former Others leader Benjamin Linus, who left around the same time as the Oceanic survivors; Frank Lapidus, an airline pilot who had been hired to join an expedition traveling to the island aboard a freighter called the Kahana; and John Locke, whose later departure would be revealed in details in a future episode. The Season Four finale, (4.12 - 4.14) "There's No Place Like Home", viewers discovered that the original five survivors, Desmond and young Aaron were floating in a Zodiac raft, when they were picked up by a yacht owned by Desmond's love, Penny Widmore. While Desmond and Frank remained aboard Penny's yacht; Jack, Kate, Sayid, Sun, Hurley and young Aaron arrived on Fiji with a cover story about Oceanic 815's crash and how they ended there. They became known as "the Oceanic Six". 

The first half of Season Five seemed to be divided into two major time period. The episodes and scenes featuring the survivors back on the island are set during the time following the Oceanic Six's departure from the island and how they dealt with the various inhabitants they encountered, while flashing back and forth through time. Rather confusing . . . eh? The episodes and scenes featuring the Oceanic Six focused on their lives nearly three years after being off the island and Benjamin Linus' efforts to get them to return. "The Lie" continued the story of the Oceanic Six during the latter period of those three years and the efforts of the island castaways to survive the constant shifts in time, which seemed to have caused a good deal of upheaval for them. 

In this particular episode, Hurley finds himself labeled as a fugitive, when the police blames him for the deaths of two men whom Sayid had killed in the previous episode, (5.01) "Because You Left". With a barely conscious Sayid as his companion, Hurley appears at the Reyes family home and seeks refuge from the police with his parents. During his stay, he reveals to the latter the truth behind the lies concocted by Jack Shephard for the media and Oceanic Airlines. Meanwhile, Jack, who is forced to deal with withdrawal symptoms, and Ben try to round up the other Oceanic Six members and John Locke for their return to the island. According to former Other and island inhabitant, Eloise Hawking, Ben has seventy (70) hours to get them on a plane for the South Pacific. In the previous episode, two men had approached Kate for a blood sample to determine Aaron Littleton's bloodline. Fearful that Aaron might be taken away from her, Kate decides to go on the run with the toddler. However, a visit from Sun-Hwa Kwon prevents her from doing so. And when Kate tells her about the two men, Sun suggests that she takes excessive steps to prevent them from taking Aaron.

"The Lie" also featured the further adventures of those castaways left behind. Unlike those who had managed to leave the island, their story is set two to three years earlier - following Ben Linus and the Oceanic Six's departure. "Because You Left" revealed that when Ben left by turning that Frozen Donkey Wheel inside the DHARMA Orchid Station, those left behind found themselves flashing back and forth through time. In "The Lie", the remaining castaways attempt to start a fire at the old beach camp. Daniel, who had instructed a past Desmond Hume to find Eloise Hawking, join the others before they are attacked by the Others with a barrage of flaming arrows. Fortunately for James "Sawyer" Ford and Juliet Burke, John Locke comes to their rescue before they can be killed.

Wow! That seemed a lot for one particular episode. Was "The Lie" supposed to part of a two-part episode with "Because You Left"? If not, one could easily describe this episode as convoluted. There seemed to be at least three . . . perhaps four story arcs going on. At least a few of the episode's story arcs seemed to relate to its title. Hurley and Sayid's stay at the Reyes home and the former's confession to his mother about the lies Jack had concocted for the media and Oceanic Airlines seemed to be one. I could also say the same about the story arc featuring Kate's anxiety over losing Aaron. And Daniel did fail to tell Sawyer and Juliet that he had instruct the past Desmond to pay a visit to Eloise Hawking. The episode's title seemed to suggest there were consequences in the Oceanic Six's lies about their survival of the Flight 815 crash, their time on the island and return to civilization. But honestly, these consequences only seemed apparent in two story arcs - Hurley's survival guilt and Kate's anxiety over losing Aaron. 

The consequences of Oceanic Six's lies seemed to stem in the episode's flashback aboard Penny Widmore's yacht, where Jack presented the story he planned to tell Oceanic Airlines and the media. There were two very interesting reactions to his revelations. Hurley seemed very reluctant to accept Jack's lies, making it clear that he found them unnecessary. But . . . being Hurley, he caved in from Jack's pressure to accept the false story for them to tell Oceanic Airlines and spent the next three years being haunted by his decision and the lies, until he finally confessed them to his mother. Another interesting reaction to Jack's suggestion came from Kate, who seemed unusually quick to accept it. Did Kate believe that his suggestion enabled her to pretend to be Aaron's mother? This seemed rather surprising to me when"LOST" was still on the air, considering that between the time she helped Claire Littleton give birth to Aaron in (1.20) "Do No Harm" and Oceanic Six's flight from the island in (4.14) "There's No Place Like Home, Part III", Kate had expressed very little interest in Claire or Aaron. Yet, nearly three years later found Kate willing to flee from Los Angeles with Aaron, due to her fear that the courts would have a legal reason to take him away from her. These two story arcs seemed to have the strongest connections to the episode's title. 

However, I had trouble making any connections between the Oceanic Six's lies and the other story arcs. If there were any connections, they struck me as a bit weak - in the case of Ben's visit to Eloise Hawking and the butcher shop that was holding Locke's body, or barely non-existent - the remaining survivors' travails with time traveling. Mind you, I found both story arcs fascinating. Ben's visit with Ms. Hawkings eventually played out in a near future episode. And the story arc surrounding those left behind on the island proved to be action-filled and very exciting. But again, their story arcs seemed to have a stronger connection to the island incidents in "There's No Place Like Home" than the Oceanic Six's lies. Speaking of the latter, I do have to give Horowitz, Kitsis and director Jack Bender for injecting a good deal of mystery regarding the island inhabitants' time traveling experiences, along with both drama and action. I am sure that many viewers were on the edge of their seats over the identities of the castaways' attackers - especially the two uniformed men who tried to kill Sawyer and Juliet.

But the crux of the episode seemed to be all about the climax over Hurley's emotional dilemma over his return to Los Angeles, along with his guilt over leaving behind many of his fellow castaways. I have rather mixed feelings about this particular story arc. On one hand, I thought Hurley's confession to Mrs. Reyes about the island seemed like an emotional payoff of his survivor guilt that first manifested in the flash forward scenes from the Season Four episode, (4.01) "The Beginning of the End". But Horowitz and Kitsis undermined this emotional payoff by having Hurley turning himself in to the authorities, after Ben Linus confronted him about returning to the island. What was the point of that? Ben gave him the opportunity to finally return to the island and put his mind at ease over leaving some of his fellow castaways behind . . . and "poof" . . . he decides to ignore Ben's offer? Even after Ana-Lucia Cortez's ghost had warned him to avoid the police?

There are some who believe that "The Lie" is an unevenly paced episode. Perhaps. I thought the episode featured too many story arcs. And if it was supposed to be the second half of a two-part episode, I wish that show runners Carlton Cuse and Damon Lindehof had not given the two episodes different titles . . . with different themes. Their actions only left me in a conundrum over whether "The Lie" is a two-part episode or not. Regardless, the opening episodes of Season Five struck me as unevenly handled, despite some very memorable scenes and performances, especially from Jorge Garcia.